Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-thh2z Total loading time: 0 Render date: 2024-08-20T19:26:37.850Z Has data issue: false hasContentIssue false

2 - Complexity, endurance, accessibility, beauty, sophistication, and scholarship

Published online by Cambridge University Press:  23 December 2009

Peter L. Shillingsburg
Affiliation:
De Montfort University, Leicester
Get access

Summary

With the sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch.

– we have an interval, and then our place knows us no more … our one chance is in expanding that interval, in getting as many pulsations as possible into the given time.

Walter Pater, Studies in the History of the Renaissance (1873)

The revolution in textual studies that tumbled down the gods of “definitive texts“ and of “final authorial intentions”; that demoted the tyrants of textual control, of established texts and determinate readings; that scoffed at the idea of a unified field theory of textual studies – this textual revolution has erected in the place of tumbled gods the gods of multiplicity, comprehensiveness, and objectivity in new, attractive (mostly electronic) forms. New gods are always arising to fill the vacuums left by fallen gods.

Where once all textual scholars agreed – Fredson Bowers and James Thorpe told us on several occasions, perhaps more hopefully than accurately – that the goal of textual studies and the aim of scholarly editions was to establish the text of the author's final intentions and that the new scholarly edition, the new edited text, would become the basis for all responsible literary interpretation and criticism; where once there was, or seemed to be, this unified view of the textual scholar's task, there now stands a general agreement that that is NOT the scholars' task.

Type
Chapter
Information
From Gutenberg to Google
Electronic Representations of Literary Texts
, pp. 25 - 39
Publisher: Cambridge University Press
Print publication year: 2006

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×