Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-wp2c8 Total loading time: 0 Render date: 2024-08-16T23:10:15.543Z Has data issue: false hasContentIssue false

TWO - The making of the extraordinary

Published online by Cambridge University Press:  05 April 2013

Peter Lamont
Affiliation:
University of Edinburgh
Get access

Summary

Derren Brown looked into the eyes of the famous chef, Michel Roux. It was 2004, and Brown was already the best-known mind-reader in Britain. He asked Roux to think of a memory from his distant past, then told the chef to look directly at him. A few moments later, he announced the name of Roux's childhood dog. Brown had already performed a similar feat on a popular daytime television programme, as part of a seemingly genuine demonstration of his ability to read unconscious eye movement. Looking into the eyes of the television presenter, Phillip Schofield, Brown managed to discover that Schofield was thinking of the death of his childhood pet hamster. These were presented as psychological feats and, as in any magic trick, there was an element of psychology involved. However, they were illusions, which relied upon techniques of which the viewers (and, presumably, the former pet owners) were unaware.

Brown is only one of countless performers who have demonstrated such extraordinary feats, which seem to be the result of extraordinary psychological abilities, but which are not what they appear to be. Such mind-reading abilities are far beyond what anyone can do, according to our current understanding of the mind. Thus, if they are real, they should be called paranormal. However, they have been presented not as paranormal, but rather as psychological, and many people have believed that, as such, they are real. These people, then, have believed in the paranormal, though if asked, they probably would have denied it. On the other hand, had these feats been presented explicitly as magic tricks, few people would have believed that they were genuine (indeed, fewer people would have been interested in the first place). Those who have demonstrated extraordinary phenomena have presented them in particular ways, and these have directly influenced what people have made of them. In order to understand their reception, then, we need to understand their production. Hence, we shall begin, as so many of these performers did, with the performance of conjuring tricks.

Type
Chapter
Information
Extraordinary Beliefs
A Historical Approach to a Psychological Problem
, pp. 34 - 62
Publisher: Cambridge University Press
Print publication year: 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×