Deleuze and Contemporary Art

Leading figures in the Deleuzean philosophy of art criticism field contribute chapters that explore the extensive writings on art art history and aesthetics in the realm of contemporary art of Deleuze and Guattari.

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Contents

Frontmatter
pp i-iv
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Contents
pp v-vi
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Acknowledgements
pp vii-vii
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List of Illustrations
pp viii-xii
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Introduction: Deleuze and Guattari and Contemporary Art
pp 1-12
- By Stephen Zepke, Simon O'Sullivan, Goldsmiths College
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POLITICS
pp 13-14
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1 - The Politics of the Scream in a Threnody
pp 15-33
- By Gustavo Chirolla Ospina, Javeriana University
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2 - A Shift Towards the Unnameable
pp 34-42
- By Suely Rolnik, Universidade Católica de São Paulo
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3 - The Heterogenesis of Fleeing
pp 43-62
- By Gerald Raunig, University of Klagenfurt
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4 - Anita Fricek: Contemporary Painting as Institutional Critique
pp 63-82
- By Stephen Zepke
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THE AESTHETIC PARADIGM
pp 83-84
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5 - Capitalism and Schizophrenia and Consensus: Of Relational Aesthetics
pp 85-99
- By Eric Alliez, Middlesex University
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6 - The Practice and Anti-Dialectical Thought of an ‘Anartist’
pp 100-115
- By Maurizio Lazzarato
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7 - Ethologies of Software Art: What Can a Digital Body of Code Do?
pp 116-132
- By Jussi Parikka, Anglia Ruskin University
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8 - Fractal Philosophy (And the Small Matter of Learning How to Listen): Attunement as the Task of Art
pp 133-154
- By Johnny Golding, University of Greenwich
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SCENES AND ENCOUNTERS
pp 155-156
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9 - An Art Scene as Big as the Ritz: The Logic of Scenes
pp 157-175
- By David Burrows, Birmingham City University
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10 - Abstract Humour, Humorous Abstraction
pp 176-188
- By Robert Garnett
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11 - From Aesthetics to the Abstract Machine: Deleuze, Guattari and Contemporary Art Practice
pp 189-207
- By Simon O'Sullivan, University of London
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12 - Traps Against Capture
pp 208-224
- By Edgar Schmitz, Goldsmiths College
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TECHNOLOGIES
pp 225-226
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13 - Sign and Information: On Anestis Logothetis' Graphical Notations
pp 227-245
- By Claudia Mongini, University of Turin
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14 - Anti-Electra: Totemism and Schizogamy
pp 246-265
- By Elisabeth von Samsonow
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15 - Unimaginable Happenings: Material Movements in the Plane of Composition
pp 266-285
- By Barbara Bolt, University of Melbourne
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16 - BLOODCRYSTALPOLLENSTAR
pp 286-309
- By Neil Chapman, Duncan of Jordanstone College, Ola Stahl, Central Saint Martins College
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Notes on Contributors
pp 310-316
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Index
pp 317-324
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Deleuze and Contemporary Art

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Contents

Frontmatter
pp i-iv

Contents
pp v-vi

Acknowledgements
pp vii-vii

List of Illustrations
pp viii-xii

Introduction: Deleuze and Guattari and Contemporary Art
pp 1-12

POLITICS
pp 13-14

1 - The Politics of the Scream in a Threnody
pp 15-33

2 - A Shift Towards the Unnameable
pp 34-42

3 - The Heterogenesis of Fleeing
pp 43-62

4 - Anita Fricek: Contemporary Painting as Institutional Critique
pp 63-82

THE AESTHETIC PARADIGM
pp 83-84

5 - Capitalism and Schizophrenia and Consensus: Of Relational Aesthetics
pp 85-99

6 - The Practice and Anti-Dialectical Thought of an ‘Anartist’
pp 100-115

7 - Ethologies of Software Art: What Can a Digital Body of Code Do?
pp 116-132

8 - Fractal Philosophy (And the Small Matter of Learning How to Listen): Attunement as the Task of Art
pp 133-154

SCENES AND ENCOUNTERS
pp 155-156

9 - An Art Scene as Big as the Ritz: The Logic of Scenes
pp 157-175

10 - Abstract Humour, Humorous Abstraction
pp 176-188

11 - From Aesthetics to the Abstract Machine: Deleuze, Guattari and Contemporary Art Practice
pp 189-207

12 - Traps Against Capture
pp 208-224

TECHNOLOGIES
pp 225-226

13 - Sign and Information: On Anestis Logothetis' Graphical Notations
pp 227-245

14 - Anti-Electra: Totemism and Schizogamy
pp 246-265

15 - Unimaginable Happenings: Material Movements in the Plane of Composition
pp 266-285

16 - BLOODCRYSTALPOLLENSTAR
pp 286-309

Notes on Contributors
pp 310-316

Index
pp 317-324

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Deleuze and Contemporary Art

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