Ackroyd, Peter. Dickens. London: Vintage, 1999.Google Scholar

Adburgham, Alison. Shops and Shopping 1800–1914: Where, and in What Manner the Well-dressed Englishwoman Bought her Clothes. London: Allen and Unwin, 1964.Google Scholar

Adorno, Theodor. ‘On Dickens’ The Old Curiosity Shop: A Lecture’. In Notes to Literature v.2, edited by Tiedmann, Rolf, Nicholsen, Shierry Weber, 171–7. Columbia: Columbia University Press, 1992.Google Scholar

Alberti, Sam. Morbid Curiosities: Medical Museums in Nineteenth-Century Britain. Oxford: Oxford University Press, 2011.CrossRefGoogle Scholar

Alborn, Timothy. Regulated Lives: Life Insurance and British Society 1800–1914. Toronto: University of Toronto Press, 2009.CrossRefGoogle Scholar

Altick, Richard. The Shows of London. Cambridge, MA.: Belknap Press of Harvard University Press, 1978.Google Scholar

Andrews, Malcolm. Charles Dickens and His Performing Selves. Oxford: Oxford University Press, 2007.Google Scholar

Appadurai, Arjun. ‘Introduction: Commodities and the Politics of Value’. In The Social Life of Things: Commodities in Cultural Perspective, edited by Appadurai, Arjun, 3–63. NY: Cambridge University Press, 1986.CrossRefGoogle Scholar

Ariès, Philippe. The Hour of Our Death. Translated by Weaver, Helen. NY: Vintage Books, 1981 repr. 2008.Google Scholar

Armstrong, Isobel. Victorian Glassworlds: Glass Culture and the Imagination, 1830–1880. Oxford: Oxford University Press, 2008.Google Scholar

Arnold, Catherine. Necropolis: London and Its Dead. London: Pocket Books, 2006.Google Scholar

Bakhtin, Mikhail. The Dialogic Imagination: Four Essays, edited by Holquist, Michael and translated by Emerson, Caryl and Holquist, Michael. Austin: University of Texas Press, 1981.Google Scholar

Bakhtin, Mikhail. Rabelais and His World. Translated by Iswolsky, Hélène. Bloomington: Indiana University Press, 1984.Google Scholar

Barrell, John. Imagining the King’s Death: Figurative Treason, Fantasies of Regicide 1793–1796. Oxford: Oxford University Press, 2000.CrossRefGoogle Scholar

Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Howard, Richard. London: Vintage: 1993.Google Scholar

Batchen, Geoffrey. ‘Ere the Substance Fade: Photography and Hair Jewellery’. In Photographs Objects Histories: On the Materiality of Images, edited by Edwards, Elizabeth and Hart, Janice, 32–46. London: Routledge, 2005.Google Scholar

Beer, Gillian. Open Fields: Science in Cultural Encounter. Oxford: Oxford University Press, 1996 repr. 2006.CrossRefGoogle Scholar

Behrendt, Stephen. Royal Mourning and Regency Culture: Elegies and Memorials of Princess Charlotte. London: Macmillan, 1997.CrossRefGoogle Scholar

Benjamin, Walter. The Arcades Project Translated by Eiland, Howard and McLaughlin, Kevin, based on the German volume edited by Tiedemann, Rolf. Cambridge, MA.: Belknap Press of Harvard University Press, 2002.Google Scholar

Benjamin, Walter. ‘Little History of Photography’. In Selected Writings v.2, 1927–1934 edited by Jennings, Michael W., Eiland, Howard, and Smith, Gary, translated by Livingstone, Rodney, 507–30. Cambridge, MA.: Belknap Press of Harvard University Press, 1999.Google Scholar

Benjamin, Walter. The Origin of German Tragic Drama. Translated by Osborne, John. London and NY: Verso, 1998.Google Scholar

Benjamin, Walter. ‘Paris, Capital of the Nineteenth Century’. In Reflections: Essays, Aphorisms, Autobiographical Writings, edited by Demetz, Peter, translated by Jephcott, Edmund, 146–62. NY: Schocken Books, 2007.Google Scholar

Benjamin, Walter. ‘The Storyteller’. In Illuminations, edited by Arendt, Hannah, translated by Zorn, Harry, 83–107. London: Pimlico, 1999.Google Scholar

Benjamin, Walter. ‘The Work of Art in the Age of Mechanical Reproduction’. In Illuminations, edited by Arendt, Hannah, translated by Zorn, Harry, 211–44. London: Pimlico, 1999.Google Scholar

Bennett, Tony. The Birth of the Museum: History, Theory, Politics. London and NY: Routledge, 1995.Google Scholar

Bennington, Geoffrey. Sententiousness and the Novel: Laying Down the Law in Eighteenth-Century French Fiction. Cambridge: Cambridge University Press, 1985.Google Scholar

Bevis, Matthew. ‘Dickens in Public’. Essays in Criticism 51 (2001): 330–52.CrossRefGoogle Scholar

Bigelow, Gordon. ‘Market Indicators: Banking and Domesticity in Dickens’s Bleak House’. ELH 67 (2000): 589–615.CrossRefGoogle Scholar

Blair, Robert. The Grave. A Poem. 4th edition. London: J. Waugh, 1753.Google Scholar

Blanchard, Samuel Laman. ‘A Visit to the General Cemetery at Kensal Green’. Illustrated by Delamotte, W. Alfred. Ainsworth’s Magazine 2 (1842): 177–88.Google Scholar

Blount, Trevor. ‘The Graveyard Satire of Bleak House in the Context of 1850’. Review of English Studies 14 (1963): 370–78.Google Scholar

Bodenheimer, Rosemarie. Knowing Dickens. Ithaca: Cornell University Press, 2007.Google Scholar

Boehm, Katharina. ‘“A Place for More than the Healing of Bodily Sickness”: Charles Dickens, the Social Mission of Nineteenth-Century Pediatrics, and the Great Ormond Street Hospital for Sick Children’. Victorian Review 35 (2009): 153–74.CrossRefGoogle Scholar

Bowen, John. ‘Bebelle and “His Boots”: Dickens, Ellen Ternan and The Christmas Stories’. Dickensian 96 (2000): 197–208.Google Scholar

Bowen, John. ‘Counting On: A Tale of Two Cities’. In Charles Dickens, A Tale of Two Cities and the French Revolution, edited by Jones, Colin, McDonagh, Josephine and Mee, Jon, 104–25. Basingstoke: Palgrave Macmillan, 2009.Google Scholar

Bowen, John. ‘A Garland for The Old Curiosity Shop’. Dickens Studies Annual 37 (2006): 1–16.Google Scholar

Bowen, John. Other Dickens: Pickwick to Chuzzlewit. Oxford: Oxford University Press, 2003.Google Scholar

Bowen, John. ‘Uncanny Gifts, Strange Contagion: Allegory in The Haunted Man’. In Contemporary Dickens, edited by Gillooly, Eileen and David, Deirdre, 75–92. Columbus: Ohio State University Press, 2009.Google Scholar

Bowen, John, and Patten, Robert L., eds. Palgrave Advances in Dickens Studies. Basingstoke: Palgrave Macmillan, 2005.Google Scholar

Bowlby, Rachel. Just Looking: Consumer Culture in Dreiser, Gissing and Zola. NY and London: Methuen, 1985.Google Scholar

Briggs, Asa. Victorian Things. London: Penguin Books, 1988.Google Scholar

Bronfen, Elisabeth. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester: Manchester University Press, 1992.Google Scholar

Brooks, Peter. Body Work: Objects of Desire in Modern Narrative. Cambridge, MA.: Harvard University Press, 1993.CrossRefGoogle Scholar

