Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-tsvsl Total loading time: 0 Render date: 2024-07-27T16:57:01.166Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  05 October 2015

Isabel Karremann
Affiliation:
Julius-Maximilians-Universität Würzburg, Germany
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adrian, Gregory, The Silence of Memory: Armistice Day 1919–1945 (Oxford: Berg, 1994).Google Scholar
Agnew, Jean-Christophe, Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550–1750 (Cambridge University Press, 1986).CrossRefGoogle Scholar
Althusser, Louis, ‘Ideology and ideological state apparatuses [1968]’, in Rivkin, J. and Ryan, M. (eds.), Literary Theory: An Anthology (Oxford: Blackwell, 1998), pp. 294304.Google Scholar
Altman, Joel B., ‘“Vile participation”: The amplification of violence in the theater of Henry V, Shakespeare Quarterly, 42:1 (1991), 132.CrossRefGoogle Scholar
Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism. Revised edition (London and New York: Verso, 1991).Google Scholar
Anderson, Thomas P., Performing Early Modern Trauma from Shakespeare to Milton (Aldershot: Ashgate, 2006).Google Scholar
Assmann, Aleida, Cultural Memory and Western Civilization: Functions, Media, Archives (Cambridge University Press, 2011).Google Scholar
Assmann, Aleida, ‘Formen des Vergessens’, in Diasio, N. and Wieland, K. (eds.), Die sozio-kulturelle (De-)Konstruktion des Vergessens: Bruch und Kontinuität in den Gedächtnisrahmen um 1945 und 1989 (Bielefeld: Aisthesis Verlag, 2012), pp. 2148.Google Scholar
Assmann, Aleida, ‘The battle of memories in Shakespeare’s histories’, in Assmann, A., Cultural Memory and Western Civilization: Functions, Media, Archives (Cambridge University Press, 2011), pp. 5378.CrossRefGoogle Scholar
Assmann, Jan, Das kulturelle Gedächtnis: Schrift, Erinnerung und politische Identität in frühen Hochkulturen (München: Beck, 1992).CrossRefGoogle Scholar
Bacon, Francis, Of the Advancement and Proficiencies of Learning … (London: 1640).Google Scholar
Baldo, Jonathan, ‘“A rooted sorrow”: Scotland’s unusable past’, in Moschovakis, N. (ed.), Macbeth: New Critical Essays (London and New York: Routledge, 2008), pp. 88103.Google Scholar
Baldo, Jonathan, ‘Exporting oblivion in The Tempest, Modern Language Quarterly, 56:2 (1995), 111–44.CrossRefGoogle Scholar
Baldo, Jonathan, ‘Forgetting Elizabeth in Henry VIII, in Hageman, E. and Conway, K. (eds.), Resurrecting Elizabeth I in Seventeenth-Century England (Madison, NJ: Fairleigh Dickinson University Press, 2007), pp. 132–48.Google Scholar
Baldo, Jonathan, Memory in Shakespeare’s Histories: Stages of Forgetting in Early Modern England (New York: Routledge, 2012).Google Scholar
Baldo, Jonathan, ‘Shakespeare’s art of distraction’, Shakespeare, 10:2 (2014), 13857.Google Scholar
Baldo, Jonathan, ‘Wars of memory in Henry V, Shakespeare Quarterly, 47:2 (1996), 132–59.CrossRefGoogle Scholar
Barber, C. L., Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom (Princeton University Press, 1959).Google Scholar
Barish, Jonas, ‘Remembering and forgetting in Shakespeare’, in Parker, R. B. and Zitner, S. P. (eds.), Elizabethan Theater (Newark: University of Delaware Press, 1996), pp. 214–12.Google Scholar
Barish, Jonas, The Antitheatrical Prejudice (Berkeley: University of California Press, 1981).Google Scholar
Batman, Stephen, Batman Uppon Bartholome (London: Thomas East, 1582).Google Scholar
Bawcutt, Nancy W., The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels 1623–1672 (Oxford: Clarendon Press, 1996).Google Scholar
Beecher, Donald, ‘Introduction: The crisis of memory’, in Beecher, D. and Williams, G. (eds.), Ars Reminiscendi: Mind and Memory in Renaissance Culture (Toronto: Centre for Reformation and Renaissance Studies, 2009), pp. 1724.Google Scholar
Bevington, David, ‘Introduction’, in Bevington, D. (ed.), King Henry IV, Part One. The Oxford Shakespeare (Oxford University Press, 1987), pp. 1110.Google Scholar
Bliss, Lee, ‘The wheel of fortune and the maiden phoenix in Shakespeare’s King Henry the Eighth, English Literary History, 42 (1975), 125.CrossRefGoogle Scholar
Bolzoni, Lina, The Gallery of Memory: Literary and Iconographic Models in the Age of the Printing Press. Transl. by Parzen, Jeremy (University of Toronto Press, 2001).CrossRefGoogle Scholar
Boym, Svetlana, The Future of Nostalgia (New York: Basic Books, 2001).Google Scholar
Breuilly, John, Nationalism and the State (Manchester University Press, 1993).Google Scholar
Bruster, Douglas, Drama and the Market in the Age of Shakespeare (Cambridge University Press, 1992).CrossRefGoogle Scholar
Cahill, Patricia, Unto the Breach: Martial Formations, Historical Trauma, and the Early Modern Stage (Oxford University Press, 2008).CrossRefGoogle Scholar
Calhoun, Craig, Nationalism (Minneapolis: University of Minnesota Press, 1997).Google Scholar
Carlson, Marvin, The Haunted Stage: The Theatre as Memory Machine (University of Michigan Press, 2003).Google Scholar
