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Chapter 6 - Music

from Part II - Media-dependent entertainment

Published online by Cambridge University Press:  22 August 2009

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Summary

Life in the fast lane's no fun if you're running out of gas.

That is exactly what people in the music business discovered toward the end of the 1970s, when after three uninterrupted decades of expansion, recorded-music sales stopped growing. A new spurt of growth starting in the mid-1980s then carried through to the late 1990s, when the industry peaked with aggregate worldwide revenues of some $40 billion per year. Since then, problems have abounded.

Still, however, music is the most easily personalized and accessible form of entertainment and it readily pervades virtually every culture and every level of society. As such, it may be considered as the most fundamental of all the entertainment businesses.

Feeling groovy

Experimentation with reproduction of moving images can be traced back to the early 1800s. But there was apparently little interest in the mechanical reproduction of sound until the venerable Thomas Edison in 1877 developed yet another of his novelty items – a tinfoil-wrapped cylinder that was rotated with a handle. While he cranked the handle and recited the nursery rhyme “Mary Had a Little Lamb” into a recording horn, Edison's voice vibrated a diaphragm to which a metal stylus was attached. The stylus then cut grooves on the surface of the tinfoil and – voilà! When the procedure was reversed, the stylus caused the diaphragm to vibrate and the amplified recorded sounds to emanate.

Type
Chapter
Information
Entertainment Industry Economics
A Guide for Financial Analysis
, pp. 228 - 266
Publisher: Cambridge University Press
Print publication year: 2007

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  • Music
  • Harold L. Vogel
  • Book: Entertainment Industry Economics
  • Online publication: 22 August 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511510786.008
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  • Music
  • Harold L. Vogel
  • Book: Entertainment Industry Economics
  • Online publication: 22 August 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511510786.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Music
  • Harold L. Vogel
  • Book: Entertainment Industry Economics
  • Online publication: 22 August 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511510786.008
Available formats
×