Brown, Bill, ed. Things. Chicago: University of Chicago Press, 2004.Google Scholar

Cannadine, David. ‘War and Death, Grief and Mourning in Modern Britain’. In Mirrors of Mortality: Studies in the Social History of Death, edited by Whaley, Joachim, 187–242. London: Europa Publications, 1981.Google Scholar

Carey, John. The Violent Effigy: A Study of Dickens’ Imagination. London: Faber and Faber, 1973.Google Scholar

Carlisle, Janice. Common Scents: Comparative Encounters in High-Victorian Fiction. Oxford: Oxford University Press, 2004.CrossRefGoogle Scholar

Chadwick, Edwin. A Supplementary Report on the Results of a Spiecal [sic] Inquiry into the Practice of Interment in Towns. London: W. Clowes and Son, 1843.Google Scholar

Cheney, Annie. Body Brokers: Inside America’s Underground Trade in Human Remains. NY: Broadway Books, 2006.Google Scholar

Chesterton, G. K.Charles Dickens. 5th edition. London: Methuen, 1907.Google Scholar

Chesterton, G. K.Criticisms and Appreciations of the Works of Charles Dickens. London: House of Stratus, 2001.Google Scholar

Claybaugh, Amanda. ‘Towards a New Transatlanticism: Dickens in the United States’. Victorian Studies 48 (2006): 439–60.CrossRefGoogle Scholar

Clayton, Jay. Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture. Oxford: Oxford University Press, 2003.CrossRefGoogle Scholar

Cohen, Jane R.Charles Dickens and His Original Illustrators. Columbus: Ohio State University Press, 1980.Google Scholar

Cohen, William A.Embodied: Victorian Literature and the Senses. Minneapolis: University of Minnesota Press, 2008.Google Scholar

Cohen, William A. ‘Manual Conduct in Great Expectations’. ELH 60 (1993): 217–59.Google Scholar

Collins, Charles Allston. ‘Our Eye-Witness in Great Company’. All the Year Round 37, 7 January 1860: 240–53.Google Scholar

Collins, Philip, ed. Charles Dickens: The Public Readings. Oxford: Clarendon Press, 1975.Google Scholar

Collins, Philip. Dickens and Crime. 2nd edn. London: Macmillan, 1965.Google Scholar

Collins, Philip, ed. Dickens: The Critical Heritage. London: Routledge and Kegan Paul, 1971.Google Scholar

Connor, Steven. The Book of Skin. Ithaca: Cornell University Press, 2004.Google Scholar

Connor, Steven. ‘Dead? Or Alive?: Edwin Drood and the Work of Mourning’. Dickensian 89 (1993): 85–102.Google Scholar

Connor, Steven. Dumbstruck: A Cultural History of Ventriloquism. Oxford: Oxford University Press, 2000.CrossRefGoogle Scholar

Costello, Dudley. ‘Dead Reckoning at the Morgue’. Household Words 8, 1 October 1853: 112–16.Google Scholar

Crone, Rosalind. Violent Victorians: Popular Entertainment in Nineteenth-Century LondonManchester: Manchester University Press, 2012.Google Scholar

Cunnington, Phillis, and Lucas, Catherine. Costumes for Births, Marriages and Deaths. London: Adam and Charles Black, 1972.Google Scholar

Curl, James Stevens. The Victorian Celebration of Death. Stroud: Sutton Publishing, 2000 repr. 2004.Google Scholar

Curtis, Gerard. Visual Words: Art and the Material Book in Victorian England. Aldershot: Ashgate, 2002.Google Scholar

Dacome, Lucia. ‘Women, Wax and Anatomy in the “Century of Things”’. Renaissance Studies 21 (2007): 522–50.CrossRefGoogle Scholar

Davey, Richard. A History of Mourning. London: Jay’s, n.d. [1889].Google Scholar

Davis, Philip. ‘Victorian Realist Prose and Sentimentality’. In Rereading Victorian Fiction, edited by Jenkins, Alice and John, Juliet, 13–28. Basingstoke: Palgrave, 2000.CrossRefGoogle Scholar

Debord, Guy. Society of the Spectacle. Translated by Knabb, Ken. London: Rebel Press, 1992.Google Scholar

De Pascale, Enrico. Death and Resurrection in Art. Translated by Shugaar, Anthony. LA: J. Paul Getty Museum, 2009.Google Scholar

Dever, Carolyn. Death and the Mother from Dickens to Freud: Victorian Fiction and the Anxiety of Origins. 2nd edition. Cambridge: Cambridg University Press, 2006.Google Scholar

Dickens, Charles. Barnaby Rudge. Edited by Bowen, John. London: Penguin Books, 2003.Google Scholar

Dickens, Charles. Bleak House. Edited by Bradbury, Nicola. London: Penguin Books, 2003.Google Scholar

Dickens, Charles. Bleak House: An Authoritative and Annotated Text. Edited by Ford, George H. and Monod, Sylvère. NY: Norton, 1977.Google Scholar

Dickens, Charles. ‘Capital Punishment’. Daily News. 28 February 1846: 6.Google Scholar

Dickens, Charles. ‘Capital Punishment’. In Miscellaneous Papers, edited by Matz, B. M., 21–41. London: Chapman and Hall, 1908.Google Scholar

Dickens, Charles. ‘A Child’s Dream of a Star’. In Dickens’ Journalism v.2. ‘The Amusements of the People’ and Other Papers: Reports, Essays and Reviews 1834–1851, edited by Slater, Michael, 185–88. London: J. M. Dent, 1996.Google Scholar

Dickens, Charles. The Christmas Stories. Edited by Glancy, Ruth. London: Everyman, 1996.Google Scholar

Dickens, Charles. ‘Court Ceremonies’. In Dickens’ Journalism v.2. ‘The Amusements of the People’ and Other Papers: Reports, Essays and Reviews 1834–1851, edited by Slater, Michael, 172–5. London: J. M. Dent, 1996.Google Scholar

Dickens, Charles. David Copperfield. Edited by Tambling, Jeremy. London: Penguin Books, 2004.Google Scholar

Dickens, Charles. David Copperfield. Edited by Burgis, Nina. Oxford: Clarendon Press, 1981.Google Scholar

Dickens, Charles. Doctor Marigold’s Prescriptions. Edited by Gregory, Melissa Valiska and Klimaszewski, Melisa. London: Hesperus Classics, 2007.Google Scholar

Dickens, Charles. Dombey and Son. Edited by Sanders, Andrew. London: Penguin Books, 2002.Google Scholar

Dickens, Charles. ‘The Finishing Schoolmaster’. In Dickens’ Journalism v.2. ‘The Amusements of the People’ and Other Papers: Reports, Essays and Reviews 1834–1851, edited by Slater, Michael, 350–56. London: J. M. Dent, 1996.Google Scholar

Dickens, Charles. ‘From the Raven in the Happy Family [ii]’. Household Words 1, 8 June 1850: 241–2.Google Scholar

Dickens, Charles. ‘George Silverman’s Explanation’. In Selected Short Fiction, edited by Thomas, Deborah A., 379–406. London: Penguin Books, 1985.Google Scholar

Dickens, Charles. ‘Gone Astray’. In Dickens’ Journalism v.3. ‘Gone Astray’ and Other Papers from Household Words 1851–1859, edited by Slater, Michael, 155–65. London: J. M. Dent, 1998.Google Scholar

Dickens, Charles. Great Expectations. Edited by Rosenberg, Edgar. NY: Norton, 1999.Google Scholar

Dickens, Charles. Hard Times. Edited by Flint, Kate. London: Penguin Books, 2003.Google Scholar

