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4 - The Drunken Inkwell – Arthur Rimbaud

Published online by Cambridge University Press:  12 September 2012

Katy Masuga
Affiliation:
Paris-Sorbonne University
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Summary

Rimbaud was doomed at birth – he hadn't the ghost of a chance. Yet no one had noticed, prior to his coming, that the sun was burned out. Now, do you hear it plainly? – piteous moans smothered in sea wrack. Frabjous caterwauls, since the snails (shorn of their temples) are out in force. Oh yes, there will be more delightful little works of fantasy – that man all in black, Lewis Carroll, for instance – but the horse has been definitely disembowelled. Look no more for drunken boats, or Armageddons where dragon and eagle fight it out. Don't look for doubt's duck with the vermilion lips because we are all out of that flavor.

– Henry Miller, Stand Still Like the Hummingbird (1962)

Miller's critical study on Rimbaud, The Time of the Assassins, was first published in 1946 and 1949 in two parts by New Directions as ‘When Do Angels Cease to Resemble Themselves?’ It came after Miller's return to America in 1940 after ten years in Paris and six months in Greece, followed by a regrettable year-long road trip that became the material for the personal and minor commercial failure, The Air-Conditioned Nightmare (1945). During the interim, Miller spent a few years in southern California trying to sell his watercolours and aspiring to write Hollywood screenplays, followed by a move to the rustic and woodsy Big Sur, California. It is here where Miller finally found an agreeable, if still difficult, lifestyle, married for a third time and looking forward to raising his new daughter and son, though he was well into his fifties. In Big Sur, Miller settled permanently back in America, but not without the usual, endless financial hardships and haphazard circumstances that would always dictate the path of his life.

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Publisher: Edinburgh University Press
Print publication year: 2011

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