Works Cited
Published online by Cambridge University Press: 05 October 2015
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Hemingway, Style, and the Art of Emotion , pp. 259 - 266Publisher: Cambridge University PressPrint publication year: 2015
References
Works Cited
Ashley, Schulyer. “Hemingway Leads Young Ineffectuals Through Europe.” The Kansas City Star, December 4, 1926, in Nagel, Critical Essays on Ernest Hemingway’s The Sun Also Rises, 39–41.Google Scholar
Baker, Carlos. Hemingway: The Writer as Artist. Princeton: Princeton University Press, 1972.Google Scholar
Balassi, William. “The Writing of The Sun Also Rises, with a Chart of Its Session- by-Session Development” in Nagel, Critical Essays on Ernest Hemingway’s The Sun Also Rises, 106–125.Google Scholar
Balzac, Honore de. Séraphina. Trans. Bell, Clara. New York: J. M. Dent and Company, 1997.Google Scholar
Beegel, Susan F. Hemingway’s Craft of Omission: Four Manuscript Examples. Ann Arbor: UMI Research Press, 1988.Google Scholar
Beegel, Susan F. Hemingway’s Neglected Short Fiction: New Perspectives. Ann Arbor: UMI Research Press, 1989.Google Scholar
Benson, Jackson J., Ed. New Critical Approaches to the Short Stories of Ernest Hemingway. Durham: Duke University Press, 1990. Reprints the essay “The Art of the Short Story.”Google Scholar
Benson, Jackson J., Ed. The Short Stories of Ernest Hemingway: Critical Essays. Durham: Duke University Press, 1975.Google Scholar
Bishop, Elizabeth. One Art: The Letters of Elizabeth Bishop. Ed. Giroux, Robert. New York: Farrar, Straus and Giroux, 1995.Google Scholar
Blake, William. The Poetry and Prose of William Blake. Ed. Erdman, David V.. Garden City, NY: Doubleday, 1970.Google Scholar
Bloom, Harold, Ed. Ernest Hemingway: Bloom’s Modern Critical Views. Philadelphia: Chelsea House, 2005.Google Scholar
Bloom, Harold, Ed. Modern Critical Interpretations: Ernest Hemingway’s The Old Man and the Sea. Philadelphia: Chelsea House, 1998.Google Scholar
Brasch, James D. “Invention from Knowledge: The Hemingway-Cowley Correspondence” in Ernest Hemingway: The Writer in Context. Edited by Nagel, James. Madison: University of Wisconsin Press, 1984, 201–236.Google Scholar
Brenner, Gerry. A Comprehensive Companion to Hemingway’s A Moveable Feast: Annotation to Interpretation. Lewiston, NY: The Edwin Mellen Press, 2000.Google Scholar
Brenner, Gerry. Concealments in Hemingway’s Works: Columbus: Ohio State University Press, 1983.Google Scholar
Broer, Lawrence R. Hemingway’s Spanish Tragedy. University, Alabama: University of Alabama Press, 1973.Google Scholar
Bruccoli, Matthew J., Ed. Conversations with Ernest Hemingway. Jackson: University of Mississippi Press, 1986.Google Scholar
Burwell, Rose Marie. Hemingway: The Postwar Years and The Posthumous Novels. New York: Cambridge University Press, 1996.Google Scholar
Cirino, Mark. Ernest Hemingway and the Geography of Memory. Ed. Cirino, Mark and Ott, Mark P.. Kent, Ohio: Kent State University Press, 2010.CrossRefGoogle Scholar
Cirino, Mark. “The Persistence of Memory and the Denial of Self in A Farewell to Arms” in Cirino and Ott, pp. 149–165.Google Scholar
Comley, Nancy R., and Scholes, Robert. Hemingway’s Genders: Rereading the Hemingway Text. New Haven: Yale University Press, 1994.CrossRefGoogle Scholar
Cowley, Malcolm. A Second Flowering: Works and Days of the Lost Generation. New York: Viking, 1973.Google Scholar
Cowley, Malcolm. “Hemingway’s Wound—And Its Consequences for American Literature” in The Georgia Review 38.2 (Spring 1984), 223–239.Google Scholar
