Book contents
- Frontmatter
- Contents
- Miscellaneous Frontmatter
- Between Estrangement and Entanglement: An Introduction to German Visions of Eastern Europe in the Twentieth (and Twenty-First) Century
- Colonizing a Central European City: Transnational Perspectives on Kronstadt/Braşov/Brassó in the First Half of the Twentieth Century
- Exile as a Literary-Political Mission: Leo Katz’s Antifascist Bukovina Novel Totenjäger (1944)
- Brunnenland: The Image of the Bukovina in Paul Celan
- “Auch bei uns im fernen Transsilvanien”: The Transylvanian Saxons and the Long Shadow of the Third Reich in the Work of Bettina Schuller
- Through an Orientalist Lens: Colonial Renderings of Poland in German Cinema after 1989
- The Nazi Ghost and the Sinti Woman in Kerstin Hensel’s Bell Vedere (1982)
- The Haunted Landscape of Babi Yar: Memory, Language, and the Exploration of Holocaust Spaces in Katja Petrowskaja’s Vielleicht Esther (2014)
- “dann hüpfe ich auch, komisch und ungeschickt, wie eine Nadel auf einer abgespielten Platte …”: Translational Ethics and Affects in Katja Petrowskaja’s Vielleicht Esther (2014)
- Expanding the Nationalgeschichte: Multidirectional European Memory in Nino Haratischwili and Saša Stanišić
- Reading Photographic Images and Identifying Mnemonic Threads of the Post-Memorial Project in Sie kam aus Mariupol (2017) by Natascha Wodin
- Navid Kermani’s Entlang den Gräben (2018) and Its Readers: Remapping Europe’s East
- Notes on the Contributors
Miscellaneous Frontmatter
Published online by Cambridge University Press: 11 January 2023
Book contents
- Frontmatter
- Contents
- Miscellaneous Frontmatter
- Between Estrangement and Entanglement: An Introduction to German Visions of Eastern Europe in the Twentieth (and Twenty-First) Century
- Colonizing a Central European City: Transnational Perspectives on Kronstadt/Braşov/Brassó in the First Half of the Twentieth Century
- Exile as a Literary-Political Mission: Leo Katz’s Antifascist Bukovina Novel Totenjäger (1944)
- Brunnenland: The Image of the Bukovina in Paul Celan
- “Auch bei uns im fernen Transsilvanien”: The Transylvanian Saxons and the Long Shadow of the Third Reich in the Work of Bettina Schuller
- Through an Orientalist Lens: Colonial Renderings of Poland in German Cinema after 1989
- The Nazi Ghost and the Sinti Woman in Kerstin Hensel’s Bell Vedere (1982)
- The Haunted Landscape of Babi Yar: Memory, Language, and the Exploration of Holocaust Spaces in Katja Petrowskaja’s Vielleicht Esther (2014)
- “dann hüpfe ich auch, komisch und ungeschickt, wie eine Nadel auf einer abgespielten Platte …”: Translational Ethics and Affects in Katja Petrowskaja’s Vielleicht Esther (2014)
- Expanding the Nationalgeschichte: Multidirectional European Memory in Nino Haratischwili and Saša Stanišić
- Reading Photographic Images and Identifying Mnemonic Threads of the Post-Memorial Project in Sie kam aus Mariupol (2017) by Natascha Wodin
- Navid Kermani’s Entlang den Gräben (2018) and Its Readers: Remapping Europe’s East
- Notes on the Contributors
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- Edinburgh German Yearbook 15Tracing German Visions of Eastern Europe in the Twentieth Century, pp. vii - viiiPublisher: Boydell & BrewerPrint publication year: 2022