Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-q6k6v Total loading time: 0 Render date: 2024-07-10T10:16:02.874Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

End of the world music: is extreme metal the sound of the apocalypse?

Keith Kahn-Harris
Affiliation:
Goldsmiths College
John Walliss
Affiliation:
Liverpool Hope University
Kenneth G. C. Newport
Affiliation:
Liverpool Hope University
Get access

Summary

Introduction

Visions of the apocalypse have permeated human history. Although the ways in which the apocalypse has been envisaged vary enormously, a distinction can usefully be made between apocalypticism in pre-modern and modern times. In pre-modern times (and today in some non-western contexts), visions of the apocalypse stemmed from a lack of control over the human environment. In a seemingly capricious and uncontrollable universe, the end of the world was easy to imagine. Religion and magical rituals may attempt to assert control over the environment; however such attempts take place on the symbolic plain or are founded on a view of the natural world that sees it as epiphenomenal to spiritual realities. They are not founded on a naturalistic view that sees the world as knowable on its own terms.

In contrast, Western modernity is based on the principle that the world is founded on certain universal laws that can be discovered and that through their discovery the world can be fashioned to suit human desires. The world envisaged at the dawn of modernity by enlightenment thinkers was (potentially at least) predictable and controllable. Yet self-confident eighteenth- and nineteenth-century modernities have been followed by twentieth- and twenty-first century modernities that are ever less confident in human capabilities to transform our world in positive ways. World wars, genocides and environmental destruction are results of the modern project. Even such positive results of modernity as discoveries in medical science have been shown to have frightening unintended consequences, such as antibiotic resistance.

Type
Chapter
Information
The End All Around Us
The Apocalypse and Popular Culture
, pp. 22 - 42
Publisher: Acumen Publishing
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×