Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-vpsfw Total loading time: 0 Render date: 2024-07-21T10:21:39.378Z Has data issue: false hasContentIssue false

1 - Panorama as Critical Restoration : Examining the Ephemeral Space of Viollet-le-Duc’s Study at La Vedette

Published online by Cambridge University Press:  09 June 2021

Get access

Summary

Abstract

La Vedette, the final home of French architect Eugène-Emmanuel Viollet-le- Duc, was completed in 1874 in Lausanne, Switzerland. The house contained the architect's most ambitious restoration project: the reconstitution of Mont Blanc. Spanning two walls of his study, Viollet-le-Duc constructed an idealized mountain landscape through a painted panorama. Rather than depicting an existing site, he composed the landscape by synthesizing his geological knowledge with artistic technique. The room entangled the space of restoration with the architect's private, personal, and professional life. This chapter will examine Viollet-le-Duc's use of drawing and representation as methods of restoration in order to understand the speculative nature of the panorama and its function as a critical tool for restoration: simultaneously an act of creation and reproduction.

Keywords: geology, scientific imagination, reconstruction, representation, Mont Blanc

Introduction: Architecture and geology

In September 1868, French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) made his first expedition to Mont Blanc. The trip lasted ten days, during which he traversed the Mer de Glace and the Bossons Glacier and climbed Brévent to complete his earliest panorama sketch of the celebrated peak. The voyage inaugurated a series of eight annual pilgrimages made by the architect-turned-geologist between 1868 and 1875.

Over the course of these expeditions, Viollet-le-Duc produced over five hundred drawings and sketches of the mountain range. While his early drawings were characterized by a softness of line and shadow that molded the mass and presence of the mountain, on subsequent trips his drawing style transitioned towards a more analytical technique, dissecting the disintegrating landscape piece by piece to comprehend its underlying order. These later drawings, annotated with labels, extensive notes, and explanatory sketched diagrams, demonstrate a meticulous attention to detail and a concerted effort to understand morphological processes through drawing. Ultimately, his depictions turned not only towards analysis, but towards a process of synthesis. The geoscientific laws and relationships ascertained through his Alpine investigation were synthetically applied through artistic visualizations in order to render the primitive configuration of existing topographies at the moment of their formation. Additionally, these synthetic visualizations were used to produce new typological landscape configurations.

Type
Chapter
Information
Publisher: Amsterdam University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×