Further Reading
Published online by Cambridge University Press: 20 October 2016
Edited by
- Type
- Chapter
- Information
- Edmund Spenser in Context , pp. 363 - 379Publisher: Cambridge University PressPrint publication year: 2016
References
Primary Sources
Dolven, Jeff. Scenes of Instruction in Renaissance Romance. University of Chicago Press, 2007.CrossRefGoogle Scholar
Enterline, Lynn. Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion. Philadelphia: University of Pennsylvania Press, 2011.Google Scholar
Mack, Peter. Elizabethan Rhetoric: Theory and Practice. Cambridge University Press, 2005.Google Scholar
Wallace, Andrew. Virgil’s Schoolboys: The Poetics of Pedagogy in Renaissance England. Oxford University Press, 2010.CrossRefGoogle Scholar
Secondary Sources
Cheney, Patrick. Spenser’s Famous Flight: A Renaissance Idea of a Literary Career. University of Toronto Press, 1993.CrossRefGoogle Scholar
Donnelly, M. L. “The Life of Virgil and the Aspirations of the ‘New Poet’.” Spenser Studies 17 (2003): 1–35.CrossRefGoogle Scholar
Helgerson, Richard. Self-Crowned Laureates: Spenser, Jonson, Milton and the Literary System. Berkeley: University of California Press, 1983.Google Scholar
Helgerson, Richard. The Elizabethan Prodigals. Berkeley: University of California Press, 1977.Google Scholar
Montrose, Louis. “Spenser’s Domestic Domain: Poetry, Property and the Early Modern Subject.” In Peter Stallybrass, Maureen Quilligan, and Margreta De Grazia (eds.), Subject and Object in Renaissance Culture. Cambridge University Press, 1996.Google Scholar
Oram, William A. “Spenser’s Audiences 1589–91.” Studies in Philology 100 (2003): 514–33.CrossRefGoogle Scholar
Peterson, Richard. “Laurel Crown and Ape’s Tail: New Light on Spenser’s Career from Thomas Tresham.” Spenser Studies 12 (1988): 1–35.CrossRefGoogle Scholar
Ramachandran, Ayesha. “Edmund Spenser, Lucretian Neoplatonist: Cosmology in the Fowre Hymnes.” Spenser Studies 24 (2009): 373–412.CrossRefGoogle Scholar
Wilson-Okamura, David. Virgil in the Renaissance. Cambridge University Press, 2010.CrossRefGoogle Scholar
Helgerson, Richard. Self-Crowned Laureates: Spenser, Jonson, Milton and the Literary System. Berkeley: University of California Press, 1983.Google Scholar
Kelsey, Lin, and Peterson, Richard S.. “Rereading Colin’s Broken Pipe: Spenser and the Problem of Patronage.” Spenser Studies 14 (2000): 233–72.Google Scholar
McCabe, Richard. “Ungainefull Arte”: Poetry, Patronage, and Print in the Early Modern Era. Oxford University Press, 2016.CrossRefGoogle Scholar
Owens, Judith. Enabling Engagements: Edmund Spenser and the Poetics of Patronage. McGill-Queen’s Press: Montreal, 2002.CrossRefGoogle Scholar
Eamon, Duffy. The Stripping of the Altars, 2nd ed. New Haven: Yale University Press, 2005.Google Scholar
McEachern, Claire. “Sects and the Single Woman: Spenser’s National Romance.” In The Poetics of English Nationhood, 1590–1612. Cambridge University Press, 2007. 34–82.Google Scholar
Shuger, Debora, The Renaissance Bible. Berkeley and Los Angeles: University of California Press, 1998.Google Scholar
Elizabeth I. Elizabeth I: Collected Works. Marcus, Leah S., Mueller, Janel, and Beth Rose, Mary (eds.). University of Chicago Press, 2000.CrossRefGoogle Scholar
Hulse, Clark. Elizabeth I: Ruler and Legend. Urbana and Chicago: University of Illinois Press, 2003.Google Scholar
Levin, Carole. The Heart and Stomach of a King: Elizabeth I and the Politics of Sex and Power. Philadelphia: University of Pennsylvania Press, 1994.Google Scholar
Montrose, Luis Adrian. The Subject of Elizabeth: Authority, Gender, and Representation. University of Chicago Press, 2006.Google Scholar
Shenk, Linda. Learned Queen: The Image of Elizabeth I in Politics and Poetry. New York: Palgrave, 2009.Google Scholar
Strong, Roy. The Cult of Elizabeth: Elizabethan Portraiture and Pageantry. London: Pimlico, 1999.Google Scholar
Stump, Donald, and Felch, Susan M.. Elizabeth I and Her Age. New York and London: Norton, 2009.Google Scholar
Walker, Julia M. (ed.). Dissing Elizabeth: Negative Representations of Gloriana. Durham and London: Duke University Press, 1998.Google Scholar
Wells, Robin Headlam. Spenser’s Faerie Queene and the Cult of Elizabeth. London and Canberra: Croom Helm, 1983.Google Scholar
Erickson, Wayne (ed.). Special issue: The 1590 Faerie Queene: Paratexts and Publishing. Studies in the Literary Imagination 38 (2005).Google Scholar
Evans, Frank B. “The Printing of The Faerie Queene, 1596.” Studies in Bibliography 18 (1965): 49–67.Google Scholar
Helgerson, Richard. “The New Poet Presents Himself: Spenser and the Idea of a Literary Career.” Publications of the Modern Language Association 93 (1978): 893–911.CrossRefGoogle Scholar
Hume, Anthea. Edmund Spenser, Protestant Poet. Cambridge University Press, 1984.CrossRefGoogle Scholar