Dickens, Charles. Little Dorrit. Edited by Wall, Stephen and Small, Helen. London: Penguin Books, 2003.Google Scholar

Dickens, Charles. ‘Lying Awake’. In Dickens’ Journalism v.3. ‘Gone Astray’ and Other Papers from Household Words 1851–1859, edited by Slater, Michael, 88–95. London: J. M. Dent, 1998.Google Scholar

Dickens, Charles. Martin Chuzzlewit. Edited by Cardwell, Margaret. Oxford: Clarendon Press, 1982.Google Scholar

Dickens, Charles. Martin Chuzzlewit. Edited by Ingham, Patricia. London: Penguin Books, 2004.Google Scholar

Dickens, Charles. Master Humphrey’s Clock v.2. London: Chapman and Hall, 1841.Google Scholar

Dickens, Charles. Master Humphrey’s Clock and Other Stories. Edited by Mudford, Peter. London: Everyman, 1997.Google Scholar

Dickens, Charles. ‘A Monument of French Folly’. In Selected Journalism 1850–1870, edited by Pascoe, David, 427–37. London: Penguin Books, 1997.Google Scholar

Dickens, Charles. The Mystery of Edwin Drood. Edited by Paroissien, David. London: Penguin Books, 2002.Google Scholar

Dickens, Charles. The Mystery of Edwin Drood. Edited by Cardwell, Margaret. Oxford: Clarendon Press, 1972.Google Scholar

Dickens, Charles. The Old Curiosity Shop. Edited by Brennan, Elizabeth M.. Oxford: Oxford University Press, 1999.Google Scholar

Dickens, Charles. The Old Curiosity Shop. Edited by Brennan, Elizabeth M.. Oxford: Clarendon Press, 1997 repr. 2005.CrossRefGoogle Scholar

Dickens, Charles. Oliver Twist. Edited by Horne, Philip. London: Penguin Books, 2003.Google Scholar

Dickens, Charles. Our Mutual Friend. Edited by Poole, Adrian. London: Penguin Books, 1997.Google Scholar

Dickens, Charles. ‘A Paper-Mill’. In Selected Journalism 1850–1870, edited by Pascoe, David, 263–8. London: Penguin Books, 1997.Google Scholar

Dickens, Charles. Pictures from Italy. Edited by Flint, Kate. London: Penguin Books, 1998.Google Scholar

Dickens, Charles. The Pilgrim Edition of the Letters of Charles Dickens. 12 vol. Edited by House, Madeline, Storey, Graham and Tillotson, Kathleen. Oxford: Clarendon Press, 1965–2002.Google Scholar

Dickens, Charles. ‘Railway Dreaming’. In Dickens’ Journalism v.3. ‘Gone Astray’ and Other Papers from Household Words 1851–1859, edited by Slater, Michael, 369–76. London: J. M. Dent, 1998.Google Scholar

Dickens, Charles. Sketches by Boz. Edited by Walder, Dennis. London: Penguin Books, 1995.Google Scholar

Dickens, Charles. ‘The Spirit Business’. In Selected Journalism 1850–1870, edited by Pascoe, David, 553–9. London: Penguin Books, 1997.Google Scholar

Dickens, Charles. ‘Stores for the First of April’. Household Words 15, 7 March 1857: 217–22.Google Scholar

Dickens, Charles. A Tale of Two Cities. Edited by Maxwell, Richard. London: Penguin Books, 2003.Google Scholar

Dickens, Charles. ‘Trading in Death’. In Dickens’ Journalism v.3. ‘Gone Astray’ and Other Papers from Household Words 1851–1859, edited by Slater, Michael, 95–105. London: J. M. Dent, 1998.Google Scholar

Dickens, Charles. ‘The Uncommercial Traveller: The City of the Absent’. In Dickens’ Journalism v.4. The Uncommercial Traveller and Other Papers 1859–1870. Edited by Slater, Michael and Drew, John, 260–69. London: J. M. Dent, 2000.Google Scholar

Dickens, Charles. ‘The Uncommercial Traveller: City of London Churches’. In Dickens’ Journalism v.4. The Uncommercial Traveller and Other Papers 1859–1870. Edited by Slater, Michael and Drew, John, 105–16. London: J. M. Dent, 2000.Google Scholar

Dickens, Charles. ‘The Uncommercial Traveller: Medicine Men of Civilization’. In Dickens’ Journalism v.4. The Uncommercial Traveller and Other Papers 1859–1870. Edited by Slater, Michael and Drew, John, 306–14. London: J. M. Dent, 2000.Google Scholar

Dickens, Charles. ‘The Uncommercial Traveller: Some Recollections of Mortality’. In Dickens’ Journalism v.4. The Uncommercial Traveller and Other Papers 1859–1870. Edited by Slater, Michael and Drew, John, 218–28. London: J. M. Dent, 2000.Google Scholar

Dickens, Charles. ‘The Uncommercial Traveller: Travelling Abroad’. In Dickens’ Journalism v.4. The Uncommercial Traveller and Other Papers 1859–1870. Edited by Slater, Michael and Drew, John, 83–96. London: J. M. Dent, 2000.Google Scholar

Dickens, Charles. ‘Well-Authenticated Rappings’. In Dickens’ Journalism v.3. ‘Gone Astray’ and Other Papers from Household Words 1851–1859, edited by Slater, Michael, 475–83. London: J. M. Dent, 1998.Google Scholar

Dickens, Charles, and Wills, W. H.. ‘The Doom of English Wills [i]’. Household Words 2, 28 September 1850: 1–4.Google Scholar

Douglas-Fairhurst, Robert. Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford: Oxford University Press, 2002.CrossRefGoogle Scholar

Dunn, Richard J. ‘Dickens and Mayhew Once More’. Nineteenth-Century Fiction 25 (1970): 348–53.CrossRefGoogle Scholar

Ebenstein, Joanna. ‘Ode to an Anatomical Venus’. WSQ: Women’s Studies Quarterly 40, nos. 3 and 4 (2012): 346–52.CrossRefGoogle Scholar

Etlin, Richard A.The Architecture of Death: The Transformations of the Cemetery in Eighteenth-Century Paris. Cambridge, MA.: MIT Press, 1984.Google Scholar

Eysell, Joanne. A Medical Companion to Dickens’s Fiction. Frankfurt am Main: Peter Lang, 2005.Google Scholar

Ferguson, Christine. ‘Sensational Dependence: Prosthesis and Affect in Dickens and Braddon’. Lit: Literature Interpretation Theory 19 (2008): 1–25.Google Scholar

Ferguson, Susan L. ‘Dickens’s Public Readings and the Victorian Author’. SEL 41 (2001): 729–49.Google Scholar

Fielding, K. J., ed. The Speeches of Charles Dickens. Oxford: Clarendon Press, 1960.Google Scholar

Flanders, Judith. The Invention of Murder: How the Victorians Revelled in Death and Detection and Created Modern Crime. London: Harper Press, 2011.Google Scholar

Flint, Kate. The Victorians and the Visual Imagination. Cambridge: Cambridge University Press, 2000.Google Scholar

Ford, George H.Dickens and His Readers: Aspects of Novel Criticism Since 1836. Princeton: Princeton University Press, 1955.Google Scholar

Forster, John. The Life of Charles Dickens. London: Chapman and Hall, 1892.Google Scholar

Foucault, Michel. Discipline and Punishment: The Birth of the Prison. 2nd edition. Translated by Sheridan, Alan. NY: Vintage Books, 1995.Google Scholar

Freedgood, Elaine. ‘Commodity Criticism and Victorian Thing Culture: The Case of Dickens’. In Contemporary Dickens, edited by Gillooly, Eileen and David, Deirdre, 152–68. Columbus: Ohio State University Press, 2009.Google Scholar

