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21 - From Terezín to Auschwitz

Published online by Cambridge University Press:  14 June 2023

David Fligg
Affiliation:
University of Chester
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Summary

On 30 September, Karel Ančerl conducted his last concert in Terezín before being transported, along with Gideon Klein and many of the other musicians, to Auschwitz two weeks later. The concert consisted of Haas’ Study for Strings, which Klein had conducted in rehearsal, Dvořák's Serenade for Strings and Suk's Meditation on the Saint Wenceslas Hymn. This latter work, though dating from 1914, had become something of an unofficial national anthem, an intense nationalist elegy, for the Czechs. Undoubtedly, Klein would have been at this concert, and it is quite probably the last live concert music he ever heard. His dark mood in those final weeks in the ghetto are clearly described by Irma Semecká. When they went for a walk one day, he expressed his anxieties. Clearly he had not been taken in by the deception of the beautification, because he knew that the Terezín ghetto, from its very inception, was one huge, obscene sham.

‘I have been here for three years,’ he said suddenly, ‘and I am so destroyed that I think I will never be normal again. I will never be able to wipe these years away from my life – and it's not the end yet. And I don't even know if I’ll ever get back. If only this could be sure at least.’ I tried to calm him down but my words were in vain. I didn't know how to do it. I myself could have done with some comfort. I could only feel how those cold, sceptical words uttered with a freezing little grin, but with trembling lips, were hiding a deep internal pain of an artist who is getting used up more and more without finding a fountain from which he could drink some new energy. ‘If only you knew,’ he went on bitterly, ‘how well I know it all. The pain, the poverty, everything. I was one of the first to come here. There was nothing here, but perhaps it was better in the beginning. Better than now when we get all those “benefits” with the orchestra in the square. I know what it's all about. I know and I can estimate anything that's going to happen here. Nothing can take me by surprise.’ I knew how useless it was to try and talk him out of his bitterness.

Type
Chapter
Information
Don't Forget about Me
The Short Life of Gideon Klein, Composer and Pianist
, pp. 257 - 262
Publisher: Boydell & Brewer
Print publication year: 2022

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