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Chapter 24 - 1890–1899: Bayreuth

Published online by Cambridge University Press:  29 April 2017

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Summary

There were six festivals at Bayreuth during the 1890s and Richter conducted at four of them, Die Meistersinger in 1892 and 1899 and the Ring in 1896 and 1897. Four performances of Die Meistersinger were scheduled for 1892 but he was barely able to rehearse, as he could not free himself of his London commitments, which lasted until 4 July, nor from his operatic duties in Vienna which took him back to the capital for the first eight days of August. There were also other complications. Over the winter 1891–92 Marie fell seriously ill. She made a very slow recovery and remained unwell for most of the first half of 1892. Richter wrote from London to Cosima in June 1892 asking for understanding:

According to the rehearsal schedule I have my first orchestral call on 13 July; allow me to hold piano rehearsals with the singers (mainly the Masters and the apprentices) not before the 11th or 12th. I must first go to Vienna to fetch my wife, who fell seriously ill on 24 October 1891, and take her to Carlsbad. Also my youngest daughter, Mathilde, went down with scarlet fever during my time in London, but though she is feeling better, I would like to convince myself in person of the situation; only then would I have peace of mind to work in Bayreuth. As my mother is now too old to run the house successfully and as my poor wife only made her first attempts at walking a few days ago, the household had to be entrusted to my two oldest daughters, Richardis and Ludovika. … You have no idea what sort of winter I have spent, continually worried for the life of the mother of my children and coping at the same time with an amount of work such as I have never had before.

Cosima was very sympathetic, though she was also having to cope with Richard Strauss’ illness (a recurrence of pleurisy and bronchitis), which forced him to withdraw his services as a conductor. Instead she called upon Karl Muck to prepare Meistersinger for Richter, with a promise of two performances. After hearing him rehearse the orchestra she changed her mind but implied to Muck that it was Richter who had raised objections to his engagement as a conductor.

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Hans Richter , pp. 306 - 317
Publisher: Boydell & Brewer
Print publication year: 2016

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