Carroll, William C., ‘“The form of law”: Ritual and succession in Richard III, in Woodbridge, L. (ed.), True Rites and Maimed Rites: Ritual and Anti-Ritual in Shakespeare and His Age (Urbana and Chicago: University of Illinois Press, 1992), pp. 203–19.Google Scholar
Carruthers, Mary, The Book of Memory: A Study of Memory in Medieval Culture. 2nd edn. (Cambridge University Press, 2008).CrossRefGoogle Scholar
Cavanagh, Dermot, Hampton-Reeves, Stuart and Longstaffe, Stephen (eds.), Shakespeare’s Histories and Counter-Histories (Manchester University Press, 2006).Google Scholar
Chapman, Alison, ‘Whose Saint Crispin’s Day is it? Shoemaking, holiday making, and the politics of memory in early modern England’, Renaissance Quarterly, 54:4 (2001), 1467–94.CrossRefGoogle Scholar
Charnes, Linda, Notorious Identity: Materializing the Subject in Shakespeare (Cambridge, MA: Harvard University Press, 1993).Google Scholar
Chartier, Roger, ‘Jack Cade, the skin of a dead lamb, and the hatred for writing’, Shakespeare Studies, 34 (2006), 7789.Google Scholar
Chernaik, Warren, The Cambridge Introduction to Shakespeare’s History Plays (Cambridge University Press, 2007).Google Scholar
Clare, Janet, ‘Art Made Tongue Tied by Authority’: Elizabethan and Jacobean Dramatic Censorship (Manchester University Press, 1990).Google Scholar
Clegg, Cyndia Susan, Press Censorship in Elizabethan England (Cambridge University Press, 1997).CrossRefGoogle Scholar
Cohen, Derek, Searching Shakespeare: Studies in Culture and Authority (University of Toronto Press, 2003).CrossRefGoogle Scholar
Cohen, Stephen, ‘Between form and culture: New Historicism and the promise of a historical formalism’, in Rasmussen, M. D. (ed. and introd.) and Strier, R. (afterword), Renaissance Literature and Its Formal Engagements (New York, NY: Palgrave, 2002), pp. 1741.CrossRefGoogle Scholar
Cohen, Stephen (ed.), Shakespeare and Historical Formalism (Aldershot:Ashgate, 2007).Google Scholar
Collinson, Patrick, ‘William Camden and the anti-myth of Elizabeth: Setting the mould?’, in Doran, S. and Freeman, T. S. (eds.), The Myth of Elizabeth (Basingstoke: Palgrave Macmillan, 2003), pp. 7998.CrossRefGoogle Scholar
Connerton, Paul, How Societies Remember (Cambridge University Press,1989).Google Scholar
Connerton, Paul, ‘Seven types of forgetting’, Memory Studies, 1:1 (2008), 5971.CrossRefGoogle Scholar
Corbin, Peter and Sedge, Douglas (eds.), The Oldcastle Controversy: Sir John Oldcastle, Part I and The Famous Victories of Henry V (Manchester University Press, 1991).Google Scholar
Craik, T. W., ‘Introduction’, in King Henry V, ed. by Craik, T. W.. Arden Third Series (London and New York: Routledge, 1995), pp. 1111.Google Scholar
Davis, Fred, Yearning for Yesterday: A Sociology of Nostalgia (New York: The Free Press, 1979).Google Scholar
Dawson, Anthony B., ‘The arithmetic of memory: Shakespeare’s theatre and the national past’, Shakespeare Survey, 52 (1999), 5467.Google Scholar
Dawson, Anthony B., ‘The distracted globe’, in Dawson, A. B. and Yachnin, P. (eds.), The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate (Cambridge University Press, 2001), pp. 88107.Google Scholar
Dawson, Anthony B. and Yachnin, Paul, The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate (Cambridge University Press, 2001).Google Scholar
Day, Gillian, ‘“Determinèd to prove a villain”: Theatricality in Richard III, Critical Survey, 3:2 (1991), 149–56.Google Scholar
de Sousa, Geraldo U., ‘The peasants’ revolt and the writing of history in 2 Henry VI, in Bergeron, D. (ed.), Reading and Writing in Shakespeare (Newark: University of Delaware Press, 1996), pp. 178–93.Google Scholar
Debord, Guy, The Society of Spectacle [1967]. Transl. by Nicholson-Smith, Donald (New York: Zone Books, 1994).Google Scholar
Dekker, Thomas, The Whore of Babylon [1607], in The Dramatic Works of Thomas Dekker, vol. II, ed. by Bowers, Fredson (Cambridge: Cambridge University Press, 1955).Google Scholar
Diehl, Huston, Staging Reform, Reforming the Stage: Protestantism and Popular Theatre in Early Modern England (Ithaca, NY: Cornell University Press, 1997).CrossRefGoogle Scholar
Dillon, Janette, Shakespeare and the Staging of English History (Oxford University Press, 2012).Google Scholar
Dobson, Michael and Watson, Nicola, England’s Elizabeth: An Afterlife in Fame and Fantasy (Oxford University Press, 2002).Google Scholar
Dobson, R.B., The Peasant’s Revolt of 1381. 2nd edn. (London: Macmillan Press, 1983).CrossRefGoogle Scholar
Doran, Susan and Freeman, Thomas S., The Myth of Elizabeth (Houndmills, Basingstoke: Palgrave Macmillan, 2003).CrossRefGoogle Scholar
Döring, Tobias, Performances of Mourning in Shakespearean Theatre and Early Modern Culture (Houndmills, Basingstoke: Palgrave Macmillan, 2006).CrossRefGoogle Scholar
Döring, Tobias, ‘Shadows to the unseen grief? Rituals of memory and forgetting in the history plays’, paper given at the International Shakespeare Conference, Brisbane, July 2006, Panel Session Cultural Memory in Shakespeare – Shakespeare in Cultural Memory. Unpublished lecture manuscript.Google Scholar
Downame, John, The Second Part of the Christian Warfare (London: 1611).Google Scholar
