Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Abbreviations
- Introduction: Not ‘a Sincere and Yet Radiant World’ but ‘Trashy Imaginings’ – Representations of Popular Culture in Fitzgerald’s Short Fiction
- 1 ‘Dancing Modern Suggestive Dances that are Simply Savagery’: Fitzgerald and Ragtime Dance
- 2 The ‘Chocolate Arabesques’ of Josephine Baker: Fitzgerald and Jazz Dance
- 3 ‘Satyre upon a Saxaphone’: Fitzgerald and Music
- 4 ‘The One about Sitting on His Top Hat and Climbing up His Shirt Front’: Fitzgerald and Musical Theatre
- 5 ‘A More Glittering, a Grosser Power’: Fitzgerald and Film
- Conclusion: ‘All my Stories are Conceived Like Novels’
- Appendix: Fitzgerald’s Short Story Collections
- Notes
- Bibliography
- Index
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Abbreviations
- Introduction: Not ‘a Sincere and Yet Radiant World’ but ‘Trashy Imaginings’ – Representations of Popular Culture in Fitzgerald’s Short Fiction
- 1 ‘Dancing Modern Suggestive Dances that are Simply Savagery’: Fitzgerald and Ragtime Dance
- 2 The ‘Chocolate Arabesques’ of Josephine Baker: Fitzgerald and Jazz Dance
- 3 ‘Satyre upon a Saxaphone’: Fitzgerald and Music
- 4 ‘The One about Sitting on His Top Hat and Climbing up His Shirt Front’: Fitzgerald and Musical Theatre
- 5 ‘A More Glittering, a Grosser Power’: Fitzgerald and Film
- Conclusion: ‘All my Stories are Conceived Like Novels’
- Appendix: Fitzgerald’s Short Story Collections
- Notes
- Bibliography
- Index
Summary
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- Information
- F. Scott Fitzgerald's Short FictionFrom Ragtime to Swing Time, pp. viPublisher: Edinburgh University PressPrint publication year: 2018