Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-cnmwb Total loading time: 0 Render date: 2024-07-16T23:04:11.761Z Has data issue: false hasContentIssue false

4 - Purgatorial Gluttony

Published online by Cambridge University Press:  15 September 2022

Get access

Summary

Abstract

After Inferno demonstrates how the unrepentant gluttons dilute their essence, descending into a bestial consumption that leads them to eat the flesh of their own loins, in Purgatorio Dante models how gluttony can be corrected and channeled into productivity. Coding the poetry of his former cohort as the consequence of overeating, Dante contrasts their now-obsolete poetic production with his own successful composition in the dolce stil novo. Turning once more to the question of procreation, but in the form of bodies and souls, Dante emphatically confirms the connection between consuming and creating, and insists that anyone who knows how to eat can contribute to the formation of a lasting human community, be it through poetry, politics, or procreation.

Keywords: embryology, poetics, politics, procreation, productivity

The affinity between Ciacco's pronouncement in Inferno 6 and Forese Donati's lines in Purgatorio 23 is not only generated by the repeated prophecy of Florence's demise. Just as the ostensible disconnect between Ciacco's sin and his speech organized a demonstration of the correlation between gluttony, identity, and civic duty, so too the peculiar selection of a place dedicated to punishing gluttons for a conversation about body and soul will reveal itself to articulate gluttony's crucial role in human reproduction and salvation. As Dante will learn when he nears the top of the purgatorial mountain, body and soul are first joined when God infuses a soul into the embryo—formed from male and female contributions that are themselves the result of the digestion of food. This explanation is delivered in a memorable and much-discussed monologue by the Roman poet Statius, who responds to the pilgrim's query about the shades’ bodies made thin by a lack of food, despite no longer requiring earthly sustenance: “Como si può far magro / là dove uopo di nodrir non tocca?” (How can thinness occur where there is no need for nourishment?; Purg. 25.20–21). At this prompting, Statius reveals a comprehensive embryology that demonstrates how the process of eating leads first to the production of human bodies, then to the infusion of human souls, then to the death of the body, the projection of souls into shades, and finally, to the reunification of body and soul at the end of time.

Type
Chapter
Information
Dante's Gluttons
Food and Society from the Convivio to the Comedy
, pp. 121 - 148
Publisher: Amsterdam University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×