Book contents
- Exploring Bach’s B-minor Mass
- Exploring Bach’s B-minor Mass
- Copyright page
- Dedication
- Contents
- Illustrations
- Music examples
- Tables
- Notes on the contributors
- Preface
- Acknowledgements
- Abbreviations and conventions
- Part I Historical background and contexts
- Part II Structure and proportion
- Part III Sources
- Part IV Reception
- 11 Haydn’s copy of the B-minor Mass and Mozart’s Mass in C minor: Viennese traditions of the B-minor Mass
- 12 ‘Areally correct copy of the Mass’? Mendelssohn’s score of the B-minor Mass as a document of the Romantics’ view on matters of performance practice and source criticism
- 13 The B-minor Mass in nineteenth-century England
- 14 Bach’s B-minor Mass: an incarnation in Prague in the 1860s and its consequences
- General index
- Source index
11 - Haydn’s copy of the B-minor Mass and Mozart’s Mass in C minor: Viennese traditions of the B-minor Mass
from Part IV - Reception
Published online by Cambridge University Press: 05 October 2013
Book contents
- Exploring Bach’s B-minor Mass
- Exploring Bach’s B-minor Mass
- Copyright page
- Dedication
- Contents
- Illustrations
- Music examples
- Tables
- Notes on the contributors
- Preface
- Acknowledgements
- Abbreviations and conventions
- Part I Historical background and contexts
- Part II Structure and proportion
- Part III Sources
- Part IV Reception
- 11 Haydn’s copy of the B-minor Mass and Mozart’s Mass in C minor: Viennese traditions of the B-minor Mass
- 12 ‘Areally correct copy of the Mass’? Mendelssohn’s score of the B-minor Mass as a document of the Romantics’ view on matters of performance practice and source criticism
- 13 The B-minor Mass in nineteenth-century England
- 14 Bach’s B-minor Mass: an incarnation in Prague in the 1860s and its consequences
- General index
- Source index
- Type
- Chapter
- Information
- Exploring Bach's B-minor Mass , pp. 217 - 243Publisher: Cambridge University PressPrint publication year: 2013