Dubrow, Heather, ‘Guess who’s coming to dinner? Reinterpreting formalism and the country house poem’, Modern Language Quarterly, 61:1 (2000), 5977.CrossRefGoogle Scholar
Dubrow, Heather. A Happier Eden: The Politics of Marriage in the Stuart Epithalamium (Ithaca: Cornell University Press, 1990).Google Scholar
Duffy, Eamon, The Stripping of the Altars: Traditional Religion in England, c. 1400 – c. 1580 (New Haven, CT: Yale University Press, 1992).Google Scholar
Dutton, Richard, Licensing, Censorship and Authorship in Early Modern England (Basingstoke: Palgrave, 2000).CrossRefGoogle Scholar
Dutton, Richard, Mastering the Revels: The Regulation and Censorship of English Renaissance Drama (London and Basingstoke: Macmillan, 1991).Google Scholar
Eco, Umberto, ‘An ars oblivionalis? Forget it!’, PMLA, 103:3 (1988), 254–61.Google Scholar
Engel, William, Death and Drama in Renaissance England (Oxford University Press, 2002).CrossRefGoogle Scholar
Engel, William E., ‘The decay of memory’, in Ivic, C. and Williams, G. (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London: Routledge, 2004), pp. 2140.Google Scholar
Engel, William E., Mapping Mortality: The Persistence of Memory and Melancholy in Early Modern England (Amherst: University of Massachusetts Press, 1995).Google Scholar
Engle, Lars, ‘Who pays in the Henriad?’, in Engle, L., Shakespearean Pragmatism: Market of His Time (University of Chicago Press, 1993), pp. 107–28.Google Scholar
Erne, Lukas, Shakespeare as Literary Dramatist (Cambridge University Press, 2003).Google Scholar
Fischer, Sandra K., ‘“He means to pay”: Value and metaphor in the Lancastrian tetralogy’, Shakespeare Quarterly, 40:2 (1989), 149–64.CrossRefGoogle Scholar
Fitter, Chris, ‘Historicising Shakespeare’s Richard II: Current events, dating, and the sabotage of Essex’, Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 11:2 (2005), http://extra.shu.ac.uk/emls/11–2/fittric2.htm, last accessed 13.02.2015, no pagination.Google Scholar
Fitter, Chris, ‘“Your captain is brave and vows reformation”: Jack Cade, the Hacket Rising, and Shakespeare’s vision of popular rebellion in 2 Henry VI’, Shakespeare Studies, 32 (2004), 173219.Google Scholar
Fitzpatrick, Joan, Food in Shakespeare: Early Modern Dietaries and the Plays (Aldershot: Ashgate, 2007).Google Scholar
Foakes, R. A., ‘Review of Wells, Stanley; Taylor, Gary. The Complete Works, original-spelling edition’, Modern Language Review, 84:2 (1989), 438–9.Google Scholar
Fraser, R. Scott, ‘“The king has killed his heart”: The death of Falstaff in Henry V, SEDERI, 20 (2010), 145–57.Google Scholar
Frow, John, Genre. New Critical Idiom Series (New York: Routledge, 2006).Google Scholar
Frow, John, ‘Toute la mémoire du monde: Repetition and forgetting’, in Frow, J., Time and Commodity Culture: Essays in Cultural Theory and Postmodernity (Oxford: Clarendon Press, 1997), pp. 218–46.CrossRefGoogle Scholar
Garber, Marjorie, Shakespeare’s Ghost Writers: Literature as Uncanny Causality (New York and London, Methuen: 1987).Google Scholar
Gasper, Julia, The Dragon and the Dove: The Plays of Thomas Dekker (Oxford: Clarendon Press, 1990).CrossRefGoogle Scholar
Goldberg, Jonathan, ‘The commodity of names: “Falstaff” and “Oldcastle” in 1 Henry IV, in Crewe, J. (ed.), Reconfiguring the Renaissance: Essays in Critical Materialism (Lewisburg: Bucknell University Press; London and Toronto: Associated University Press, 1992), pp. 7688.Google Scholar
Goldmann, Stefan, ‘Statt Totenklage Gedächtnis: Zur Erfindung der Mnemotechnik durch Simonides von Keos’, Poetica, 21 (1989), 4366.CrossRefGoogle Scholar
Goodland, Katherine, Female Mourning in Medieval and Renaissance English Drama (Aldershot: Ashgate, 2005).Google Scholar
Gosson, Stephen, ‘Playes Confuted in Five Actions [1582]’, in Markets of Bawdrie: The Dramatic Criticism of Stephen Gosson, ed. by Kinney, Arthur F. (Salzburg: Institut für Englische Sprache und Literatur, 1974), pp. 138200.Google Scholar
Gosson, Stephen, ‘The School of Abuse [1587]’, in Markets of Bawdrie: The Dramatic Criticism of Stephen Gosson, ed. by Kinney, Arthur F. (Salzburg: Institut für Englische Sprache und Literatur, 1974), pp. 69120.Google Scholar
Grady, Hugh, ‘Falstaff: Subjectivity between the carnival and the aesthetic’, The Modern Language Review, 96 (2001), 609–23.CrossRefGoogle Scholar
Grady, Hugh, Shakespeare and Impure Aesthetics (Cambridge University Press, 2009).CrossRefGoogle Scholar
Grady, Hugh, Shakespeare, Machiavelli and Montaigne: Power and Subjectivity from Richard II to Hamlet (Oxford University Press, 2002).CrossRefGoogle Scholar
Grant, Teresa, ‘Drama queen: Staging Elizabeth in If You Know Not Me You Know Nobody, in Doran, S. and Freeman, T. S. (eds.), The Myth of Elizabeth (Basingstoke: Palgrave Macmillan, 2003), pp. 120–42.Google Scholar
Grant, Teresa, ‘History in the making: The case of Samuel Rowley’s When You See Me You Know Me (1605/06)’, in Grant, T. and Ravelhofer, B. (eds.), English Historical Drama, 1500–1660: Forms Outside the Canon (Houndmills, Basingstoke: Palgrave Macmillan, 2008), pp. 125–57.CrossRefGoogle Scholar
