The Czech-Austrian survivor H G. Adler (1910–1988) was to some extent a paradigm of the forgotten and neglected literary testifier of the Holocaust in the German language. Although a prolific polymath—novelist, lyricist, photographer, sociologist, theologian, cultural historian, among other fields—Adler's literary work received little recognition in West Germany or elsewhere during his lifetime or after his death. In this sense, Adler's battle to gain recognition for his literary work can be seen to parallel the German-language literary sphere's relationship to literature by Jewish people and by survivors in the early years following the Holocaust. Most notably, Heinrich Böll, in his Frankfurt Lectures of 1964, claimed that the very quality of Adler's work was responsible for its neglect by literary critics:

For Böll, Adler's lack of success was indicative of the wider crisis in West German society in the 1960s—its lack of a humane Heimat for the individual—which can be combatted through an ‘aesthetics of the humane’ exemplified by Adler's work. Böll makes of Adler a symbol of the ethical condition of German literature in particular, and the political condition of postwar West Germany in general.

Since the 1980s, hardly any book or article has been published about the scholar, poet and novelist that does not contain an analysis of Adler’s unjustly neglected status. The few early volumes that did engage with his work during Adler's lifetime, Buch der Freunde3 and Zu Hause im Exil4 repeatedly thematized Adler as the least known and most overlooked of writers.