Freedgood, Elaine. The Ideas in Things: Fugitive Meaning in the Victorian Novel. Chicago: University of Chicago Press, 2006.CrossRefGoogle Scholar

Freud, Sigmund. ‘Mourning and Melancholia’. In The Penguin Freud Reader, edited by Phillips, Adam, 310–26. London: Penguin Books, 2006.Google Scholar

Froude, James. Thomas Carlyle: A History of His Life in London, 1834–1881 v.2. London: Longmans, Green and Co., 1884.Google Scholar

Furneaux, Holly. Queer Dickens: Erotics, Families, Masculinities. Oxford: Oxford University Press, 2009.CrossRefGoogle Scholar

Gallagher, Catherine. The Body Economic: Life, Death, and Sensation in Political Economy and the Victorian Novel. Princeton: Princeton University Press, 2006.Google Scholar

Gallagher, Catherine, and Greenblatt, Stephen. Practising New Historicism. Chicago and London: University of Chicago Press, 2000.Google Scholar

Gargano, Elizabeth. Reading Victorian Schoolrooms: Childhood and Education in Nineteenth-Century Fiction. NY: Routledge, 2008.Google Scholar

Garlick, Harry. ‘The Staging of Death: Iconography and the State Funeral of the Duke of Wellington’. Australian Journal of Art 9 (1992): 57–77.Google Scholar

Gates, Amy L. ‘Fixing Memory: The Effigial Forms of Felicia Hemans and Jeremy Bentham’. Women’s Writing 21 (2014): 58–73.CrossRefGoogle Scholar

Georgas, Marilyn. ‘Little Nell and the Art of Holy Dying: Dickens and Jeremy Taylor’, Dickens Studies Annual 20 (1991): 35–56.Google Scholar

Ghent, Dorothy. The English Novel: Form and Function. NY: Holt, Rinehart and Winston, 1961.Google Scholar

Gilbert, Pamela K.Mapping the Victorian Social Body. Albany: SUNY, 2004.CrossRefGoogle Scholar

Gittings, Clare. ‘Eccentric or Enlightened? Unusual Burial and Commemoration in England, 1689–1823’. Mortality 12 (2007): 321–49.Google Scholar

Goodlad, Lauren M. E. ‘A Riddle Without an Answer: Character and Education in Our Mutual Friend’. In Victorian Literature and the Victorian State: Character and Governance in a Liberal Society, 159–91. Baltimore and London: John Hopkins University Press, 2003.Google Scholar

Goodwin, Sarah Webster, and Bronfen, Elisabeth, eds. Death and Representation. Baltimore and London: John Hopkins University Press, 1993.Google Scholar

Gore, Mrs. ‘The Mute’. In Heads of the People: Or, Portraits of the English v.2. Drawn by Meadows, Kenny, with original essays by Jerrold, Douglas, Thackeray, Wm., Blanchard, Laman, Lover, Samuel, Rede, Leman, Hunt, Leigh, Gore, Mrs, Hall, Mrs S. C., Howitt, Wm., and others, 38–48. London: H.G. Bohn, 1864.Google Scholar

Graybill, Lela. ‘A Proximate Violence: Madame Tussaud’s Chamber of Horrors’. Nineteenth-Century Art Worldwide 9.2 (2010). www.19thc-artworldwide.org.Google Scholar

Grossman, Jonathan. Charles Dickens’s Networks: Public Transport and the Novel. Oxford: Oxford University Press, 2012.Google Scholar

Grove, Allen W. ‘Röntgen’s Ghosts: Photography, X-Rays, and the Victorian Imagination’. Literature and Medicine 16 (1997): 141–73.CrossRefGoogle ScholarPubMed

Guerrini, Anita. ‘Anatomists and Entrepreneurs in Early Eighteenth-Century London’. Journal of the History of Medicine and Allied Sciences 59 (2004): 219–39.CrossRefGoogle ScholarPubMed

Hager, Kelly. ‘Jasper Packlemerton, Victorian Freak’. Victorian Literature and Culture 34 (2006): 209–32.CrossRefGoogle Scholar

Hallam, Elizabeth, and Hockey, Jenny. Death, Memory and Material Culture. Oxford: Berg, 2001.Google Scholar

Harrison, Robert Pogue. The Dominion of the Dead. Chicago and London: University of Chicago Press, 2003.CrossRefGoogle Scholar

Harvey, John. Men in Black. London: Reaktion Books, 1997.Google Scholar

Hennelly, Mark M. Jr. ‘“Playing at Leap-frog with the Tombstones”: The “Danse Macabre” Motif in Dickens’. Essays in Literature 22 (1995): 227.Google Scholar

Herbert, Christopher. ‘The Occult in Bleak House’. NOVEL 17 (1984): 101–115.CrossRefGoogle Scholar

Herman, Agatha. ‘Death has a Touch of Class: Society and Space in Brookwood Cemetery, 1853–1903’. Journal of Historical Geography 36 (2010): 305–14.CrossRefGoogle Scholar

Higonnet, Patrice, Anne Higonnet, and Margaret Higonnet. ‘Façades: Walter Benjamin’s Paris’. Critical Inquiry 10 (1984): 391–419.CrossRefGoogle Scholar

Hills, Richard L.Papermaking in Britain 1488–1988, A Short History. London: Athlone Press, 1988.Google Scholar

Himmelfarb, Gertrude. The Idea of Poverty: England in the Early Industrial Age. London: Faber & Faber, 1984.Google Scholar

Holbein, Hans. The Dance of Death. Introduced by Dobson, Austin. NY: Scott-Thaw Company, 1903.Google Scholar

Hollington, Michael. ‘Dickens and the Dance of Death’. Dickensian 74 (1978): 66–75.Google Scholar

Holway, Tatiana M. ‘Funny Money’. In Contemporary Dickens, edited by Gillooly, Eileen and David, Deirdre, 169–88. Columbus: Ohio State University Press, 2009.Google Scholar

Hood, Thomas. Selected Poems of Thomas Hood. Edited by Clubbe, John. Cambridge, MA.: Harvard University Press, 1970.Google Scholar

Horne, Richard H. ‘Dust; or Ugliness Redeemed’. Household Words 1, 13 July 1850: 379–84.Google Scholar

Hotz, Mary Elizabeth. ‘Down among the Dead: Edwin Chadwick’s Burial Reform Discourse in Mid-Nineteenth-Century England’. Victorian Literature and Culture 29 (2001): 21–38.CrossRefGoogle Scholar

Hotz, Mary Elizabeth. Literary Remains: Representations of Death and Burial in Victorian England. Albany: SUNY, 2009.Google Scholar

Howarth, Glennys, and Leaman, Oliver, eds. Encyclopaedia of Death and Dying. London: Routledge, 2001.Google Scholar

Humpherys, Anne. ‘Dickens and Mayhew on the London Poor’. Dickens Studies Annual 4 (1975): 78–90.Google Scholar

Humpherys, Anne. ‘Victorian Stage Adaptations and Novel Appropriations’. In Dickens in Context, edited by Ledger, Sally and Furneaux, Holly, 27–34. Cambridge: Cambridge University Press, 2011.Google Scholar

Hurren, Elizabeth T.Dying for Victorian Medicine: English Anatomy and Its Trade in the Dead Poor, c.1834–1929. Basingstoke: Palgrave Macmillan, 2012.CrossRefGoogle Scholar

Hutter, Albert. ‘The Novelist as Resurrectionist: Dickens and the Dilemma of Death’. Dickens Studies Annual 12 (1983): 1–39.Google Scholar