Gratarolus, Gulielmus, The Castel of Memorie. Transl. by Fulwood, William. London: Rouland Hall, 1562.Google Scholar
Greenblatt, Stephen, Hamlet in Purgatory (Princeton, NJ and Oxford: Princeton University Press, 2001).Google Scholar
Greenblatt, Stephen, ‘Murdering peasants: Status, genre, and the representation of rebellion’, Representations, 1 (1983), 129.CrossRefGoogle Scholar
Greenblatt, Stephen, Renaissance Self-Fashioning: From More to Shakespeare (University of Chicago Press, 1980).Google Scholar
Greene, John [see also I. G.], A Refutation of the Apology for Actors (London: W. White, 1615).Google Scholar
Grene, Nicolas, Shakespeare’s Serial History Plays (Cambridge University Press, 2002).Google Scholar
Gurr, Andrew, ‘Introduction’, in Richard II, ed. by Gurr, A.. The New Cambridge Shakespeare (Cambridge University Press, 2003), pp. 160.Google Scholar
Gurr, Andrew, The Shakespeare Company, 1594–1642 (Cambridge University Press, 2004).Google Scholar
Hadfield, Andrew, Literature, Politics and National Identity: Reformation to Renaissance (Cambridge University Press, 1994).Google Scholar
Hageman, Elizabeth H. and Conway, Katherine (eds.), Resurrecting Elizabeth I in Seventeenth-Century England (Madison, NJ: Fairleigh Dickinson University Press, 2007).Google Scholar
Haigh, Christopher, English Reformations: Religion, Society and Politics under the Tudors (Oxford: Clarendon Press, 1992).Google Scholar
Halbwachs, Maurice, Les Cadres Sociaux de la Mémoire (Paris: Libraire Félix Alcan, 1925).Google Scholar
Hall, Edward, The Union of the Two Noble Houses of Lancaster and York (London, 1550).Google Scholar
Hammer, Paul, ‘Shakespeare’s Richard II, the play of 7 February 1601, and the Essex Rising’, Shakespeare Quarterly, 59:1 (2008), 135.CrossRefGoogle Scholar
Hampton-Reeves, Stuart, ‘Staring at Clio: artists, histories and counter-histories’, in Cavanagh, D., Hampton-Reeves, S. and Longstaffe, S. (eds.), Shakespeare’s Histories and Counter-Histories (Manchester University Press, 2006), pp. 112.Google Scholar
Harmon, A. G., ‘Shakespeare’s carved saints’, Studies in English Literature, 45:2 (2005), 315–31.Google Scholar
Harris, Jonathan Gil, Untimely Matter in the Time of Shakespeare (Philadelphia: University of Pennsylvania Press, 2008).Google Scholar
Hattaway, Michael, ‘The Shakespearean history play’, in Hattaway, M. (ed.), The Cambridge Companion to Shakespeare’s History Plays (Cambridge University Press, 2002), pp. 324.CrossRefGoogle Scholar
Helgerson, Richard, Forms of Nationhood: The Elizabethan Writing of England (Chicago and London: University of Chicago Press, 1992).Google Scholar
Hertel, Ralf, Staging England in the Elizabethan History Play: Performing National Identity (Farnham: Ashgate, 2014).Google Scholar
Heywood, Thomas, ‘An Apology for Actors [1612]’, English Renaissance Literary Criticism, ed. by Vickers, Brian (Oxford: Clarendon Press, 1999), pp. 474501.Google Scholar
Heywood, Thomas, If You Know Not Me You Know Nobody, Parts I and II [1605]. 2 vols., ed. by Gregg, W. W. (Oxford: The Malone Society Reprints, 1934).Google Scholar
Higden, Ranulf, Polycronycon (Westminster: Printed by William Caxton, 1482).Google Scholar
Hillman, David, ‘Homo clausus at the theatre’, in Reynolds, B. and West, W. N. (eds.), Rematerializing Shakespeare Authority and Representation on the Early Modern English Stage (Basingstoke: Palgrave Macmillan, 2005), pp. 161–85.Google Scholar
Hiscock, Andrew, Reading Memory in Early Modern Literature (Cambridge University Press, 2011).CrossRefGoogle Scholar
Hobgood, Allison P. Passionate Playgoing in Early Modern England (Cambridge University Press, 2011).Google Scholar
Höfele, Andreas, ‘Making history memorable: More, Shakespeare and Richard III’, REAL: The Yearbook of Research in English and American Literature, 21 (2005), 187203.Google Scholar
Holderness, Graham, Shakespeare: The Histories (Houndmills, Basingstoke: Palgrave Macmillan, 2000).Google Scholar
Holderness, Graham, Shakespeare’s History (Dublin: Gill and Macmillan, 1985).Google Scholar
Holinshed, Raphael, Holinshed’s Chronicles of England, Scotland, and Ireland [1586], ed. by Snow, Vernon F.. 6 vols. (New York: AMS Press, 1976) [= facsimile reprint of the 1807–8 edition printed for J. Johnson, London.]Google Scholar
Holland, Peter, ‘On the gravy train: Shakespeare, memory and forgetting’, in Holland, P. (ed.), Shakespeare, Memory, and Performance (Cambridge University Press, 2006), pp. 207–34.Google Scholar
Howard, Jean E., ‘Shakespeare, geography, and the work of genre’, in Cohen, S. (ed.), Shakespeare and Historical Formalism (Aldershot: Ashgate, 2007), pp. 4967.Google Scholar
Howard, Jean and Rackin, Phyllis, Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (New York: Routledge, 1997).Google Scholar
Hutcheon, Linda, ‘Irony, nostalgia, and the postmodern’ (1998), www. library.utoronto.ca/utel/criticism/hutchinp.html#N26, last accessed 15.02.2015, no pagination.Google Scholar