Del Gizzo, Suzanne, and Svoboda, Frederic J., Eds. Hemingway’s The Garden of Eden: Twenty-Five Years of Criticism. Kent, Ohio: Kent State University Press, 2012.CrossRefGoogle Scholar
Donaldson, Scott. Hemingway vs. Fitzgerald: The Rise and Fall of a Literary Friendship. New York: Overlook Press, 2000.Google Scholar
Eliot, T. S. “Tradition and the Individual Talent” in Selected Prose of T. S. Eliot. Edited by Kermode, Frank. New York: Harvest Books, 1975.Google Scholar
Fiedler, Leslie. Love and Death in the American Novel (1960). Urbana: Dalkey Archive Press, 1998.Google Scholar
Fitzgerald, F. Scott. F. Scott Fitzgerald: A Life in Letters. Edited by Bruccoli, Matthew J.. New York: Scribner’s, 1994.Google Scholar
Fitzgerald, F. Scott. The Great Gatsby (1925). The Authorized Text. Edited by Bruccoli, Matthew J.. New York: Simon & Schuster, 1995.Google Scholar
Fitzgerald, F. Scott. The Letters of F. Scott Fitzgerald. Edited by Turnbull, Andrew. New York: Scribner’s. 1963.Google Scholar
Fleming, Robert E. The Face in the Mirror: Hemingway’s Writers. Tuscaloosa: University of Alabama Press, 1994.Google Scholar
Fleming, Robert E. “Second Thoughts: Hemingway’s Postscript to The Sun Also Rises” in Nagel, , Critical Essays on Ernest Hemingway’s The Sun Also Rises, 163–69.Google Scholar
Freud, Sigmund. “Mourning and Melancholia” in The Freud Reader. Edited by Gay, Peter. New York: Norton, 1989.Google Scholar
Freud, Sigmund. “The ‘Uncanny’” (1919). On Creativity and the Unconscious. New York: Harper & Row, 1958.Google Scholar
Frye, Northrop. Anatomy of Criticism. Princeton: Princeton University Press, 1957.CrossRefGoogle Scholar
Gellens, Jay, Ed. Twentieth Century Interpretations of A Farewell to Arms: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice Hall, 1970.Google Scholar
Gordimer, Nadine. “Hemingway’s Expatriates” in Telling Times: Writing and Living. Madison: University of Wisconsin Press, 2012.Google Scholar
Gould, Thomas E. “‘A Tiny Operation with Great Effect’: Authorial Revision and Editorial Emasculation in the Manuscript of Hemingway’s For Whom the Bell Tolls,” in Sanderson, 67–81.Google Scholar
Grebstein, Sheldon Norman. Hemingway’s Craft. Carbondale: Southern Illinois University Press, 1973.Google Scholar
Griffin, Peter. Along with Youth: Hemingway: The Early Years. New York: Oxford University Press, 1985.Google Scholar
Hawkins, Ruth A. Unbelievable Happiness and Final Sorrow: The Hemingway- Pfeiffer Marriage. Fayetteville: University of Arkansas Press, 2012.Google Scholar
Hemingway, Ernest. Abbreviations and titles follow the format adopted in the Cambridge edition of The Letters of Ernest Hemingway (LEH).Google Scholar
BL By-line Ernest Hemingway: Selected Articles and Dispatches of Four Decades. Edited by White, William. New York: Scribner’s, 1967.Google Scholar
CSS The Complete Short Stories of Ernest Hemingway: The Finca Vigía Edition. New York: Scribner’s, 1987.Google Scholar
DLT Dateline: Toronto: The Complete “Toronto Star” Dispatches, 1920–1924. Edited by White, William. New York: Scribner’s, 1985.Google Scholar
FTA-HLE A Farewell to Arms: The Hemingway Library Edition. New York: Scribner’s, 2012.Google Scholar
IOT In Our Time. New York: Boni and Liveright, 1925. Rev. edn. New York: Scribner’s, 1930.Google Scholar
LEH The Letters of Ernest Hemingway. Volume 1. Edited by Spanier, Sandra and Trogdon, Robert W.. New York: Cambridge University Press, 2011.Google Scholar
The Letters of Ernest Hemingway. Volume 2. Edited by Spanier, Sandra, DeFazio, Albert J. III, and Trogdon, Robert W.. New York: Cambridge University Press, 2013.Google Scholar