Illustrated London News. ‘Economy in Mourning. Multiple Classified Advertising Items’. 24 September 1870: 323.Google Scholar

Illustrated London News. ‘Multiple Classified Advertising Items’. 29 July 1854: 92.Google Scholar

Illustrated London News. ‘Official Account of the Funeral Car of the Duke of Wellington’. 20 November 1852: 439.Google Scholar

Illustrated London News. ‘“Seats to Let.”—Memorabilia of the Late Funeral’. 27 November 1852: 486.Google Scholar

Illustrated London News. ‘State Funeral of the Duke of Wellington’. 6 November 1852: n.p.Google Scholar

Inglis, Katherine. ‘Thomas Carlyle’s Laystall and Charles Dickens’s Paper-Mill’. Carlyle Studies Annual 27 (2011): 159–76.Google Scholar

Jalland, Pat. Death in the Victorian Family. Oxford: Oxford University Press, 1996 repr. 2005.CrossRefGoogle Scholar

James, Louis, ed. Print and the People, 1819–1851. Middlesex, England: Penguin Books, 1976.Google Scholar

James, Regina. Losing Our Heads: Beheadings in Literature and Culture. NY and London: New York University Press, 2005.Google Scholar

James, Thomas. Part Second of the Mystery of Edwin Drood. By the Spirit-Pen of Charles Dickens, Through a Medium. Springfield, MA.: Clark W. Bryan & Company, 1878.Google Scholar

Jerrold, William Blanchard. ‘Deadly Lively’. Household Words 9, 25 March 1854: 138–40.Google Scholar

John, Juliet. Dickens and Mass Culture. Oxford: Oxford University Press, 2010.CrossRefGoogle Scholar

John Johnson Collection. ‘Biographical and Descriptive Sketches of the Distinguished Characters which Compose the Unrivalled Exhibition and Historical Gallery of Madame Tussaud and Sons’. London: G. Cole, 1856. Bodleian Library, Oxford, John Johnson Collection, Waxworks 5 (14). http://johnjohnson.chadwyck.com.Google Scholar

John Johnson Collection. George Augustus Sala. ‘Madame Tussaud’s Exhibition Catalogue’. 1892. Bodleian Library, Oxford, John Johnson Collection, Waxworks 5 (23). http://johnjohnson.chadwyck.com.Google Scholar

John Johnson Collection. ‘The Parisian Venus’. London: J. Turner, [?1844]. Bodleian Library, Oxford, John Johnson Collection, Waxworks 3 (34). http://johnjohnson.chadwyck.com.Google Scholar

Jordan, John O., ed. The Cambridge Companion to Charles Dickens. Cambridge: Cambridge University Press, 2001.CrossRefGoogle Scholar

Jordan, John O. ‘The Purloined Handkerchief’. Dickens Studies Annual 18 (1989): 1–17.Google Scholar

Jordan, John O.Supposing Bleak House. Charlottesville and London: University of Virginia Press, 2010.Google Scholar

Joseph, Gerhard and Tucker, Herbert F.. ‘Passing On: Death’. In A Companion to Victorian Literature and Culture, edited by Tucker, Herbert F., 110–24. Oxford: Blackwell Publishing, 1999 repr. 2006.Google Scholar

Jupp, Peter C. ‘Enon Chapel: No Way for the Dead’. In The Changing Face of Death: Historical Accounts of Death and Disposal, edited by Jupp, Peter C. and Howarth, Glennys, 90–104. Basingstoke: Macmillan, 1997.CrossRefGoogle Scholar

Kaplan, Fred. Sacred Tears: Sentimentality in Victorian Literature. Princeton: Princeton University Press, 1987.Google Scholar

Keister, Douglas. Stories in Stone: A Field Guide to Cemetery Symbolism and Iconography. Layton, Utah: Gibbs Smith, 2004.Google Scholar

Kincaid, James. Dickens and the Rhetoric of Laughter. Oxford: Clarendon Press, 1971.Google Scholar

Kincaid, James. ‘Dickens’s Subversive Humour: David Copperfield’. Nineteenth-Century Fiction 22 (1968): 313–29.CrossRefGoogle Scholar

Kitton, Frederic G.Dickens and His Illustrators. Amsterdam: S. Emmering, 1972.Google Scholar

Kosky, Jules. Mutual Friends: Charles Dickens and Great Ormond Street Children’s Hospital. London: Weidenfeld and Nicholson, 1989.Google Scholar

Kreilkamp, Ivan. Voice and the Victorian Storyteller. Cambridge: Cambridge University Press, 2005.CrossRefGoogle Scholar

Kristeva, Julia. Powers of Horror: An Essay on Abjection. Translated by Roudiez, Leon S.. NY: Columbia University Press, 1982.Google Scholar

Kselman, Thomas. Death and the Afterlife in Modern France. Princeton: Princeton University Press, 1993.Google Scholar

Kucich, John. ‘Death Worship among the Victorians: The Old Curiosity Shop’. PMLA 95 (1980): 58–72.Google Scholar

Laqueur, Thomas. ‘Bodies, Death and Pauper Funerals’. Representations 1 (1983): 109–31.CrossRefGoogle ScholarPubMed

Laqueur, Thomas. ‘Crowds, Carnival and the State in English Executions, 1604–1868’. In The First Modern Society, edited by Beier, A. L., Cannadine, David and Rosenheim, James M., 305–56. Cambridge: Cambridge University Press, 1989.Google Scholar

Leach, Robert. The Punch and Judy Show: History, Tradition and Meaning. London: Batsford Academic and Educational, 1985.Google Scholar

Ledger, Sally, and Furneaux, Holly, eds. Charles Dickens in Context. Cambridge: Cambridge University Press, 2011.CrossRefGoogle Scholar

Lerner, Laurence. Angels and Absences: Child Deaths in the Nineteenth Century. Nashville: Vanderbilt University Press, 1997.Google Scholar

Lewis, Peter. ‘Dickens and the Staplehurst Rail Crash, 9 June 1865’. Dickensian 104 (2008): 197–203.Google Scholar

Lindner, Christoph. Fictions of Commodity Culture: From the Victorian to the Postmodern. Aldershot: Ashgate, 2003.Google Scholar

Litten, Julian. The English Way of Death: The Common Funeral Since 1450. London: Robert Hale, 1991 repr. 2002.Google Scholar

Logan, Thad. The Victorian Parlour. Cambridge: Cambridge University Press, 2001.Google Scholar

London Review of Politics, Society, Literature, Art and Science. ‘Plum-Pudding Literature’. 11, 9 December 1865: 611–12.Google Scholar

Lutz, Deborah. ‘The Dead Still Among Us: Victorian Secular Relics, Hair Jewellery, and Death Culture’. Victorian Literature and Culture 39 (2011): 127–42.CrossRefGoogle Scholar

Lutz, Deborah. ‘Relics and Death Culture in Wuthering Heights’. NOVEL 45 (2012): 389–408.CrossRefGoogle Scholar

MacDonald, Helen. Human Remains: Episodes in Human Dissection. Carlton, Victoria: Melbourne University Press, 2005.Google Scholar

Marcus, Steven. Dickens: from Pickwick to Dombey. London: Chatto & Windus, 1965 repr. 1971.Google Scholar

Marler-Kennedy, Kara. ‘Immortelles: Literary, Botanical, and National Memories’. Romanticism and Victorianism on the Net53 (2009). http://id.erudit.org/iderudit/029897ar.html.Google Scholar

Marsh, Joss. ‘The Rise of Celebrity Culture’. In Dickens in Context, edited by Ledger, Sally and Furneaux, Holly, 98–108. Cambridge: Cambridge University Press, 2011.CrossRefGoogle Scholar

