Book contents
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction
- 1 A Drive-in Theatre of the Mind: Nostalgic Populism and the Déclassé Video Object
- 2 42nd Street Forever? Constructing ‘Grindhouse Cinema’ from Exhibition to Genre to Transmedia Concept
- 3 Paratexts, Pastiche and the Direct-to-video Aesthetic: Towards a Retrosploitation Mediascape
- 4 Dressed to Regress? The Retributive Politics of the Retrosploitation Pastiche
- Conclusion
- Appendix: Selected Filmography and Videography of Retrosploitation Media
- Selected Bibliography
- Index
Selected Bibliography
Published online by Cambridge University Press: 05 August 2016
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction
- 1 A Drive-in Theatre of the Mind: Nostalgic Populism and the Déclassé Video Object
- 2 42nd Street Forever? Constructing ‘Grindhouse Cinema’ from Exhibition to Genre to Transmedia Concept
- 3 Paratexts, Pastiche and the Direct-to-video Aesthetic: Towards a Retrosploitation Mediascape
- 4 Dressed to Regress? The Retributive Politics of the Retrosploitation Pastiche
- Conclusion
- Appendix: Selected Filmography and Videography of Retrosploitation Media
- Selected Bibliography
- Index
Summary
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- Type
- Chapter
- Information
- Grindhouse NostalgiaMemory, Home Video and Exploitation Film Fandom, pp. 264 - 277Publisher: Edinburgh University PressPrint publication year: 2015