Peterson, Richard S. “Laurel Crown and Ape’s Tail: New Light on Spenser’s Career from Sir Thomas Tresham” Spenser Studies 12 (1998): 1–35.CrossRefGoogle Scholar
Scott-Warren, Jason. “Unannotating Spenser.” In Smith, Helen and Wilson, Louise (eds.), Renaissance Paratexts. Cambridge University Press, 2011. 153–64, 250–54.Google Scholar
Yamashita, Hiroshi et al. A Textual Companion to The Faerie Queene 1590. Tokyo: Kenyusha, 1993.Google Scholar
Zurcher, Andrew. “Printing The Faerie Queene in 1590.” Studies in Bibliography 57 (2005/2006): 15–50.CrossRefGoogle Scholar
Armitage, David. The Ideological Origins of the British Empire. New York: Cambridge University Press, 2000.CrossRefGoogle Scholar
Canny, Nicholas. Making Ireland British, 1580–1650. New York: Oxford University Press, 2001.CrossRefGoogle Scholar
Fuchs, Barbara. Mimesis and Empire: The New World, Islam, and European Identities. New York: Cambridge University Press, 2001.CrossRefGoogle Scholar
Hadfield, Andrew. Spenser’s Irish Experience: Wilde Fruit and Salvage Soyl. New York: Oxford University Press, 1997.CrossRefGoogle Scholar
McCabe, Richard. Spenser’s Monstrous Regiment: Elizabethan Ireland and the Poetics of Difference. New York: Oxford University Press, 2002.CrossRefGoogle Scholar
Netzloff, Mark. England’s Internal Colonies: Class, Capital, and the Literature of Early Modern English. Colonialism. Basingstoke: Palgrave Macmillan, 2003.Google Scholar
Pagden, Anthony. Lords of All the World: Ideologies of Empire in Spain, Britain, and France. New Haven, CT: Yale University Press, 1995.Google Scholar
Palmer, Patricia. Language and Conquest in Early Modern Ireland: English Renaissance Literature and Elizabethan Imperial Expansion. Cambridge University Press, 2001.CrossRefGoogle Scholar
Bednarz, James. “Ralegh in Spenser’s Historical Allegory.” Spenser Studies 4 (1983): 49–70.CrossRefGoogle Scholar
Brady, Ciaran. “Spenser, Plantation, and Government Policy.” In McCabe, Richard A. (ed.), The Oxford Handbook of Edmund Spenser. Oxford University Press, 2010. 86–105.Google Scholar
Canny, Nicholas. Making Ireland British, 1580–1650. Oxford University Press, 2001.CrossRefGoogle Scholar
Coughlan, Patricia. “The Local Context of Mutabilitie’s Plea.” Irish University Review 26.2 (Autumn/Winter 1996): 320–41.Google Scholar
Herron, Thomas. “New English Nation: Munster Politics, Virgilian Complaint, and Pastoral Empire in Spenser’s ‘Colin Clouts Come Home Againe’ (1595).” Eolas 8 (2015): 89–122.Google Scholar
Herron, Thomas. Spenser’s Irish Work: Poetry, Plantation and Colonial Reformation. Aldershot: Ashgate, 2007.Google Scholar
Lyttleton, James, and Rynne, Colin (eds.). Plantation Ireland: Settlement and Material Culture, c. 1550-c. 1700. Dublin: Four Courts Press, 2009.Google Scholar
MacCarthy-Morrogh, Michael. The Munster Plantation: English Migration to Southern Ireland, 1583–1641. Oxford: Clarendon Press, 1986.Google Scholar
Myers, Benjamin P. “The Green and Golden World: Spenser’s Rewriting of the Munster Plantation.” English Literary History 76.2 (Summer 2009): 473–90.Google Scholar
Ó hEodhasa, Eochaidh. “Mag Uidhir’s Winter Campaign.” In Kinsella, Thomas (ed. and trans.), The New Oxford Book of Irish Verse. Oxford University Press, 1986. 159–64.Google Scholar
Canny, Nicholas, and Carpenter, Andrew. “The Early Planters: Spenser and his Contemporaries.” In Deane, Seamus (ed.), The Field Day Anthology of Irish Studies, vol. 1. Derry: Field Day, 1991. 171–234.Google Scholar
Herz, J. S. “Of Circles, Friendship, and the Imperatives of Literary History.” In Summers, Claude J. and Pebworth, Ted-Larry (eds.), Literary Circles and Cultural Communities in Renaissance England. Columbia: University of Missouri Press, 2000. 10–23.Google Scholar
Jardine, Lisa. “Encountering Ireland: Gabriel Harvey, Edmund Spenser, and English Colonial Ventures.” In Bradshaw, Brendan, Hadfield, Andrew, and Maley, Willy (eds.), Representing Ireland: Literature and the Origins of Conflict, 1534–1660. Cambridge University Press, 1993. 60–75.Google Scholar
Judson, A. C. “Spenser and the Munster Officials.” Studies in Philology 44.2 (1947): 157–73.Google Scholar
McCabe, R. “Rhyme and Reason: Poetics, Patronage, and Secrecy in Elizabethan and Jacobean Ireland.” In Womersley, David and McCabe, Richard (eds.), Literary Milieux: Essays in Text and Context Presented to Howard Erskine-Hill. Cranbury, NJ: Associated University Presses, 2008. 30–51.Google Scholar
Ellis, Steven G. Tudor Frontiers and Noble Power. Oxford: Clarendon Press, 1995.CrossRefGoogle Scholar
Lupton, Julia. “Mapping Mutability: or, Spenser’s Irish Plot.” In Bradshaw, Brendan, Hadfield, Andrew, and Maley, Willy (eds.), Representing Ireland: Literature and the Origins of the Conflict. Cambridge University Press, 1993. 93–115.Google Scholar
McCabe, Richard. Spenser’s Monstrous Regiment: Elizabethan Ireland and the Poetics of Difference. Oxford University Press, 2002.CrossRefGoogle Scholar