Marshall, Tim. Murdering to Dissect: Grave-Robbing, Frankenstein and the Anatomy Literature. Manchester: Manchester University Press, 1995.Google Scholar

Martens, Britta. ‘Death as Spectacle: The Paris Morgue in Dickens and Browning’. Dickens Studies Annual 39 (2008): 223–48.Google Scholar

Marx, Karl. Capital: An Abridged Edition. Edited by McLellan, David. Oxford: Oxford University Press, 1999.Google Scholar

Marx, Karl, and Engels, Friedrich. The Communist Manifesto. Edited and translated by Findlay, L. M.. Plymouth: Broadview, 2004.Google Scholar

Matthews, Samantha. Poetical Remains: Poets’ Graves, Bodies, and Books in the Nineteenth Century. Oxford: Oxford University Press, 2004.CrossRefGoogle Scholar

May, Trevor. The Victorian Undertaker. 4th edition. Princes Risborough: Shire Publications, 2007.Google Scholar

Mayhew, Henry. London Labour and the London Poor v.1. NY: Dover Publications, 1968.Google Scholar

Mayhew, Henry. London Labour and the London Poor: A Selected Edition. Edited by Douglas-Fairhurst, Robert. Oxford: Oxford University Press, 2010.Google Scholar

Mazzeno, Laurence W.The Dickens Industry: Critical Perspectives 1836–2005. Rochester, NY: Camden House, 2008.Google Scholar

McDonagh, Josephine. Child Murder and British Culture 1720–1900. Cambridge: Cambridge University Press, 2003.Google Scholar

McGlamery, Gayla, and Walsh, Joseph. ‘Mr. (H)Omer and the Iliadic Heroes of David Copperfield’. Classical and Modern Literature 20, no. 2 (2000): 1–20.Google Scholar

McLaughlin, Kevin. ‘Losing One’s Place: Displacement and Domesticity in Dickens’s Bleak House’. MLN 108 (1993): 875–90.CrossRefGoogle Scholar

Melville, Herman. ‘The Paradise of Bachelors and the Tartarus of Maids’. In The Oxford Book of American Short Stories, edited by Oates, Joyce Carol, 69–90. Oxford: Oxford University Press, 1992.Google Scholar

Michie, Helena. The Flesh Made Word: Female Figures and Women’s Bodies. Oxford: Oxford University Press, 1989.Google Scholar

Miller, Andrew H.Novels Behind Glass: Commodity Culture and Victorian Narrative. Cambridge: Cambridge University Press, 1995.CrossRefGoogle Scholar

Miller, D. A.The Novel and the Police. Berkeley: University of California Press, 1988.CrossRefGoogle Scholar

Miller, J. Hillis. Dickens: The World of his Novels. Cambridge, MA.: Harvard University Press, 1959.Google Scholar

Millgate, Michael. Testamentary Acts: Browning, Tennyson, James, Hardy. Oxford: Clarendon Press, 1992.Google Scholar

Morley, Henry, and Wills, W. H.. ‘Chips. Funerals in Paris’. Household Words 6, 27 November 1852: 257–60.Google Scholar

Morley, John. Death, Heaven and the Victorians. London: Studio Vista, 1971.Google Scholar

Nelson, Harland S. ‘Dickens’s Our Mutual Friend and Henry Mayhew’s London Labour and the London Poor’. Nineteenth-Century Fiction 20 (1965): 207–22.CrossRefGoogle Scholar

Newsom, Robert. Dickens on the Romantic Side of Familiar Things: Bleak House and the Novel Tradition. NY: Columbia University Press, 1977.Google Scholar

Nunokawa, Jeff. The Afterlife of Property: Domestic Security and the Victorian Novel. Princeton: Princeton University Press, 1994.CrossRefGoogle Scholar

O’Gorman, Francis. ‘Financial Markets and the Banking System’. In Dickens in Context, edited by Ledger, Sally and Furneaux, Holly, 276–83. Cambridge: Cambridge University Press, 2011.Google Scholar

Orwell, George. The Collected Essays, Journalism and Letters of George Orwell v.1: An Age Like This, 1920–1940. Edited by Orwell, Sonia and Angus, Ian. Harmondsworth: Penguin Books, 1976.Google Scholar

Pears, Iain. ‘The Gentleman and the Hero: Wellington and Napoleon in the Nineteenth Century’. In Myths of the English, edited by Porter, Roy, 216–36. Cambridge: Polity, 1992.Google Scholar

Pearsall, Cornelia D. J. ‘Burying the Duke: Victorian Mourning and the Funeral of the Duke of Wellington’. Victorian Literature and Culture 27 (1999): 365–93.CrossRefGoogle Scholar

Perry, Anne, ed. Death by Dickens. NY: Berkley Publishing Group, 2004.Google Scholar

Petch, Simon. ‘The Business of the Barrister in A Tale of Two Cities’. Criticism 44 (2002): 27–42.CrossRefGoogle Scholar

Pilbeam, Pamela. Madame Tussaud and the History of Waxworks. London: Hambledon Continuum, 2003.Google Scholar

Plotz, John. Portable Property: Victorian Culture on the Move. Princeton: Princeton University Press, 2008.CrossRefGoogle Scholar

Poe, Edgar Allan. Edgar Allan Poe: Essays and Reviews. NY: Literary Classics, 1984.Google Scholar

Pointon, Marcia. ‘Materializing Mourning: Hair, Jewellery and the Body’. In Material Memories, edited by Kwint, Marius, Breward, Christopher and Aynsley, Jeremy, 39–57. Oxford: Berg, 1999.Google Scholar

Poliquin, Rachel. The Breathless Zoo: Taxidermy and the Cultures of Longing. University Park, Penn: The Penn State University Press, 2012.Google Scholar

Poovey, Mary. Making a Social Body: British Cultural Formation, 1830–1864. Chicago and London: University of Chicago Press, 1995.Google Scholar

Pope-Hennessy, Una. Charles Dickens 1812–1870. London: The Reprint Society, 1947.Google Scholar

Powell, Sally. ‘Black Markets and Cadaverous Pies: The Corpse, Urban Trade and Industrial Consumption in the Penny Blood’. In Victorian Crime, Madness and Sensation, edited by Maunder, Andrew and Moore, Grace, 45–58. Farnham: Ashgate, 2004.Google Scholar

Price, Leah. The Anthology and the Rise of the Novel: From Richardson to George Eliot. Cambridge: Cambridge University Press, 2000.CrossRefGoogle Scholar

Puckle, Bertram S.Funeral Customs: Their Origin and Development. London: T. W. Laurie, 1926, repr. Detroit: Omnigraphics, 1990.Google Scholar

Punch. ‘Baker Street a Penal Settlement’. [Date unknown]: 238.Google Scholar

Punch. ‘The Mannings at Home’. 1 December 1849: 213.Google Scholar

Punch. ‘Our Little Bird. The Bermondsey Horror.—The Commodity of Murder’. 1 September 1849: 83.Google Scholar

Punch. ‘Performers in “The Grave Scene”’. 17 October 1857: 163.Google Scholar

Qualls, Barry. The Secular Pilgrims of Victorian Fiction. Cambridge: Cambridge University Press, 1982 repr. 2009.Google Scholar

Quigley, Christine. The Corpse: A History. Jefferson, North Carolina: McFarland & Company, 1996.Google Scholar

Radin, Margaret Jane. Contested Commodities. Cambridge, MA.: Harvard University Press, 2001.CrossRefGoogle Scholar

Ragon, Michel. The Space of Death: A Study of Funerary Architecture, Decoration, and Urbanism. Translated by Sheridan, Alan. Charlottesville: University Press of Virginia, 1983.Google Scholar

