Hiding Making - Showing Creation: The Studio from Turner to Tacita Dean

doi:10.1017/9789048518241

Hiding Making - Showing Creation

The Studio from Turner to Tacita Dean

- Get access
  
  Check if you have access via personal or institutional login
  
  Log in Register
Cited by 4
Cited by
- 4
Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Azevedo, Teresa 2014. Entre a criação e a exposição: o museu como ateliê do artista. Breve introdução ao tema. Midas, Vol. 3, Issue. ,

CrossRef

Google Scholar

Brogniez, Laurence 2018. De L’intérieurd’artisteà l’intérieurartiste:l’atelier d’artiste, entre pierre et papier, dans le Bruxellesfin de siècle. Dix-Neuf, Vol. 22, Issue. 3-4, p. 245.

CrossRef

Google Scholar

2023. Bibliographie sélective. Romantisme, Vol. n° 202, Issue. 4, p. 92.

CrossRef

Google Scholar

Stoltz, Barbara 2023. A Nature Thing: What Does Contemporary Ecological Art Produce?. Arts, Vol. 12, Issue. 2, p. 67.

CrossRef

Google Scholar

Edited by Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann

Publisher:: Amsterdam University Press
Online publication date:: December 2020
Print publication year:: 2013
Online ISBN:: 9789048518241
DOI:: https://doi.org/10.1017/9789048518241

Subjects:: Art: General Interest, Art

Export citation

Information

Contents

Metrics

The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The essays here also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present.

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Metrics

Total number of HTML views: 0

Total number of PDF views: 0 *

Loading metrics...

Total views: 0 *

Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.

Hiding Making - Showing Creation

The Studio from Turner to Tacita Dean

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Book description

Refine List

Actions for selected content:

Contents

Frontmatter
pp 1-4

Contents
pp 5-6

Foreword
pp 7-8

Introduction
pp 9-13

PART I
pp 14-14

Introduction: Old and New Studio Topoi in the Nineteenth Century
pp 15-30

1 - Studio Matters: Materials, Instruments and Artistic Processes
pp 31-42

2 - Jean-Léon Gérôme, his Badger and his Studio
pp 43-61

3 - Showing Making in Courbet's The Painter's Studio
pp 62-72

4 - Making and Creating. The Painted Palette in Late Nineteenth-Century Dutch Painting
pp 73-85

5 - 14, rue de La Rochefoucauld. The Partial Eclipse of Gustave Moreau
pp 86-105

6 - The Artist as Centerpiece. The Image of the Artist in Studio Photographs of the Nineteenth Century
pp 106-119

PART II
pp 120-120

Introduction: Forms and Functions of the Studio from the Twentieth Century to Today
pp 121-135

7 - The Studio as Mediator
pp 136-156

8 - Accrochage in Architecture: Photographic Representations of Theo van Doesburg's Studios and Paintings
pp 157-175

9 - Studio, Storage, Legend. The Work of Hiding in Tacita Dean's Section Cinema (Homage to Marcel Broodthaers)
pp 176-187

10 - The Empty Studio: Bruce Nauman's Studio Films
pp 188-208

11 - Home Improvement and Studio Stupor. On Gregor Schneider's (Dead) House ur
pp 209-225

12 - Staging the Studio: Enacting Artful Realities through Digital Photography
pp 226-244

Epilogue: “Good Art Theory Must Smell of the Studio”
pp 245-256

Index
pp 257-262

Metrics

Full text views

Book summary page views

Hiding Making - Showing Creation

The Studio from Turner to Tacita Dean

Book description

Refine List

Actions for selected content:

Save Search

Contents

Metrics

Full text views

Book summary page views