Maley, Willy. “‘End of a pale’ or ‘a new pale in the making’? The ‘Barbarous nook’ of the North from Shakespeare to Milton.” In Potterton, Michael and Herron, Thomas (eds.), Dublin and the Pale in the Renaissance, c. 1540–1660. Dublin: Four Courts Press, 2011. 372–90.Google Scholar
Morgan, Rhys and Power, Gerald. “Enduring Borderlands: the Marches of Ireland and Wales in the Early Modern Period.” In Ellis, Steven G. and Eβer, Raingard with Berdah, Jean-François and Řezník, Miloš (eds.), Frontiers, Regions and Identities in Europe. Pisa University Press, 2009. 101–28.Google Scholar
Power, Gerard. A European Frontier Elite: The Nobility of the English Pale in Tudor Ireland, 1496–1566. Hanover: Wehrhahn Verlag, 2012.Google Scholar
Schwyzer, Philip. “A Map of Greater Cambria.” In Gordon, Andrew and Klein, Bernhard (eds.), Literature, Mapping, and the Politics of Space in Early Modern Britain. Cambridge University Press, 2001. 35–44.Google Scholar
Bellamy, Elizabeth J. Translations of Power: Narcissism and the Unconscious in Epic History. Ithaca and London: Cornell University Press, 1992.CrossRefGoogle Scholar
Greene, Thomas M. The Descent from Heaven: A Study in Epic Continuity. New Haven and London: Yale University Press, 1963.Google Scholar
Helgerson, Richard. Forms of Nationhood: The Elizabethan Writing of England. Chicago and London: University of Chicago Press, 1992.Google Scholar
Murrin, Michael. The Allegorical Epic: Essays in its Rise and Decline. University of Chicago Press, 1980.Google Scholar
Welch, Anthony. The Renaissance Epic and the Oral Past. New Haven and London: Yale University Press, 2012.CrossRefGoogle Scholar
Wilson-Okamura, David Scott. Virgil in the Renaissance. Cambridge University Press, 2010.CrossRefGoogle Scholar
Wofford, Suzanne. The Choice of Achilles: The Ideology of Figure in the Epic. Stanford University Press, 1992.CrossRefGoogle Scholar
Little, Katherine C. Transforming Work: Early Modern Pastoral and Late Medieval Poetry. University of Notre Dame Press, 2013.CrossRefGoogle Scholar
McRae, Andrew. God Speed the Plough: the Representation of Agrarian England, 1500–1660. Cambridge University Press, 1996.Google Scholar
Montrose, Louis. “Of Gentlemen and Shepherds: The Politics of Elizabethan Pastoral Form.” English Literary History 50 (1983): 415–59.CrossRefGoogle Scholar
Berger, Jr., Harry. “‘Kidnapped Romance’: Discourse in The Faerie Queene.” In Logan, George M. and Teskey, Gordon (eds.), Unfolded Tales: Essays on Renaissance Romance. Ithaca: Cornell University Press, 1989. 208–56.Google Scholar
Cooper, Helen. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare. Oxford University Press, 2004.CrossRefGoogle Scholar
Dolven, Jeff. Scenes of Instruction in Renaissance Romance. Chicago University Press, 2007.CrossRefGoogle Scholar
King, Andrew. The Faerie Queene and Middle English Romance: The Matter of Just Memory. Oxford: Clarendon Press, 2000.CrossRefGoogle Scholar
Kinney, Clare R. Strategies of Poetic Narrative: Chaucer, Spenser, Milton, Eliot. Cambridge University Press, 1992.Google Scholar
Parker, Patricia. Inescapable Romance: Studies in the Poetics of a Mode. Princeton University Press, 1979.Google Scholar
Saunders, Corinne. A Companion to Romance from Classical to Contemporary. Malden, MA, and Oxford: Blackwell, 2004.Google Scholar
Wilson-Okamura, David Scott. “Errors about Ovid and Romance.” Spenser Studies 23 (2008): 215–34.CrossRefGoogle Scholar
Chomarat, Jacques. Grammaire et rhétorique chez Erasme. 2 vols. Paris: Les Belles Lettres, 1981.Google Scholar
Cummings, Brian. Literary Culture of the Reformation: Grammar and Grace. Oxford University Press, 2002.CrossRefGoogle Scholar
Ebling, Gerhard. Luther: An Introduction to His Thought. Trans. Wilson, R. A.. Philadelphia: Fortress, 1970.Google Scholar
Gordon, Bruce, and McLean, Matthew (eds.), Shaping the Bible in the Reformation: Books, Scholars, and Their Readers in the Sixteenth Century. Leiden: Brill, 2012.CrossRefGoogle Scholar
Millet, Olivier. Calvin et la dynamique de la parole: étude de rhétorique réformée. Geneva: Slatkine, 1993.Google Scholar
Schwarz, Werner. Principles and Problems of Biblical Translation: Some Reformation Controversies and their Background. Cambridge University Press, 1955.Google Scholar
Shuger, Debora. The Renaissance Bible: Scholarship, Sacrifice, and Subjectivity. Berkeley: University of California Press, 1994.Google Scholar
Tavard, George M. Holy Writ or Holy Church: The Crisis of the Protestant Reformation. London: Burns and Oates, 1959.Google Scholar
Anderson, Judith H. The Growth of a Personal Voice: “Piers Plowman” and “The Faerie Queene.” New Haven: Yale University Press, 1976.Google Scholar
Anderson, Judith H. Reading the Allegorical Intertext: Chaucer, Spenser, Shakespeare, Milton. New York: Fordham University Press, 2008.CrossRefGoogle Scholar
Augustine, . On Christian Doctrine. Trans. Robertson, D. W.. Indianapolis: Bobbs-Merrill, 1958.Google Scholar