Richards, Thomas. The Commodity Culture of Victorian England: Advertising and Spectacle 1851–1914. Stanford: Stanford University Press, 1990.Google Scholar

Richardson, Ruth. Death, Dissection and the Destitute. 2nd edition. London: Phoenix Press, 2001.Google Scholar

Richardson, Ruth. ‘Why Was Death So Big in Victorian Britain?’ In Death, Ritual, and Bereavement, edited by Houlbrooke, Ralph, 105–17. London and NY: Routledge, 1989.Google Scholar

Ricks, Christopher, ed. Poems and Critics: An Anthology of Poetry and Criticism from Shakespeare to Hardy. London: Collins, 1966.Google Scholar

Roach, Mary. Stiff: the Curious Lives of Human Cadavers. London: Penguin Books, 2004.Google Scholar

Roberts, Kyle. ‘Locating Popular Religion in the Evangelical Tract: The Roots and Routes of The Dairyman’s Daughter’. Early American Studies: An Interdisciplinary Journal 4 (2006): 233–70.CrossRefGoogle Scholar

Rogers, Philip. ‘The Dynamics of Time in The Old Curiosity Shop’. Nineteenth-Century Fiction 28 (1973): 127–44, 139.CrossRefGoogle Scholar

Royle, Nicholas. ‘Our Mutual Friend’. In Dickens Refigured: Bodies, Desires and other Histories, edited by Schad, John, 39–54. Manchester: Manchester University Press, 1996.Google Scholar

Rugg, Julie. ‘From Reason to Regulation: 1760–1850’. In Death in England: An Illustrated History, edited by Jupp, Peter C. and Gittings, Clare, 202–29. Manchester: Manchester University P, 1999.Google Scholar

Rugg, Julie. ‘A New Burial Form and its Meanings: Cemetery Establishment in the first half of the Nineteenth Century’. In Grave Concerns: Death and Burial in England 1700 to 1850, edited by Cox, Margaret, 44–53. York: Council for British Archaeology, 1998.Google Scholar

Rugg, Julie. ‘The Origins and Progress of Cemetery Establishment in Britain’. In The Changing Face of Death: Historical Accounts of Death and Disposal, edited by Jupp, Peter C. and Howarth, Glennys, 105–19. Basingstoke: Macmillan, 1997.Google Scholar

Ruskin, John. ‘Fiction, Fair and Foul’. Nineteenth Century 7 (1880): 941–62.Google Scholar

Russell, Norman. The Novelist and Mammon: Literary Responses to the World of Commerce in the Nineteenth Century. Oxford: Clarendon Press, 1986.Google Scholar

Sadrin, Anny. Parentage and Inheritance in the Novels of Charles Dickens. Cambridge: Cambridge University Press, 1994.Google Scholar

Sales, Roger. ‘Platform, Performance and Payment in Henry Mayhew’s London Labour and the London Poor’. In Journalism, Literature and Modernity: From Hazlitt to Modernism, edited by Campbell, Kate, 54–71. Edinburgh: Edinburgh University Press, 2000.Google Scholar

Sanders, Andrew. Charles Dickens: Resurrectionist. London: Macmillan, 1982.CrossRefGoogle Scholar

Sanders, Andrew. The Companion to A Tale of Two Cities. London: Unwin Hyman, 1988.Google Scholar

Sattaur, Jennifer. ‘Thinking Objectively: An Overview of “Thing Theory” in Victorian Studies’. Victorian Literature and Culture 40 (2012): 347–57.CrossRefGoogle Scholar

Saturday Review of Politics, Literature, Science and Art. ‘Dr. Marigold’s Prescriptions’. 20, no. 529, 16 December 1865: 763–4.Google Scholar

Saturday Review of Politics, Literature, Science and Art. ‘Mr. Dickens’s Will’. 30, no. 770, 30 July 1870: 133–4.Google Scholar

Scandura, Jani. ‘Deadly Professions: Dracula, Undertakers, and the Embalmed Corpse’. Victorian Studies 40 (1996): 1–30.Google Scholar

Schlicke, Paul. Dickens and Popular Entertainment. London: Allen & Unwin, 1985.Google Scholar

Schlicke, Paul. ‘The Dickens Bicentenary’. Dickens Quarterly 29 (2012): 378–89.Google Scholar

Schlicke, Paul, ed. Oxford Reader’s Companion to Dickens. Oxford: Oxford University Press, 2000.Google Scholar

Schlicke, Paul. ‘The True Pathos of The Old Curiosity Shop’. Dickens Quarterly 7 (1990): 189–99.Google Scholar

Schor, Esther. Bearing the Dead: The British Culture of Mourning from the Enlightenment to Victoria. Princeton: Princeton University Press, 1994.CrossRefGoogle Scholar

Schor, Hilary. Dickens and the Daughter of the House. Cambridge: Cambridge University Press, 1999.Google Scholar

Schwartz, Vanessa. Spectacular Realities: Early Mass Culture in Fin-de-Siècle Paris. Berkeley: University of California Press, 1999.Google Scholar

Schweizer, Florian. ‘The 2012 Bicentenary’. In Dickens and Modernity, edited by John, Juliet, 207–22. Cambridge: D. S. Brewer, 2012.Google Scholar

Sherman, William H.Used Books: Marking Readers in Renaissance England. Philadelphia: University of Pennsylvania Press, 2008.CrossRefGoogle Scholar

Shires, Linda M. ‘Literary Careers, Death, and the Body Politics of David Copperfield’. In Dickens Refigured: Bodies, Desires and other Histories, edited by Schad, John, 117–35. Manchester: Manchester University Press, 1996.Google Scholar

Sinnema, Peter. ‘Anxiously Managing Mourning: Wellington’s Funeral and the Press’. Victorian Studies 25 (2000): 30–60.CrossRefGoogle Scholar

Slater, Michael. Charles Dickens. New Haven and London: Yale University Press, 2009.Google Scholar

Slater, Michael. Dickens and Women. London: J. M. Dent, 1983.Google Scholar

Slater, Michael. The Great Charles Dickens Scandal. New Haven and London: Yale University Press, 2012.Google Scholar

Solicari, Sonia. ‘Selling Sentiment: The Commodification of Emotion in Victorian Visual Culture’. 19: Interdisciplinary Studies in the Long Nineteenth Century 4 (2007): 1–21. www.19.bbk.ac.uk.Google Scholar

Stallybrass, Peter. ‘Marx’s Coat’. In Border Fetishisms: Material Objects in Unstable Spaces, edited by Spyer, Patricia, 183–207. London: Routledge, 1998.Google Scholar

Stallybrass, Peter, and White, Allon. The Politics and Poetics of Transgression. London: Methuen, 1986.Google Scholar

Stauffer, Andrew M. ‘Ruins of Paper: Dickens and the Necropolitan Library’. Romanticism and Victorianism on the Net 47 (2007). www.erudit.org/revue/ravon/2007/v/n47/016700ar.html.Google Scholar

St Clair, William.The Reading Nation in the Romantic Period. Cambridge: Cambridge University Press, 2005.Google Scholar

Steedman, Carolyn. Dust. Manchester: Manchester University Press, 2001.Google ScholarPubMed

Steedman, Carolyn. Past Tenses: Essays on Writing, Autobiography and History. London: Rivers Oram Press, 1992.Google Scholar

Steele, Richard. The Funeral: Or, Grief à la Mode. London: Jacob Tonson, 1735.Google Scholar

Steig, Michael. Dickens and Phiz. Bloomington: Indiana University Press, 1978.Google Scholar