MF-RE A Moveable Feast: The Restored Edition. Edited by Hemingway, Seàn. New York: Scribner’s, 2009.Google Scholar
Poems Complete Poems. Edited, with an Introduction and Notes by Gerogiannis, Nicholas. Rev. edn. Lincoln: University of Nebraska Press, 1972.Google Scholar
SAR-HLE The Sun Also Rises: The Hemingway Library Edition. New York: Scribner’s, 2014.Google Scholar
SL Ernest Hemingway: Selected Letters, 1917–1961. Edited by Baker, Carlos. New York: Scribner’s, 1981.Google Scholar
TOTTC The Only Thing That Counts: The Ernest Hemingway-Maxwell Perkins Correspondence, 1925–1947. Edited by Bruccoli, Matthew J. with Trogdon, Robert W.. New York: Scribner’s, 1996.Google Scholar
UK Under Kilimanjaro. Edited by Lewis, Robert W. and Kent, Robert E. Fleming, Ohio: Kent State University Press, 2005.Google Scholar
Hemingway, Ernest. First Installment of Green Hills of Africa in Scribner’s Magazine, May 1935, Volume XCVII, No. 5.Google Scholar
Hoffman, Frederick J. “The Secret Wound” in Gellens.Google Scholar
Hovey, Richard. Hemingway: The Inward Terrain. Seattle: University of Washington Press, 1968.Google Scholar
James, Henry. Literary Criticism, Volume Two: European Works, Prefaces to the New York Edition. New York: Library of America, 1984.Google Scholar
James, Henry. Selected Letters. Ed. Edel, Leon. Boston: Harvard University Press, 1987.Google Scholar
James, William. William James: Writings 1902–1910. New York: Library of America, 1987.Google Scholar
Jenks, Tom. “Editing Hemingway: The Garden of Eden.” Hemingway Review 7.1 (1987) 30–33.Google Scholar
Jenks, Tom. “An Interview with Tom Jenks.” Dictionary of Literary Biography Yearbook. Ed. Brook, J. M.. Detroit: BCL / Gale, 1987, 82–87.Google Scholar
Jobes, Katharine T. Twentieth Century Interpretations of The Old Man and the Sea. Englewood Cliffs, NJ: Prentice Hall, 1968.Google Scholar
Keats, John. Selected Letters of John Keats. Ed. Scott, Grant F.. Cambridge: Harvard University Press, 2002.Google Scholar
Kempton, Daniel. “Sexual Transgression and Artistic Creativity in The Garden of Eden” in del Gizzo, 291–297.Google Scholar
Lamb, Robert Paul. Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story. Baton Rouge: Louisiana State University Press, 2010.Google Scholar
Lamb, Robert Paul. “The Currents of Memory: Hemingway’s ‘Big Two-Hearted River’ as Metafiction” in Cirino and Ott, 166–185.Google Scholar
Lawrence, D. H. The Works of D. H. Lawrence: Introductions and Reviews. Cambridge: Cambridge University Press, 2005.Google Scholar
Lewis, Robert E. “Hemingway in Italy: Making It Up” in Journal of Modern Literature. Vol. 9, No. 2 (May 1982), 209–236.Google Scholar
Lewis, Robert W. “The Making of Death in the Afternoon” in Nagel, Ernest Hemingway: The Writer in Context, 31–52.Google Scholar
Lewis, Wyndham. “The Dumb Ox: A Study of Ernest Hemingway” in Life and Letters, April, 1934.Google Scholar
Mellow, James R. Hemingway: A Life Without Consequences. Boston: Houghton Mifflin, 1992.Google Scholar
Milton, John. Complete Poems and Major Prose. Ed. Hughes, Merritt Y.. New York: Odyssey Press, 1957.Google Scholar
Moddelmog, Debra A., and del Gizzo, Suzanne, Eds. Ernest Hemingway in Context. New York: Cambridge University Press, 2013.Google Scholar
Moddelmog, Debra A., Reading Desire: In Pursuit of Ernest Hemingway. Ithaca: Cornell University Press, 1999.CrossRefGoogle Scholar
Nagel, James, Ed. Critical Essays on Ernest Hemingway’s The Sun Also Rises. New York: Simon & Schuster, 1995.Google Scholar
Nagel, James, Ed. Ernest Hemingway: The Writer in Context. Madison: University of Wisconsin Press, 1984.Google Scholar