Cicero, . On the Ideal Orator (De Oratore). Trans. May, James M. and Wisse, Jakob. New York: Oxford University Press, 2001.CrossRefGoogle Scholar
Danner, Bruce. Edmund Spenser’s War on Lord Burghley. New York: Palgrave Macmillan, 2011.CrossRefGoogle Scholar
Helfer, Rebecca. Spenser’s Ruins and the Art of Recollection. University of Toronto Press, 2012.CrossRefGoogle Scholar
Kernan, Alvin. The Cankered Muse: Satire of the English Renaissance. New Haven and London: Yale University Press, 1959.Google Scholar
King, John N. English Reformation Literature: The Tudor Origins of the Protestant Tradition. Princeton University Press, 1982.Google Scholar
McRae, Andrew. God Speed the Plough: The Representation of Agrarian England, 1500–1660. Cambridge University Press, 1996.Google Scholar
Manley, Lawrence. Literature and Culture in Early Modern London. Cambridge University Press, 1995.Google Scholar
Derrida, Jacques. Dissemination. Trans. Johnson, Barbara. University of Chicago Press, 1981.CrossRefGoogle Scholar
Genette, Gérard. Paratexts. Thresholds of interpretation. Trans. Lewin, Jane E.. Cambridge University Press, 1997.CrossRefGoogle Scholar
Hamilton, A. C. Sir Philip Sidney: A Study of his Life and Works. Cambridge University Press, 1977.Google Scholar
Hathaway, Baxter. The Age of Criticism: The Late Renaissance in Italy. Ithaca: Cornell University Press, 1962.CrossRefGoogle Scholar
Panofsky, Erwin. Idea: A Concept in Art Theory. Columbia: University of South Carolina Press, 1968.Google Scholar
Teskey, Gordon. “Edmund Spenser Meets Jacques Derrida: On the Travail of Systems.” Spenser Review 43 (Winter 2014).Google Scholar
Teskey, Gordon. “Allegory.” In Greene, Roland (ed.), Princeton Encyclopedia of Poetry and Poetics. 4th edn. Princeton University Press, 2012.Google Scholar
Teskey, Gordon. “Literature.” In Cummings, Brian and Simpson, James (eds.), Cultural Reformations: Medieval and Renaissance in Literary History. Oxford University Press, 2010.Google Scholar
Teskey, Gordon. “The Ethics of Inspiration.” In Grossman, Marshall (ed.), Reading Renaissance Ethics. New York: Routledge, 2007.Google Scholar
Teskey, Gordon. “Milton’s Choice of Subject.” In Delirious Milton: The Fate of the Poet in Modernity. Cambridge: Harvard University Press, 2006.CrossRefGoogle Scholar
Teskey, Gordon. “Renaissance Theory and Criticism.” In Groden, Michael, Kreiswirth, Martin, and Szeman, Imre (eds.), The Johns Hopkins Guide to Literary Theory and Criticism. 2nd edn. Baltimore: Johns Hopkins University Press, 2005.Google Scholar
Teskey, Gordon. “Allegory,” In Hamilton, A. C. (ed.), The Spenser Encyclopedia. University of Toronto Press, 1990.Google Scholar
Weinberg, Bernard. Trattati di Poetica e Retorica del Cinquecento. 4 vols. Bari: Laterza, 1970.Google Scholar
Weinberg, Bernard. A History of Literary Criticism in the Italian Renaissance. University of Chicago Press, 1961.Google Scholar
Adamson, Sylvia, Alexander, Gavin, and Ettenhuber, Katrin (eds.). Renaissance Figures of Speech. Cambridge University Press, 2007.CrossRefGoogle Scholar
Armstrong, Edward. A Ciceronian Sunburn: A Tudor Dialogue on Humanistic Rhetoric and Civic Poetics. University of South Carolina Press, 2006.Google Scholar
Baldwin, T.W. William Shakspere’s Small Latine and Lesse Greeke. 2 vols. University of Illinois Press, 1944.Google Scholar
Eden, Kathy. Hermeneutics and the Rhetorical Tradition: Chapters in the Ancient Legacy and its Humanist Reception. New Haven: Yale University Press, 1997.Google Scholar
Grafton, Anthony, and Jardine, Lisa. From Humanism to the Humanities: Education and the Liberal Arts in Fifteenth- and Sixteenth-Century Europe. London: Duckworth, 1986.Google Scholar
Gray, Hanna H. “Renaissance Humanism: The Pursuit of Eloquence.” Journal of the History of Ideas 24 (1968): 497–514.CrossRefGoogle Scholar
Kennedy, George A. Classical Rhetoric and its Christian and Secular Tradition from Ancient to Modern Times. Chapel Hill: University of North Carolina Press, 1980.Google Scholar
Mack, Peter. Elizabethan Rhetoric: Theory and Practice. Cambridge University Press, 2002.CrossRefGoogle Scholar
Blank, Paula. Broken English: Dialects and the Politics of Language in Renaissance Writing. London: Routledge, 1996.Google Scholar
Holstun, James. “The Spider, the Fly, and the Commonwealth: Merrie John Heywood and Agrarian Class Struggle.” English Literary History 71 (2004): 53–88.CrossRefGoogle Scholar
King, John N. English Reformation Literature: The Tudor Origins of the Protestant Tradition. Princeton University Press, 1982.Google Scholar
Lucas, Scott. “Diggon Davie and Davy Dicar: Edmund Spenser, Thomas Churchyard, and the Poetics of Public Protest.” Spenser Studies 16 (2002): 151–66.Google Scholar
McElroy, Tricia A. “Imagining the ‘Scottish Natioun’: Populism and Propaganda in the Scottish Satirical Ballads.” Texas Studies in Literature and Language 49 (2007): 319–39.CrossRefGoogle Scholar