I[ohn] G[reene], I. G., A Refutation of the Apologie for Actors [1615], ed. by Perkinson, Richard H. (New York: Scholar’s Facsimiles and Prints, 1941).Google Scholar
Ivic, Christopher, ‘Reassuring fratricide in 1 Henry IV, in Ivic, C. and Williams, G. (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London and New York: Routledge, 2004), pp. 99109.CrossRefGoogle Scholar
Ivic, Christopher and Williams, Grant (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London and New York: Routledge, 2004).CrossRefGoogle Scholar
James, I., The Political Works of James I. Introd. by McIlwain, Charles Howard (New York: Russell & Russell, 1965).Google Scholar
Joughin, John J., ‘Shakespeare’s memorial aesthetics’, in Holland, P. (ed.), Shakespeare, Memory and Performance (Cambridge University Press, 2006), pp. 4362.Google Scholar
Joughin, John J. and Malpas, Simon (eds.), The New Aestheticism (Manchester University Press, 2003).CrossRefGoogle Scholar
Jowett, John, ‘Introduction’, in The Tragedy of King Richard III, ed. by Jowett, J.. The Oxford Shakespeare (Oxford University Press, 2000), pp. 1132.Google Scholar
Kamps, Ivo, Historiography and Ideology in Stuart Drama (Cambridge University Press, 1996).Google Scholar
Kerrigan, John, Motives of Woe: Shakespeare and ‘Female Complaint’ (Oxford: Clarendon Press, 1991).Google Scholar
Kerrigan, John, Revenge Tragedy (Oxford: Clarendon Press, 1996).Google Scholar
Kewes, Paulina, ‘The Elizabethan history play: A true genre?’, in Dutton, R. and Howard, J. E. (eds.), A Companion to Shakespeare’s Works, vol. II: The Histories (Oxford: Blackwell, 2003), pp. 170–93.Google Scholar
Kewes, Paulina (ed.), The Uses of History in Early Modern England (San Marino, CA: Huntington Library Press, 2006).Google Scholar
Kinney, Daniel, ‘The tyrant being slain: Afterlives of More’s History of King Richard III, in Rhodes, N. (ed.), English Renaissance Prose: History, Language, and Politics (Tempe, AZ: Arizona State University, 1997), pp. 3556.Google Scholar
Knowles, Ronald, ‘Introduction’, in King Henry VI, Part Two, ed. by Knowles, R.. Arden Shakespeare Third Series (London: Cengage, 1999), pp. 1141.Google Scholar
Knowles, Ronald, Shakespeare’s Arguments with History (Houndmills, Basingstoke: Palgrave, 2002).CrossRefGoogle Scholar
Krämer, Sybille, ‘Das Vergessen nicht vergessen! oder: Ist das Vergessen ein defizienter Modus von Erinnerung?’, Paragrana, 9:2 (2000), 251–75.Google Scholar
Lachmann, Renate, ‘Kultursemiotischer Prospekt’, in Haverkamp, A. and Lachmann, R. (eds.), Memoria: Vergessen und Erinnern (München: Fink, 1993), pp. xviixxvii.Google Scholar
Laroque, François, ‘Shakepeare’s “Battle of Carnival and Lent”: The Falstaff scenes reconsidered’, in Knowles, R. (ed.), Shakespeare and Carnival: After Bakhtin (New York: Macmillan, 1998), pp. 8396.CrossRefGoogle Scholar
Leahy, William, ‘“All would be royal”: The effacement of disunity in Shakespeare’s Henry V, Shakespeare-Jahrbuch, 138 (2002), 8998.Google Scholar
Lees-Jeffries, Hester, Shakespeare and Memory. Oxford Shakespeare Topics (Oxford University Press, 2013).Google Scholar
Leggatt, Alexander, ‘Killing the hero: Tamburlaine and Falstaff’, in Budra, P. and Schellenberg, B. (eds.), Part Two: Reflections on the Sequel (University of Toronto Press, 1998), pp. 5367.Google Scholar
Leggatt, Alexander, Shakespeare’s Political Drama: The History Plays and the Roman Plays (London and New York: Routledge, 1988).Google Scholar
Levy, Fritz J., Tudor Historical Thought (San Marino, CA: Huntington Library Press, 1967).Google Scholar
Liebler, Naomi C., ‘The mockery King of Snow: Richard II and the sacrifice of ritual’, in Woodbridge, L. and Berry, E. (eds.), True Rites and Maimed Rites: Ritual and Anti-Ritual in Shakespeare and His Age (Urbana and Chicago: University of Illinois Press, 1992), pp. 220–39.Google Scholar
Linton, David, ‘Shakespeare as media critic: Communication theory and historiography’, Mosaic, 29:2 (1996), 121.Google Scholar
Long, Zachariah, ‘“Unless you could teach me to forget”: Spectatorship, self-forgetting, and subversion in antitheatrical literature and As You Like It, in Ivic, C. and Williams, G. (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London and New York: Routledge, 2004), pp. 151–64.Google Scholar
Lopez, Jeremy, Theatrical Convention and Audience Response in Early Modern Drama (Cambridge University Press, 2003).Google Scholar
Low, Jennifer A. and Myhill, Nova, Imagining the Audience in Early Modern Drama, 1558–1642 (Houndmills, Basingstoke: Palgrave Macmillan, 2011).CrossRefGoogle Scholar
Lowenthal, David, ‘Nostalgia tells it like it wasn’t’, in Shaw, C. and Chase, M. (eds.), The Imagined Past (Manchester University Press, 1989), pp.1832.Google Scholar
Lowenthal, David, The Past is a Foreign Country (Cambridge University Press, 1985).Google Scholar
Lowenthal, David, ‘Preface’, in Forty, A. and Küchler, S. (eds.), The Art of Forgetting (Oxford and New York: Berg Publishers, 1999), pp. xixiii.Google Scholar
Machiavelli, Niccolò, The Prince, ed. by Bull, G. (London: Penguin, 2003).CrossRefGoogle Scholar
