Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-7drxs Total loading time: 0 Render date: 2024-07-17T07:48:17.208Z Has data issue: false hasContentIssue false

2 - A Tale of Venetian Skin: The Flaying of Marcantonio Bragadin

Published online by Cambridge University Press:  21 May 2021

Kelly DeVries
Affiliation:
Kelly DeVries is Professor of History at Loyola College, Baltimore, USA.
Mary R. Rambaran-Olm
Affiliation:
University of Glasgow, Assisting with the 'Cullen Project' in the School of Critical Studies.
Larissa Tracy
Affiliation:
Associate Professor in Medieval Literature, Longwood University
Get access

Summary

ON 24 November 1961, with very little fanfare and almost no audience – only far-removed descendants and a few scientists – a niche tomb in the Basilica di Santi Giovanni e Paolo was opened. It was not entirely known what would be found. For many years, locals suspected that there would be nothing, that the legends were false. The tomb, marked on its outside by an urn, a bust and an identifying inscription, was that of Marcantonio Bragadin, the heroic Venetian defender of Famagusta during the attack of the Ottoman Turks in 1570–1.

Inside the tomb was a leaden casket, too short to carry a body. But, then again, it was not a body that had been interred. When opened, several pieces of skin were revealed – the skin of one who had been flayed alive. Beyond the presence of skin, however, accounts from 1961 report little else. For this, one must go to a description from the 1596 transmission of Bragadin's skin from the Venetian church where it first rested, San Gregorio, to the Basilica di Santi Giovanni e Paulo:

Esa era piegata in ampiezza d’un foglio di carta, salda e palpabile come fosse un pannolino; vi si vedevano i peli del petto ancora attaccati, et alla mano destra, che era scorticata, la dita non compiute di scorticare con l’unghie che sembravano ancora vive.

[[The skin] was folded to a size of a sheet of paper, solid and palpable as a napkin; they could see his chest hair still attached, and on the right hand, which was flayed, was a nail that still seemed alive].

Between 1571 and 1596 the flayed skin had already travelled widely and, at a time when the Venetian governmental leadership was touting victory at Lepanto as a sign of future success, Bragadin's skin reminded the citizens of Venice of their defeat at Cyprus and what the past had already brought. Bragadin's skin was a testament to his people that flaying was one vicious, inhumane effect of fighting a vicious, inhumane enemy; the maintenance of this legendary artefact was a powerful reminder to Venetians of their constant foe, the Ottoman Turks.

Type
Chapter
Information
Flaying in the Pre-Modern World
Practice and Representation
, pp. 51 - 70
Publisher: Boydell & Brewer
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×