McRae, Andrew. God Speed the Plough: The Representation of Agrarian England, 1500–1660. Cambridge University Press, 1996.Google Scholar
Norbrook, David. Poetry and Politics in the English Renaissance. Oxford University Press, 2002.CrossRefGoogle Scholar
Pincombe, Mike, and Shrank, Cathy (eds.). The Oxford Handbook of Tudor Literature, 1485–1603. Oxford University Press, 2009.CrossRefGoogle Scholar
Shrank, Cathy. “Trollers and Dreamers: Defining the Citizen-Subject in Sixteenth-Century Cheap Print.” Yearbook of English Studies 38 (2008): 102–18.CrossRefGoogle Scholar
White, Helen. Social Criticism in Popular Religious Literature of the Sixteenth Century. New York: Octagon Books.CrossRefGoogle Scholar
Curran, John E., Jr. Roman Invasions: The British History, Protestant Anti-Romanism, and the Historical Imagination in England 1530–1660. Newark: University of Delaware Press, 2002.Google Scholar
Escobedo, Andrew. Nationalism and Historical Loss in Renaissance England: Foxe, Dee, Spenser, Milton. Ithaca: Cornell University Press, 2004.CrossRefGoogle Scholar
Fichter, Andrew. Poets Historical: Dynastic Epic in the Renaissance. New Haven: Yale University Press, 1982.CrossRefGoogle Scholar
Nelson, William. Fact or Fiction: The Dilemma of the Renaissance Storyteller. Cambridge: Harvard University Press, 1973.CrossRefGoogle Scholar
O’Connell, Michael. Mirror and Veil: The Historical Dimension of Spenser’s Faerie Queene. Chapel Hill: University of North Carolina Press, 1977.Google Scholar
Scholes, Robert, and Kellogg, Robert. The Nature of Narrative. Oxford University Press, 1966.Google Scholar
Steadman, John M. Moral Fiction in Milton and Spenser. Columbia: University of Missouri Press, 1995.Google Scholar
Alexander, Gavin. “Prosopopoeia: The Speaking Figure.” In Adamson, Sylvia, Alexander, Gavin, and Ettenhuber, Katrin (eds.), Renaissance Figures of Speech. Cambridge University Press, 2007. 97–114.CrossRefGoogle Scholar
Bos, Jacques. “Individuality and Inwardness in Literary Character Sketches of the Seventeenth Century.” Journal of the Warburg and Courtauld Institutes 61 (1998): 142–57.CrossRefGoogle Scholar
Curran, J. E. Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy. Newark: University of Delaware Press, 2014.Google Scholar
Escobedo, A. “Daemon Lovers: Will, Personification, and Character.” Spenser Studies 22 (2007): 203–25.Google Scholar
Fowler, E. Literary Character: The Human Figure in Early English Writing. Ithaca: Cornell University Press, 2003.CrossRefGoogle Scholar
Oram, W. “Characterization and Spenser’s Allegory.” In Proceedings of the Nineteenth International Congress on Medieval Studies (Clarian, PN: Clarian University Press, 1984. 91–122.Google Scholar
Wilson, R. R. “Character.” In Hamilton, A. C. (ed.), The Spenser Encyclopedia. University of Toronto Press, 1990. 140–42.Google Scholar
Attridge, D. Well-Weighed Syllables: Elizabethan Verse in Classical Metres. Cambridge University Press, 1974.Google Scholar
Brown, R. D. and Lethbridge, J. B.. A Concordance to the Rhymes of “The Faerie Queene”: With Two Studies of Spenser’s Rhymes, The Manchester Spenser. Manchester University Press, 2013.Google Scholar
Greene, R. et al. (ed.). The Princeton Encyclopedia of Poetry and Poetics. 4th edn. Princeton University Press, 2012.CrossRefGoogle Scholar
Martin, M., The Rise and Fall of Meter: Poetry and English National Culture, 1860–1930. Princeton University Press, 2012.Google Scholar
Thompson, J. The Founding of English Metre. New York: Columbia University Press, 1961.Google Scholar
Wilson-Okamura, D. S. Spenser’s International Style. Cambridge University Press, 2013.CrossRefGoogle Scholar
Allen, Don Cameron. Mysteriously Meant: The Rediscovery of Pagan Symbolism and Allegorical Interpretation in the Renaissance. Baltimore: Johns Hopkins University Press, 1970.Google Scholar
Burrow, Colin. “English Renaissance Readers and the Appendix Vergiliana.” Proceedings of the Vergil Society 26 (2008): 1–16.Google Scholar
Cheney, Patrick. Spenser’s Famous Flight: A Renaissance Idea of a Literary Career. University of Toronto Press, 1993.CrossRefGoogle Scholar
Kallendorf, Craig. The Other Virgil: “Pessimistic” Readings of the Aeneid in Early Modern Culture. Oxford University Press, 2007.CrossRefGoogle Scholar
Kallendorf, Craig. In Praise of Aeneas: Virgil and Epideictic Rhetoric in the Early Italian Renaissance. Hanover: University Press of New England, 1989.Google Scholar
Krier, Theresa M. Gazing on Secret Sights: Spenser, Classical Imitation, and the Decorums of Vision. Ithaca: Cornell University Press, 1990.Google Scholar
Wallace, Andrew. Virgil’s Schoolboys: The Poetics of Pedagogy in Renaissance England. Oxford University Press, 2010.CrossRefGoogle Scholar
Watkins, John. The Specter of Dido: Spenser and Virgilian Epic. New Haven: Yale University Press, 1995.CrossRefGoogle Scholar