Marche, Stephen, ‘Mocking dead bones: Historical memory and the theater of the dead in Richard III, Comparative Drama, 37:1 (2003), 3757.CrossRefGoogle Scholar
Marshall, Peter, Beliefs and the Dead in Reformation England (Oxford University Press, 2002).CrossRefGoogle Scholar
Mason, Pamela, Henry V: “the quick forge and working house of thought”’, in Hattaway, M. (ed.), The Cambridge Companion to Shakespeare’s History Plays (Cambridge University Press, 2002), pp. 177–93.Google Scholar
Maus, Katharine Eisaman, Inwardness and Theater in the English Renaissance (University of Chicago Press, 1995).Google Scholar
Mazzola, Elizabeth, The Pathology of the English Renaissance: Sacred Remains and Holy Ghosts (Leiden: Brill, 1998).CrossRefGoogle Scholar
McMullan, Gordon, ‘Introduction’, in King Henry VIII, ed. by McMullan, G.. Arden Shakespeare Third Series (London: Cengage, 2000), pp. 1199.Google Scholar
Meek, Richard, Rickard, Jane and Wilson, Richard (eds.), Shakespeare’s Book: Essays in Reading, Writing and Reception (Manchester University Press, 2008).Google Scholar
Melchiori, Giorgio, ‘Dying of a sweat: Falstaff and Oldcastle’, Notes and Queries, 34 (1987), 210–11.Google ScholarPubMed
Melchiori, Giorgio (ed.), ‘Introduction’, in The Second Part of King Henry IV. New Cambridge Shakespeare (Cambridge University Press, 1989), pp. 173.Google Scholar
Montrose, Louis, The Subject of Elizabeth: Authority, Gender and Representation (University of Chicago Press, 2006).Google Scholar
More, Thomas, The Complete Works of St. Thomas More. ed. by Sylvester, Richard S. (New Haven, CT: Yale University Press, 1963).Google Scholar
Muir, Edward, Ritual in Early Modern Europe (Cambridge University Press, 1997).Google Scholar
Mullaney, Steven, The Place of the Stage: License, Power and Play in Renaissance England (University of Chicago Press, 1988).Google Scholar
Muro, Diego, ‘Nationalism and nostalgia’, Nations and Nationalism, 11:4 (2005), 571–89.Google Scholar
Murphy, Andrew (ed.), A Concise Companion to Shakespeare and the Text (Oxford: Blackwell, 2007).CrossRefGoogle Scholar
Nashe, Thomas, Pierce Pennilesse, his Supplication to the Divell, ed. by Harrison, G. B. (Edinburgh University Press, 1966).Google Scholar
Neill, Michael, Issues of Death: Mortality and Identity in English Renaissance Tragedy (Oxford: Clarendon Press, 1997).CrossRefGoogle Scholar
Northbrooke, John, A Treatise wherein Dicing, Dauncing, Vaine Playes or Enterluds … are Reproved (London: H. Bynneman for George Byshop, 1577).Google Scholar
Orgel, Stephen, ‘The play of conscience’, in Sedgwick, E. Kosofsky and Parker, A. (eds.), Performativity and Performance (New York: Routledge, 1995), pp. 133–51.Google Scholar
Panofsky, Erwin, Renaissance and Renascences in Western Art (New York: Harper & Row, 1972).Google Scholar
Passerini, Luisa, ‘Memories between silence and oblivion’, in Hodgkin, K. and Radstone, S. (eds.), Memory, History, Nation: Contested Pasts (New Brunswick, NJ and London: Transaction Publishers, 2006), pp. 238–54.Google Scholar
Paster, Gail Kern, ‘Melancholy cats, lugged bears, and early modern cosmology: Reading Shakespeare’s psychological materialism across the species barrier’, in Paster, G. K., Rowe, K. and Floyd-Wilson, M. (eds.), Reading the Early Modern Passions: Essays in the Cultural History of Emotion (Philadelphia: University of Pennsylvania Press, 2004), pp. 113–29.Google Scholar
Patterson, Annabel, Censorship and Interpretation: The Conditions of Writing and Reading in Early Modern England (Madison: University of Wisconsin Press, 1994).Google Scholar
Patterson, Annabel, ‘Sir John Oldcastle as symbol of Reformation historiography’, in Hamilton, D. B. and Strier, R. (eds.), Religion, Literature and Politics in Post-Reformation England, 1540–1688 (Cambridge University Press, 1996), pp. 626.CrossRefGoogle Scholar
Pendleton, Thomas A., ‘“This is not the man”: On calling Falstaff Falstaff’, Analytical and Enumerative Bibliography, 4 (1990), 5971.Google Scholar
Perry, Curtis, ‘The citizen politics of nostalgia: Queen Elizabeth in early Jacobean London’, Journal of Medieval and Renaissance Studies, 23.1 (1993), 89111.Google Scholar
Pfister, Manfred, Das Drama, utb 580 (München: Fink, 1977).Google Scholar
Pfister, Manfred, ‘Shakespeare’s memory: Texts – images – monuments – performances’, in Kamm, J. and Lenz, B. (eds.), Shakespearean Culture – Cultural Shakespeare (Passau: Stutz, 2009), pp. 217–40.Google Scholar
Philippy, Patricia, Women, Death and Literature in Post-Reformation England (Cambridge University Press, 2002).Google Scholar
Plato, , Collected Dialogues, ed. by Hamilton, E. and Cairns, H. (Princeton University Press, 1961).Google Scholar
Platter, Thomas, Travels in England [1599], ed. by Williams, C. (London: n.pub., 1937).Google Scholar
Pollard, A. F., ‘The making of Sir Thomas More’s Richard III, in Sylvester, R. S. and Marc’hadour, G. P. (eds.), Essential Articles for the Study of Thomas More (Hamden, CT: Archon Books, 1977), pp. 421–33.Google Scholar
Poole, Adrian, ‘Laughter, forgetting and Shakespeare’, in Cordner, M., Holland, P. and Kerrigan, J. (eds.), English Comedy (Cambridge University Press, 1994), pp. 8599.Google Scholar
