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28 - The Stage Is the World: Theatrical and Musical Entertainment in Three Japanese Treaty Ports, Asian Cultural Studies, 23, 3, 1997, 137-159

Published online by Cambridge University Press:  07 May 2022

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Summary

PROLOGUE IN NAGASAKI, DECEMBER, 1869

The Prologue! What about? What can I say

As introduction to our play?

It isn't difficult to find the time

Cool, pleasant Winter comes on us once more,

In this “deserted village” on the shore:

We have no snow-clad hills, no ice-bound streams;

Our homely Winter dwells but in our dreams;

No chill November's surly blast is here;

No shrouding snow attends the dying year.

Even Christmas comes as if t’ were out of place,

And New – Year scarcely shows its face;

There are no merry gatherings, as we find

At home, to call that well-loved home to mind.

Still, we would wish to help you all we can

To make you fancy you’re not in Japan;

And so our meetings may make some amends

For what we miss – society and friends.

I thought of talking about business cares,

But there's no business here, as it appears:—Exports are principally tea—and, with

Regard to these, you’d best ask Cha-sze Sm-th.

Imports! When cargo comes, it's always found That consignees look glum if it is sound.

The only money's made from survey-fees,

Auction commissions, and such things as these.

In days of kinsats and of nibookin1—

(Though some bad niboos may have been called in)—

One can but sit and note the wondrous rage

Of that cantankerous article, Exchange;

Or muse and mutter, with a clouded brow,—

Niboos four-twenty-five! Where are we now?

That's not exciting; and excitement's scarce;

And now my duty calls on me once more

T’apologize for our Dramatic Corps:

Last season we were but a small array—

Now envious Kobe's called our best away;

If they were any good to them, we’d let them,

But when they only spoil them when they get them.

Our two new members I need scarcely name,

Save as they hold, with us, a common aim

Of pleasing you. And now, I’d only ask

Your kind indulgence in our arduous task.

Professionals we don't profess to be—

We’re but The Nagasaki A.D.C.

THE STAGE IS THE WORLD

Introduction

This lengthy prologue (abridged here) was recited by the principal actor, Mr. Drinkwater, before the Nagasaki Amateur Dramatic Corps took the stage at the Olympic Theatre to start its season in December, 1869.

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