Wilson-Okamura, David Scott. Virgil in the Renaissance. Cambridge University Press, 2014.Google Scholar
Ziolkowski, Jan M., and Putnam, Michael C. J. (eds.). The Virgilian Tradition: The First Fifteen Hundred Years. New Haven: Yale University Press, 2008.Google Scholar
Brown, Sarah Annes. The Metamorphosis of Ovid: From Chaucer to Ted Hughes. London: Duckworth, 2002.Google Scholar
Hardie, Philip (ed.). The Cambridge Companion to Ovid. Cambridge University Press, 2002.CrossRefGoogle Scholar
Hinds, Stephen, Hardie, Philip R., and Barchiesi, Alessandro (eds.). Ovidian Transformations: Essays on the Metamorphoses and its Reception. Cambridge Philological Society. Supplementary vol. 23. Cambridge University Press, 1999.Google Scholar
Lyne, Raphael. Ovid’s Changing Worlds: English Metamorphoses, 1567–1632. Cambridge University Press, 2001.CrossRefGoogle Scholar
Martindale, Charles (ed.). Ovid Renewed: Ovidian Influences on Literature and Art from the Middle Ages to the Twentieth Century. Cambridge University Press, 1988.Google Scholar
Oakley-Brown, L. Ovid and the Cultural Politics of Translation in Early Modern England. Aldershot: Ashgate, 2006.Google Scholar
Pearcy, Lee. The Mediated Muse: English Translations of Ovid, 1560–1600. Hamden, CT: Archon Books, 1984.Google Scholar
Stapleton, Michael L. Spenser’s Ovidian Poetics. Newark: University of Delaware Press, 2009.Google Scholar
Boswell, Jackson, McMurry, Campbell, and Braden, Gordon (eds.). Petrarch’s English Laurels, 1475–1700. Burlington: Ashgate, 2012.Google Scholar
Braden, Gordon. Petrarchan Love and the Continental Renaissance. New Haven: Yale University Press, 1999.Google Scholar
Dubrow, Heather. Echoes of Desire: English Petrarchism and its Counter-Discourses. Ithaca: Cornell University Press, 1995.Google Scholar
Forster, Leonard. The Icy Fire: Five Studies in European Petrarchism. Cambridge University Press, 1969.Google Scholar
Greene, Roland. Unrequited Conquests: Love and Empire in the Colonial Americas. University of Chicago Press, 1999.Google Scholar
Greene, Roland. Post-Petrarchism: Origins and Innovations of the Western Lyric Sequence. Princeton University Press, 1991.CrossRefGoogle Scholar
Stephens, Dorothy. The Limits of Eroticism in Post-Petrarchan Narrative: Conditional Pleasure from Spenser to Marvell. Cambridge University Press, 1998.CrossRefGoogle Scholar
Wofford, Susanne Lindgren. “Britomart’s Petrarchan Lament: Allegory and Narrative in The Faerie Queene iii, iv.” Comparative Literature 39 (1987): 28–57.CrossRefGoogle Scholar
Anderson, Judith H. Reading the Allegorical Intertext: Chaucer, Spenser, Shakespeare, Milton. New York: Fordham University Press, 2008.CrossRefGoogle Scholar
Burrow, John A. “Chaucer, Geoffrey.” In Hamilton, A. C. (ed.), The Spenser Encyclopedia. University of Toronto Press, 1990.Google Scholar
Guy-Bray, Stephen. “Chaucer and Spenser and Other Male Couples.” Ch. 2 of Loving in Verse: Poetic Influence as Erotic. University of Toronto Press, 2006.CrossRefGoogle Scholar
Hieatt, Kent A. Chaucer, Spenser, Milton: Mythopoeic Continuities and Transformations. Montreal: McGill-Queen’s University Press, 1975.Google Scholar
Higgins, Anne. “Spenser Reading Chaucer: Another Look at the Faerie Queene Allusions.” Journal of English and Germanic Philology 89.1 (January 1990): 17–36.Google Scholar
Hutchins, Christine E. “Chaucer and the Problem of ‘Recreative’ Poetry in Renaissance England.” Ben Jonson Journal 15.2 (2008): 248–70.CrossRefGoogle Scholar
Krier, Theresa M. (ed.). Refiguring Chaucer in the Renaissance. Gainesville: University Press of Florida, 1998.Google Scholar
Munro, Lucy. “Chaucer, Gower, and the Anxiety of Obsolescence.” Ch. 2 of Archaic Style in English Literature, 1590–1674. Cambridge University Press, 2014.Google Scholar
Steinberg, Glenn A. “Spenser’s Shepheardes Calender and the Elizabethan Reception of Chaucer.” English Literary Renaissance 35 (2005): 31–51.CrossRefGoogle Scholar
Anderson, Judith, Cheney, Donald, and Richardson, David (eds.). Spenser’s Life and the Subject of Biography. Amherst: University of Massachusetts Press, 1996.Google Scholar
Davis, Joel B. The Countesse of Pembrokes Arcadia and the Invention of English Literature. New York: Palgrave Macmillan, 2011.CrossRefGoogle Scholar
Falco, Raphael. Conceived Presences: Literary Genealogy in Renaissance England. Amherst: University of Massachusetts Press, 1994.Google Scholar
Helgerson, Richard. Forms of Nationhood: The Elizabethan Writing of England. University of Chicago Press, 1992.Google Scholar
McCabe, Richard (ed.). Oxford Handbook of Edmund Spenser. Oxford University Press, 2010.CrossRefGoogle Scholar
Helfer, Rebeca. Spenser’s Ruins and the Art of Recollection. University of Toronto Press, 2012.CrossRefGoogle Scholar
