Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-sv6ng Total loading time: 0 Render date: 2024-08-08T22:20:11.526Z Has data issue: false hasContentIssue false

5 - Agent constructions with prepositions other than ὑπό: tragedy and comedy

Published online by Cambridge University Press:  22 September 2009

Coulter H. George
Affiliation:
Trinity College, Cambridge
Get access

Summary

As Schwyzer pointed out in his article on expressions of the agent, the Attic tragedians provide many examples of non-standard agent markers (1943: 20–8). In fact, ὑπό is so rare in comparison to other prepositions, that, were these plays our only source of Ancient Greek, we would not at first glance be able to pinpoint it as the default agent marker. In iambic passages of the Oresteia, for instance, ὑπό only occurs in three PACs, as against seven with πρός+G, two with ἐκ, and one with παρά. Does this variety of agent marking mirror that in prose of the period, or is it simply a feature of poetic diction, conditioned by the meter? In order to answer this question, I will look at prepositional PACs in Aeschylus, Sophocles, and Euripides. To impose some uniformity on the data, I will only consider PACs in iambic passages. Because this limitation reduces the number of PACs under consideration, I will extend the study to those constructions where agent expressions occur with intransitive verbs, such as πάσχω or ἀποθνῄσκω, that act as suppletive passives to transitive counterparts like ποιέω and ἀποκτείνω. Such constructions are quite common in tragedy because of the frequent description of suffering in the genre.

In general, the pattern in prose whereby certain agent markers are associated with certain verbs does not hold true in poetry.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×