Stewart, Garrett. Death Sentences: Styles of Dying in British Fiction. Cambridge, MA.: Harvard University Press, 1984.Google Scholar

Stewart, Garrett. Dickens and the Trials of the Imagination. Cambridge, MA.: Harvard University Press, 1974.CrossRefGoogle Scholar

Stewart, Garrett. ‘The New Mortality of Bleak House’. ELH 45 (1978): 443–87.CrossRefGoogle Scholar

Stewart, Garrett. ‘The Secret Life of Death in Dickens’. Dickens Studies Annual 11 (1983): 177–207.Google Scholar

Stewart, Susan. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Durham: Duke University Press, 1993.Google Scholar

Stone, Harry. The Night Side of Dickens: Cannibalism, Passion, Necessity. Columbus: Ohio State University Press, 1994.Google Scholar

Stone, Harry, ed. The Uncollected Writings of Charles Dickens, Household Words 1850–1859 v.1 and v.2. London: Allen Lane, Penguin Press, 1969.Google Scholar

Strange, Julie-Marie. ‘“She Cried a Very Little”: Death, Grief and Mourning in Working-Class Culture, c. 1880–1914’. Social History 27 (2002): 143–61.CrossRefGoogle Scholar

Sucksmith, Harvey Peter. ‘The Dust-heaps in Our Mutual Friend’. Essays in Criticism 23 (1973): 206–12.Google Scholar

Sussman, Herbert, and Joseph, Gerhard. ‘Prefiguring the Posthuman: Dickens and Prosthesis’. Victorian Literature and Culture 32 (2004): 617–28.CrossRefGoogle Scholar

Talairach-Vielmas, Laurence. Moulding the Female Body in Victorian Fairy Tales and Sensation Novels. Aldershot: Ashgate, 2007.Google Scholar

Tambling, Jeremy. Becoming Posthumous: Life and Death in Literary and Cultural Studies. Edinburgh: Edinburgh University Press, 2001.CrossRefGoogle Scholar

Tanner, Michael. ‘Sentimentality’. In Art and Morality, edited by Bermúdez, José Luis and Gardner, Sebastian, 95–110. London: Routledge, 2003.Google Scholar

Taylor, Lou. Mourning Dress: A Costume and Social History. London: Allen and Unwin, 1983.Google Scholar

Thomas, Ronald R. ‘Double Exposures: Arresting Images in Bleak House and The House of the Seven Gables’. NOVEL 31 (1997): 87–113.CrossRefGoogle Scholar

Thornton, Sara. Advertising, Subjectivity and the Nineteenth-Century Novel: Dickens, Balzac and the Language of the Walls. Basingstoke: Palgrave Macmillan, 2009.CrossRefGoogle Scholar

The Times. ‘Charles Dickens’. 15 June 1870: 9.Google Scholar

The Times. ‘Dreadful Railway Accident at Staplehurst’. 10 June 1865: 9.Google Scholar

The Times. ‘Dr Marigold’s Prescriptions’. 6 December 1865: 6.Google Scholar

The Times. ‘The Public in General, We Believe, Have No Suspicion of the Exceeding Importance which Attaches to the Subject of Interment in Thickly-populated Districts’. 7 October 1842: 4.Google Scholar

The Times. ‘We Have Seldom Been Called Upon to Notice a Case’. 14 September 1846: 5.Google Scholar

Tomalin, Claire. The Invisible Woman. Harmondsworth: Penguin Books, 1991.Google Scholar

Tracy, Robert. ‘Clock Work: The Old Curiosity Shop and Barnaby Rudge’. Dickens Studies Annual 30 (2001): 23–43.Google Scholar

Trollope, Frances. Paris and the Parisians. Gloucester: Alan Sutton, 1985.Google Scholar

Trotter, David. Circulation: Defoe, Dickens, and the Economies of the Novel. Basingstoke: Macmillan, 1988.CrossRefGoogle Scholar

Virgil, . Aeneid. Translated by West, David. London: Penguin Books, 2003.Google Scholar

Vita, Paul. ‘Returning the Look: Victorian Writers and the Paris Morgue’, Nineteenth-Century Contexts 25, no. 3 (2003): 241–55.CrossRefGoogle Scholar

Vlock, Deborah. Dickens, Novel Reading, and the Victorian Popular Theatre. Cambridge: Cambridge University Press, 1998.Google Scholar

Walder, Dennis. Dickens and Religion. London: Allen & Unwin, 1981.Google Scholar

Walker, George Alfred. Burial-Ground Incendiarism: The Last Fire in the Spa-Fields Golgotha, Or, the Minute Anatomy of Grave-Digging in London. London:Longman, Brown, Greens and Longmans, 1846.Google Scholar

Waters, Catherine. Commodity Culture in Dickens’s Household Words: The Social Life of Goods. Aldershot: Ashgate, 2008.Google Scholar

Waters, Catherine. ‘Materializing Mourning: Dickens, Funerals, and Epitaphs’. 19: Interdisciplinary Studies in the Long Nineteenth Century 14 (2012): 1–20. www.19.bbk.ac.uk.Google Scholar

Waters, Catherine. Dickens and the Politics of the Family. Cambridge: Cambridge University Press, 1997 repr. 2005.CrossRefGoogle Scholar

Webster, Sarah Goodwin. Kitsch and Culture: The Dance of Death in Nineteenth-Century Literature and Graphic Arts. NY: Garland, 1988.Google Scholar

Welsh, Alexander. The City of Dickens. Oxford: Clarendon Press, 1971.CrossRefGoogle Scholar

Welsh, Alexander. From Copyright to Copperfield: The Identity of Dickens. Cambridge, MA.: Harvard University Press, 1987.CrossRefGoogle Scholar

Westminster Review. ‘Belles Lettres’. 29, no. 2 (1866): 582–98.Google Scholar

Wheeler, Michael. Death and the Future Life in Victorian Literature and Theology. Cambridge: Cambridge University Press, 1990.Google Scholar

Wheeler, Michael. Heaven, Hell, and the Victorians. Cambridge: Cambridge University Press, 1994.Google Scholar

Wicke, Jennifer. Advertising Fictions: Literature, Advertisement, and Social Reading. NY: Columbia University Press, 1988.Google Scholar

Wolffe, John. Great Deaths: Grieving, Religion, and Nationhood in Victorian and Edwardian Britain. Oxford: Oxford University Press, 2000.Google Scholar

Wolfreys, Julian. Dickens’s London: Perception, Subjectivity and Phenomenal Urban Multiplicity. Oxford: Oxford University Press, 2012.CrossRefGoogle Scholar

Wolfreys, Julian. Victorian Hauntings: Spectrality, Gothic, the Uncanny and Literature. Basingstoke: Palgrave, 2002.CrossRefGoogle Scholar

Wood, Ellen. East Lynne. Edited by Jay, Elisabeth. Oxford: Oxford University Press, 2008.Google Scholar

Woodforde, John. The Strange Story of False Teeth. London: Routledge and Kegan Paul, 1968.Google Scholar

Woodward, Jennifer. The Theatre of Death: The Ritual Management of Royal Funerals in Renaissance England 1570–1625. Woodbridge: The Boydell Press, 1997.Google Scholar

Woolf, Virginia. ‘David Copperfield’. In The Moment and other Essays, 65–9. London: Hogarth Press, 1947.Google Scholar

Wynter, A. ‘Cartes de Visite’. Once a Week 6, 25 January 1862: 134–7.Google Scholar

Zemka, Sue. ‘From the Punchmen to Pugin’s Gothics: The Broad Road to a Sentimental Death in The Old Curiosity Shop’. Nineteenth-Century Literature 48, no. 3 (1993): 291–309.CrossRefGoogle Scholar