Melehy, Hassan. “Spenser’s Mutabilitie Cantos and Du Bellay’s Poetic Transformation.” In Martin, Catherine Gimelli and Melehy, Hassan (eds.), French Connections in the English Renaissance. Farnham: Ashgate, 2013. 51–65.Google Scholar
Richardson, Glenn (ed.). “The Contending Kingdom”: France and England 1420–1700. Farnham: Ashgate, 2008.Google Scholar
Smith, Malcolm (ed.). Antiquitez and Ruines of Rome. Binghamton, NY: Medieval & Renaissance Texts and Studies, 1994.Google Scholar
Wilson-Okamura, David. Spenser’s International Style. Cambridge University Press, 2013.CrossRefGoogle Scholar
Allen, Michael J.B. Plato’s Third Eye: Studies in Marsilio Ficino’s Metaphysics and Its Sources. Variorum, 1995.Google Scholar
Bieman, Elizabeth. Plato Baptized: Towards the Interpretation of Spenser’s Mimetic Fictions. University of Toronto Press, 1988.CrossRefGoogle Scholar
Gerson, Lloyd P. From Plato to Platonism. Ithaca: Cornell University Press, 2013.CrossRefGoogle Scholar
Lamberton, Robert. Homer the Theologian: Neoplatonist Allegorical Reading and the Growth of the Epic Tradition. Berkeley: University of California Press, 1989.Google Scholar
Quitslund, Jon A. Spenser’s Supreme Image: Platonic Natural History and The Faerie Queene. Toronto: University of Toronto Press, 2001.CrossRefGoogle Scholar
Weatherby, Harold. Mirrors of Celestial Grace: Patristic Theology in Spenser’s Allegory. Toronto: University of Toronto Press, 1994.CrossRefGoogle Scholar
Yates, Frances. The Occult Philosophy in the Elizabethan Age. New York: Routledge, 1979.Google Scholar
Berger, Jr., Harry. The Allegorical Temper: Vision and Reality in Book ii of Spenser’s Faerie Queene. New Haven: Yale University Press, 1957.Google Scholar
Costello, William T. The Scholastic Curriculum at Early Seventeenth-Century Cambridge. Cambridge: Harvard University Press, 1958.CrossRefGoogle Scholar
Fowler, Elizabeth. “The Failure of Moral Philosophy in the Work of Edmund Spenser.” Representations 51 (1995): 47–76.CrossRefGoogle Scholar
Kraye, Jill. “Moral Philosophy.” In Schmitt, Charles B. and Skinner, Quentin (eds.), The Cambridge History of Renaissance Philosophy. Cambridge University Press, 1988. 303–86.Google Scholar
McCabe, Richard. “Prince Arthur’s ‘Vertuous and Gentle Discipline’.” In Chuilleanáin, Eiléan Ní and Pheifer, J. D. (eds.), Noble and Joyous Histories: English Romances, 1375–1650. Dublin: Irish Academic Press, 1993. 221–43.Google Scholar
MacIntyre, Alasdair. After Virtue: A Study in Moral Theory. 2nd edn. London: Duckworth, 1985.Google Scholar
Schmitt, Charles. Aristotle and the Renaissance. Cambridge: Harvard University Press, 1983.CrossRefGoogle Scholar
Silberman, Lauren. “The Faerie Queene, Book ii and the Limitations of Temperance.” Modern Language Studies 17.4 (1987): 9–22.CrossRefGoogle Scholar
Tuve, Rosemond. Allegorical Imagery: Some Medieval Books and their Posterity. Princeton University Press, 1966.Google Scholar
Gless, Darryl J. Interpretation and Theology in Spenser. Cambridge University Press, 1994.Google Scholar
King, John N. Spenser’s Poetry and the Reformation Tradition. Princeton University Press, 1990.Google Scholar
Mallette, Richard. Spenser and the Discourses of Reformation England. Lincoln: University of Nebraska Press, 1997.Google Scholar
Ryrie, Alec. Being Protestant in Reformation Britain. Oxford University Press, 2013.CrossRefGoogle Scholar
Weatherby, Harold L. Mirrors of Celestial Grace: Patristic Theology in Spenser’s Allegory. University of Toronto Press, 1994.CrossRefGoogle Scholar
Alpers, P. J. “Iconography in The Faerie Queene.” Ch. 7 of The Poetry of “The Faerie Queene.” Princeton University Press, 1967.Google Scholar
Aptekar, J. Icons of Justice: Iconography and Thematic Imagery in Book v of “The Faerie Queene.” New York: Columbia University Press, 1969.Google Scholar
Bath, M. Speaking Pictures: English Emblem Books and Renaissance Culture. London: Longman, 1994.Google Scholar
Daly, P. M. Literature in the Light of the Emblem: Structural Parallels between the Emblem and Literature in the Sixteenth and Seventeenth Centuries. University of Toronto Press, 1979.Google Scholar
Fowler, A. “Emblems of Temperance in The Faerie Queene, Book ii.” Review of English Studies, New Series, 11 (1960): 143–49.Google Scholar
Goeglein, T. A. “The Emblematics of Edmund Spenser’s House of Holiness.” Spenser Studies 25 (2010): 21–51.CrossRefGoogle Scholar
Grogan, J. Exemplary Spenser: Visual and Poetic Pedagogy in “The Faerie Queene.” Farnham: Ashgate, 2009.Google Scholar
Tung, M. “Spenser’s ‘Emblematic’ Imagery: A Study of Emblematics.” Spenser Studies 5 (1985): 185–207.CrossRefGoogle Scholar
Chapman, Alison A. Patrons and Patron Saints in Early Modern English Literature. New York and London: Routledge, 2013.CrossRefGoogle Scholar
Freeman, Thomas S. “The Power of Polemic: Catholic Responses to the Calendar in Foxe’s ‘Book of Martyrs’.” Journal of Ecclesiastical History 61.3 (2010): 475–95.CrossRefGoogle Scholar