Poole, Kristen, ‘Saints Alive! Falstaff, Martin Marprelate, and the staging of Puritanism’, Shakespeare Quarterly, 46:1 (1995), 4775.CrossRefGoogle Scholar
Pugliatti, Paola, ‘“More than history can pattern”: The Jack Cade rebellion in Shakespeare’s Henry VI, 2, Journal of Medieval and Renaissance Studies, 22:3 (1992), 451–71.Google Scholar
Pugliatti, Paola, Shakespeare the Historian (New York: St. Martin’s Press, 1996).CrossRefGoogle Scholar
Rabkin, Norman B., Shakespeare and the Problem of Meaning (University of Chicago Press, 1981).Google Scholar
Rackin, Phyllis, Stages of History: Shakespeare’s English Chronicles (London and New York: Routledge, 1990).CrossRefGoogle Scholar
Ralegh, Walter, The Works of Sir Walter Ralegh. Vols. II–VII: The History of the World [1614] (New York: Burt Franklin, 1965) [= reprint of the facsimile edition of the 1829 Works, Oxford University Press].Google Scholar
Rankins, William, A Mirrour of Monsters (London: I.C. for T.H., 1587).Google Scholar
Rasmussen, Mark David (ed. and introd.) and Strier, Richard (afterword), Renaissance Literature and Its Formal Engagements (New York: Palgrave, 2002).CrossRefGoogle Scholar
Renan, Ernest, ‘What is a nation? [1882]’, in Bhabha, H. (ed.), Nation and Narration (London and New York: Routledge, 1990), pp. 822.Google Scholar
Richards, Michael, A Time of Silence: Civil War and the Culture of Repression in Franco’s Spain, 1936–1945 (Cambridge University Press, 1999).Google Scholar
Rowley, Samuel, When You See Me You Know Me [1605], ed. by Wilson, F.P. (Oxford: The Malone Society Reprints, 1952).Google Scholar
Rudnytsky, Peter L., Henry VIII and the deconstruction of history’, Shakespeare Survey, 43 (1991), 4358.Google Scholar
Ruiter, David, Shakespeare’s Festive History: Feasting, Festivity, Fasting and Lent in the Second Henriad (Aldershot: Ashgate, 2003).Google Scholar
Schmidt, Gabriela, ‘“To set some colour vpon ye matter”: Thomas More’s History of King Richard the Third zwischen humanistischer Vergangenheitskonstruktion und autoreflexiver Skepsis’, in Bezner, F. and Mahlke, K. (eds.), Zwischen Wissen und Politik: Archäologie und Genealogie frühneuzeitlicher Vergangenheitskonstruktionen (Heidelberg: Winter, 2011), pp. 161–82.Google Scholar
Schneider, Manfred, ‘Liturgien der Erinnerung, Techniken des Vergessens’, Merkur, 41:2 (1987), 676–86.Google Scholar
Schoenfeldt, Michael C., Bodies and Selves in Early Modern England: Physiology and Inwardness in Spenser, Shakespeare, Herbert, and Milton (Cambridge University Press, 1999).Google Scholar
Schwyzer, Philip, Literature, Nationalism, and Memory in Early Modern England and Wales (Cambridge University Press, 2004).CrossRefGoogle Scholar
Schwyzer, Philip, ‘Shakespeare’s art of reenactment: Henry at Blackfriars, Richard at Rougemont’, in Gordon, A. and Rist, T. (eds.), The Arts of Remembrance in Early Modern England: Memorial Cultures of the Post Reformation (Aldershot: Ashgate, 2013), pp. 179–94.Google Scholar
Shakespeare, William, The Norton Shakespeare, ed by Greenblatt, Stephen et al. (New York: W.W. Norton & Co, 1997).Google Scholar
Sharpe, Kevin, Reading Revolutions: The Politics of Reading in Early Modern England (New Haven, CT: Yale University Press, 2000).Google Scholar
Shaw, Christopher and Chase, Malcolm (eds.), The Imagined Past: History and Nostalgia (Manchester University Press, 1989).Google Scholar
Sidney, Sir Philip, The Major Works, ed. by Duncan-Jones, Katherine. Oxford World’s Classics (Oxford University Press, 1989).Google Scholar
Simpson, James, Under the Hammer: Iconoclasm in the Anglo-American Tradition (Oxford University Press, 2011).Google Scholar
Smith, Anthony D., Nationalism: Theory, Ideology, History (Cambridge: Polity Press, 2001).Google Scholar
Smith, Helen, ‘“A man in print?” Shakespeare and the representation of the press’, in Meek, R., Rickard, J. and Wilson, R. (eds.), Shakespeare’s Book: Essays in Reading, Writing and Reception (Manchester University Press, 2008), pp. 5978.Google Scholar
Starobinski, Jean, ‘The idea of nostalgia’, Diogenes, 54 (1966), 84103.Google Scholar
Stern, Tiffany, Making Shakespeare: From Stage to Page (London and New York: Routledge, 2004).CrossRefGoogle Scholar
Stewart, Frank (ed.), Silence to Light: Japan and the Shadows of War (Honolulu: University of Hawai’i Press, 2001).Google Scholar
Stow, John, The Annales; or, General Chronicle of England … (London, 1615).Google Scholar
Stow, John, A Survey of London [1603], ed. by Kingsford, Charles Lethbridge, 2 vols. (Oxford: Clarendon Press, 1908).Google Scholar
Strohm, Paul, England’s Empty Throne: Usurpation and the Language of Legitimation, 1399–1422 (New Haven, CT and London: Yale University Press, 1998).Google Scholar
Sullivan, Garrett A. Jr., ‘Lethargic corporeality on and off the early modern stage’, in Ivic, C. and Williams, G. (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London: Routledge, 2004), pp. 4152.Google Scholar
