Book contents
- Frontmatter
- Contents
- List of tables
- Acknowledgements
- Introduction
- Part I Broadcasting institutions and childhood
- Part II The social functions of broadcasting
- Part III The art of television
- 8 Media literacy and the understanding of narrative (with David Machin)
- 9 Animation
- Conclusion: children and television drama – narrative closure?
- Appendix 1
- Appendix 2
- References
- Index
9 - Animation
Published online by Cambridge University Press: 12 October 2009
- Frontmatter
- Contents
- List of tables
- Acknowledgements
- Introduction
- Part I Broadcasting institutions and childhood
- Part II The social functions of broadcasting
- Part III The art of television
- 8 Media literacy and the understanding of narrative (with David Machin)
- 9 Animation
- Conclusion: children and television drama – narrative closure?
- Appendix 1
- Appendix 2
- References
- Index
Summary
In cartoons you can do anything, you can do anything really, you can make anything happen, as long as you can draw it. With films, I really like films, because it's real people and they are doing things sort of like more clear and more firm – the colours – and you can see all the things that are happening and it makes you feel it is true. While in cartoons you know it is only drawings.
Girl, 7, outer-London primary schoolAs this little girl was able to explain, animation is a form of filmed storytelling in which, instead of actors performing live, still drawings or models are used to portray actions; each frame portrays a minute element of a movement, either drawn, or modelled (as with claymation, or model figures) or computer-generated, which when projected at 24 frames a second, simulate movement. Animation as a technique is thus very far from being representationally realistic in the way that photographic images are; as such, the form presents a number of challenges for scholars interested in evaluating children's understanding of and critical responses to media (for example, Hodge and Tripp, 1986). Animation is a genre extremely popular with children, and one which has aroused some concern about the social impact of its exaggerated representations of extreme violence (for example, Gerbner et al., 1978; Kline, 1993). But, as this child's comments make clear, it is a genre whose basic technique makes a profound difference to the way the events portrayed are interpreted: they are ‘only drawings’. Animation, as this girl points out, is not bound by the rules of realism applying to live human characters, and from this many other kinds of judgements follow.
- Type
- Chapter
- Information
- 'Dear BBC'Children, Television Storytelling and the Public Sphere, pp. 225 - 241Publisher: Cambridge University PressPrint publication year: 2001