Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-m42fx Total loading time: 0 Render date: 2024-07-17T18:36:42.857Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

5 - Getting to Grips with the Issue of Cultures

from SF and Change

Get access

Summary

This is a heavily revised version of the first extended piece I ever wrote about science fiction (I had been writing reviews in Peter Weston's fanzine Speculation for some time). It came out in 1969 in the Birmingham University journal Alta, of which I was at the time assistant editor. Alta was a really good idea: expensively produced (this piece came out with half a dozen book covers as illustrations) and full of interesting material relating to the university. As assistant editor I had to do some ‘science writing’, i.e., making things like developments in electron microscopy understandable to non-specialists. I remember also republishing two pieces by a strange figure on the fringes of ‘literary theory’, though it wasn't called that yet. One of the major Russian literary theorists was Mikhail Bakhtin; Mikhail – writing from Communist Russia – had a brother called Nikolai. In 1917, Nikolai was a middle-class soldier in a hussar regiment, and when the Revolution broke out it seems that some of the Bolsheviks were rude to him. He accordingly joined the White Guards, and fought for years in the terrible Russian civil war of which one sees flashes in Dr Zhivago. In the end, he had to flee, joined the French Foreign Legion, rose to be an adjutant or sergeant-major, fought the Rifs in Algeria, got shot and was invalided out with the Croix de Guerre. After which, by a natural career progression (?), he became Professor of Linguistics at Birmingham University. One could hardly find a more striking example than these two brothers of Mikhail's concept of ‘dialogism’, which becomes a theme in what follows here. Nikolai's accounts of the Revolution and the Foreign Legion had appeared in a little pamphlet, now very rare – there is a Nikolai Bakhtin Archive in the university library at Birmingham – and we republished them in Alta. The university authorities, however, did not like Alta very much, and it was soon closed down as too expensive.

Since this piece was not on disk, and I only had one file copy, I forgot about it for many years. Rereading it many years later, I was struck with horror and surprise. The horror was at how naive I had been, not to mention plain ignorant.

Type
Chapter
Information
Publisher: Liverpool University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×