Sullivan, Garrett A. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster (Cambridge University Press, 2005).CrossRefGoogle Scholar
Summit, Jennifer, ‘Reading reformed: Spenser and the problem of the English library’, in Ivic, C. and Williams, G. (eds.), Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London: Routledge, 2004), pp. 165–78.Google Scholar
Sylvester, Richard S., ‘Introduction’, in The Complete Works of Sir Thomas More, vol. II, ed. by Sylvester, Richard S. (New Haven, CT and London: Yale University Press, 1963), pp. 1151.Google Scholar
Takada, Shigeki, ‘The first and second parts of Henry IV: Some thoughts on the origins of Shakespearean gentleness’, in Takahashi, Y. (ed.), Hot Questrists After the English Renaissance (New York: AMS Press, 2000), pp. 183–96.Google Scholar
Taylor, Gary, ‘The fortunes of Oldcastle’, Shakespeare Survey, 38 (1985), 85100.Google Scholar
Taylor, Gary (ed. and introd.), Henry V (Oxford University Press, 1982).Google Scholar
Tillyard, E. M. W., Shakespeare’s History Plays [1944]. Revised edition (London: Chatto and Windus, 1969).Google Scholar
Tribble, Evelyn, Cognition in the Globe: Attention and Memory in Shakespeare’s Theatre (Houndmills, Basingstoke: Palgrave Macmillan, 2011).CrossRefGoogle Scholar
Walch, Günter, Henry V as working-house of ideology’, Shakespeare Survey, 40 (1987), 63–8.Google Scholar
Walker, Julia, The Elizabeth Icon: 1603–2003 (Houndmills, Basingstoke: Palgrave Macmillan, 2004).CrossRefGoogle Scholar
Walsh, Brian, Shakespeare, the Queen’s Men and the Elizabethan Performance of History (Cambridge University Press, 2009).CrossRefGoogle Scholar
Warren-Heys, Rebecca, ‘“[R]emember, with advantages”: Creating memory in Shakespeare’s Henry V, Journal of the Northern Renaissance, 2:1 (2010), 111–27.Google Scholar
Weimann, Robert, ‘Performance, game, and representation in Richard III, in Weimann, R. and Bruster, D. (eds.), Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre (Cambridge University Press, 2008), pp. 4256.CrossRefGoogle Scholar
Weimann, Robert, Shakespeare und die Tradition des Volkstheaters (Berlin: Henschel Verlag, 1967).Google Scholar
Weinrich, Harald, Lethe: Kunst und Kritik des Vergessens (Munich: Beck, 1997).Google Scholar
West, William N., ‘Intertheatricality’, in Turner, H. S. (ed.), Early Modern Theatricality (Oxford University Press, 2013), pp. 151–72.Google Scholar
Whitehead, Anne, Memory. Routledge New Critical Idiom (New York: Routledge, 2010).Google Scholar
Whitney, Charles, ‘Versions of Sir John’, in Whitney, C., Early Responses to Renaissance Drama (Cambridge University Press, 2006), pp. 73122.Google Scholar
Wilder, Lina Perkins, Shakespeare’s Memory Theatre: Recollection, Properties, and Character (Cambridge University Press, 2010).Google Scholar
Wiles, David, Shakespeare’s Clown (Cambridge University Press, 1987).CrossRefGoogle Scholar
Williams, Raymond, Marxism and Literature (Oxford University Press, 1977).Google Scholar
Willis, John, Mnemonica; Or, the Art of Memory, Drained out of the Pure Fountains of Art & Nature [Lat. 1618] (London, 1661).Google Scholar
Womack, Peter, ‘Imagining communities: Theatres and the English nation in the sixteenth century’, in Aers, D. (ed.), Culture and History, 1350–1600: Essays on English Communities, Identities and Writing (Detroit, MI: Wayne State University Press, 1992), pp. 91145.Google Scholar
Womack, Peter, Henry IV and epic theatre’, in Wood, N. (ed.), Henry IV, Parts One and Two (Buckingham: Open University Press, 1995), pp. 126–61.Google Scholar
Womersley, David, ‘Why is Falstaff fat?’, Review of English Studies, 47 (1996), 122.CrossRefGoogle Scholar
Woodward, Jennifer, The Theatre of Death: The Ritual Management of Royal Funerals in Renaissance England, 1570–1625 (Woodbridge: Boydell, 1997).Google Scholar
Woolf, Daniel, The Social Circulation of the Past: English Historical Culture, 1500–1730 (Oxford University Press, 2003).CrossRefGoogle Scholar
Wotton, Henry, The Life and Letters of Sir Henry Wotton, ed. by Smith, Logan Pearsall. 2 vols. (Oxford: Clarendon Press, 1970).Google Scholar
Yachnin, Paul, ‘The powerless theater’, English Literary Renaissance, 21 (1991), 4974.CrossRefGoogle Scholar
Yates, Frances, The Art of Memory [1966] (London: Pimlico, 1996).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Isabel Karremann, Julius-Maximilians-Universität Würzburg, Germany
  • Book: The Drama of Memory in Shakespeare's History Plays
  • Online publication: 05 October 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781316338759.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Isabel Karremann, Julius-Maximilians-Universität Würzburg, Germany
  • Book: The Drama of Memory in Shakespeare's History Plays
  • Online publication: 05 October 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781316338759.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Isabel Karremann, Julius-Maximilians-Universität Würzburg, Germany
  • Book: The Drama of Memory in Shakespeare's History Plays
  • Online publication: 05 October 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781316338759.009
Available formats
×