Monta, Susannah. Martyrdom and Literature in Early Modern England. Cambridge University Press, 2005.Google Scholar
Nussbaum, Damian. “Reviling the Saints or Reforming the Calendar? John Foxe and his ‘Kalendar’ of Martyrs.” Belief and Practice in Reformation England. Brookfield, VT: Ashgate, 1998. 113–36.Google Scholar
Reames, Sherry. The Legenda Aurea: A Reexamination of its Paradoxical History. Madison: University of Wisconsin Press, 1985.Google Scholar
Duffy, Timothy. “‘The Light of Simple Veritie’: Mapping out Spenser’s Cosmography in ‘The Ruines of Time’.” Studies in Philology 111.4 (2014): 738–56.CrossRefGoogle Scholar
Hieatt, Kent A. Short Time’s Endless Monument: The Symbolism of the Numbers in Edmund Spenser’s “Epithalamion.” New York: Columbia University Press, 1960.CrossRefGoogle Scholar
Lestringant, Frank. Mapping the Renaissance World: The Geographical Imagination in the Age of Discovery. Berkeley: University of California Press, 1994.Google Scholar
Palmer, Ada. Reading Lucretius in the Renaissance. Cambridge: Harvard University Press, 2014.CrossRefGoogle Scholar
Powrie, Sarah. “Spenser’s Mutabilitie and the Indeterminate Universe.” SEL: Studies in English Literature 1500–1900 53.1 (2013): 73–89.CrossRefGoogle Scholar
Vitkus, Daniel. “The New Globalism: Transcultural Commerce, Global Systems Theory, and Spenser’s Mammon,” In Singh, Jyotsna G. (ed.), A Companion to the Global Renaissance: English Literature and Culture in the Era of Expansion. Malden: Wiley-Blackwell, 2009. 29–49.CrossRefGoogle Scholar
Vogel, Klaus A. “Cosmography.” In The Cambridge History of Science, vol. 3: Early Modern Science. Cambridge University Press, 2006. 469–96.Google Scholar
Boehrer, Bruce. Environmental Degradation in Jacobean England. Cambridge University Press, 2013.CrossRefGoogle Scholar
McRae, Andrew. God Speed the Plough: The Representation of Agrarian England, 1500–1660. Cambridge University Press, 1996.Google Scholar
Morton, Timothy. Ecology Without Nature: Rethinking Environmental Aesthetics. Harvard University Press, 2007.Google Scholar
Shannon, Laurie. The Accommodated Animal: Cosmopolity in Shakespearean Locales. Chicago University Press, 2013.CrossRefGoogle Scholar
Watson, Robert N. Back to Nature: The Green and the Real in the Late Renaissance. Philadelphia: University of Pennsylvania Press, 2006.CrossRefGoogle Scholar
Bromley, James M. Intimacy and Sexuality in the Age of Shakespeare. Cambridge Univeristy Press, 2012.Google Scholar
Bromley, James M. and Stockton, Will (eds.). Sex Before Sex: Figuring the Act in Early Modern England. Minneapolis: University of Minnesota Press, 2013.CrossRefGoogle Scholar
Cohen, Jeffrey Jerome. “On Saracen Enjoyment.” Journal of Medieval and Early Modern Studies (2001): 113–46.CrossRefGoogle Scholar
Goldberg, Jonathan. The Seeds of Things: Theorizing Sexuality and Materiality in Renaissance Representations. New York: Fordham University Press, 2009.Google Scholar
Goldberg, Jonathan. Sodometries: Renaissance Texts, Modern Sexualities. Stanford University Press, 1992.Google Scholar
Loomba, Ania. “Periodization, Race, and Global Contact.” Journal of Medieval and Early Modern Studies 37 (2007): 596–620.CrossRefGoogle Scholar
Sanchez, Melissa E. “‘Modesty or Comeliness’: The Predicament of Reform Theology in Spenser’s Amoretti and Epithalamion.” Renascence 65 (2012): 5–24.CrossRefGoogle Scholar
Schoenfeldt, Michael C. Bodies and Selves in Early Modern England. Cambridge University Press, 1999.Google Scholar
Traub, Valerie. Thinking Sex with the Early Moderns. Philadelphia: University of Pennsylvania Press, 2015.CrossRefGoogle Scholar
Wiesner-Hanks, Merry E. Christianity and Sexuality in the Early Modern World. London: Routledge, 2000.Google Scholar
Adelman, Janet. “Hugh Maclean Memorial Lecture: Revaluing the Body in The Faerie Queene i.” The Spenser Review 36 (2005).Google Scholar
Badiou, Alain. Saint Paul: The Foundation of Universalism. Trans. Brassier, Ray. Stanford University Press, 2003.Google Scholar
Campana, Joseph. The Pain of the Reformation: Spenser, Vulnerability, and the Ethics of Masculinity. New York: Fordham University Press, 2012.CrossRefGoogle Scholar
Goldberg, Jonathan. The Seeds of Things: Theorizing Sexuality and Materiality in Renaissance Representations. New York: Fordham University Press, 2009.Google Scholar
Gregerson, Linda. “Sexual Politics.” In Hadfield, Andrew (ed.), The Cambridge Companion to Spenser. Cambridge University Press, 2001. 180–99.Google Scholar
Kneidel, Gregory. Rethinking the Turn to Religion in Early Modern English Literature: The Poetics of All Believers. Basingstoke: Palgrave Macmillan, 2008.Google Scholar
Reinhard Lupton, Julia. Citizen-Saints: Shakespeare and Political Theory. Chicago University Press, 2005.CrossRefGoogle Scholar
Sanchez, Melissa E. “‘What Hath Night to Do with Sleep?’ Biopolitics in Milton’s Mask.” Early Modern Culture: An Electronic Seminar 10 (2014). Online.Google Scholar