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13 - Women's poetry since the sixties

Published online by Cambridge University Press:  22 September 2009

Stephanie Sandler
Affiliation:
Professor of Slavic Languages and Literatures Harvard University
Adele Marie Barker
Affiliation:
University of Arizona
Jehanne M. Gheith
Affiliation:
Duke University, North Carolina
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Summary

During the last four decades of the twentieth century, Russian women poets have drawn creative energy from the changing world around them despite often living and writing at odds with that world. They have endured the thaw, with its temporary recovery from years of war and terror, then stability and stagnation in the 1970s and early 1980s, turbulent reforms in the late 1980s, the Soviet Union's collapse in 1990, and, most recently, the emergence of a new Russian state. The poets in question experienced nearly all these historical stages, although some came to consciousness only after the sixties (Nina Iskrenko, Irina Ratushinskaia, Tat'iana Shcherbina, and Olesia Nikolaeva, born after 1950), and others met untimely deaths (Kari Unksova in 1983, Nina Iskrenko in 1995) or emigrated before the demise of the Soviet Union (Natal'ia Gorbanevskaia, Elizaveta Mnatsakanova, and Marina Temkina). A few are long-lived women who survived World War II and Stalin's Terror (Inna Lisnianskaia and Iunna Morits), whereas others (Mnatsakanova, Iskrenko, Ry Nikonova) are bold experimenters whose work traditionalists barely regard as poetry.

Despite differences in age, experience, poetic school, and aesthetic taste, these poets share complex views of Russian experience and Russian identity. Either because they witnessed dramatic political change, or because they left Russia, or because they always felt alienated from official life, they have found the question of Russian identity unresolved and often disturbing.

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Publisher: Cambridge University Press
Print publication year: 2002

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