Nesmith, Chris L. “The Law of an Ancient God and the Editing of Hemingway’s Garden of Eden: The Final Corrected Typescript and Galleys” in The Hemingway Review. Vol. 2. No. 2, Spring 2001, 16–36.CrossRefGoogle Scholar
Oldsey, Bernard. Ernest Hemingway: The Papers of a Writer. New York: Garland Publishing, 1981.Google Scholar
Oldsey, Bernard. Hemingway’s Hidden Craft: The Writing of A Farewell to Arms. University Park: Pennsylvania State University Press, 1979.Google Scholar
Reynolds, Michael. Hemingway’s First War: The Making of A Farewell to Arms. Princeton: Princeton University Press, 1976.Google Scholar
Reynolds, Michael. Hemingway’s Reading. 1910–1940: An Inventory. Princeton: Princeton University Press, 1981.Google Scholar
Rovit, Earl, and Brenner, Gerry. Ernest Hemingway. Revised Edition. Boston: Twayne, 1968.Google Scholar
Sanderson, Rena, Ed. Blowing the Bridge: Essays on Hemingway and For Whom the Bell Tolls. New York: Greenwood Press, 1992.Google Scholar
Sartre, Jean Paul. “An Explication of The Stranger” in Camus: A Collection of Critical Essays. Edited by Brée, Germaine. Englewood Cliffs, NJ: Prentice Hall, 1962, 108–119.Google Scholar
Smith, Paul. A Reader’s Guide to the Short Stories of Ernest Hemingway. Boston: G. K. Hall, 1989.Google Scholar
Spilka, Mark. Hemingway’s Quarrel with Androgyny. Lincoln: University of Nebraska Press, 1990.Google Scholar
Stanton, Edward F. Hemingway and Spain: A Pursuit. Seattle: University of Washington Press, 1989.Google Scholar
Stoneback, H. R. “The Priest Did Not Answer: Hemingway, the Church, the Party, and For Whom the Bell Tolls” in Sanderson, 99–112.Google Scholar
Strychacz, Thomas. Hemingway’s Theaters of Masculinity. Baton Rouge: Louisiana State University Press, 2003.Google Scholar
Svoboda, Frederic Joseph. Hemingway and The Sun Also Rises: The Crafting of a Style. Lawrence: University Press of Kansas, 1983.Google Scholar
Tavernier-Courbin, Jacqueline. Ernest Hemingway’s A Moveable Feast: The Making of A Myth. Boston: Northeastern University Press, 1991.Google Scholar
Trogdon, Robert W. “Posthumous Publications” in Moddlemog and del Gizzo, 141–150.CrossRefGoogle Scholar
Waldhorn, Arthur, ed. Ernest Hemingway: A Collection of Criticism. New York: McGraw-Hill, 1973.Google Scholar
Warren, Robert Penn. Talking with Robert Penn Warren. Eds. Watkins, Floyd C., Hiers, John T., and Weeks, Mary Louise. Athens: University of Georgia Press, 1990.Google Scholar
Wilde, Oscar. “The Critic as Artist” in The Artist as Critic: Critical Writings of Oscar Wilde. Edited by Ellmann, Richard. Chicago: University of Chicago Press, 1982.Google Scholar
Williams, Bernard. Shame and Necessity. Berkeley: University of California Press, 1994.Google Scholar
Willingham, Kathy. “Hemingway’s The Garden of Eden: Writing with the Body” in del Gizzo, 221–236.Google Scholar
Wilson, Edmund. “Hemingway: Gauge of Morale” (1939) in Bloom, , Ernest Hemingway: Bloom’s Modern Critical Views, 7–24.Google Scholar
Wilson, Edmund. The Wound and the Bow: Seven Studies in Literature. (1941). New York: Oxford University Press, 1965.Google Scholar
Wilson, Jane E. “Good Old Harris in The Sun Also Rises” in Nagel, Critical Essays on Ernest Hemingway’s The Sun Also Rises, 185–90.Google Scholar
Wordsworth, William. Wordsworth: Poetical Works. London: Oxford University Press, 1974.Google Scholar
Wyatt, David. “Hemingway’s Uncanny Beginnings.” The Georgia Review. Vol. 31 (Summer 1977), 476–501.Google Scholar
Young, Philip. Ernest Hemingway: A Reconsideration. University Park: Pennsylvania State University Press, 1966.Google Scholar