Book contents
- Frontmatter
- Contenst
- List of figures
- List of tables
- Preface and acknowledgements
- 1 Preliminaries
- 2 Aural archaeology
- 3 Hearing selects intervals
- 4 The beguiling harmonic theory
- 5 The imitating voice
- 6 Hearing simultaneous pitches
- 7 Patterns in harmony
- 8 Loudness
- 9 Music through the hearing machine
- 10 A sense of direction
- 11 Time and rhythm
- 12 Conclusions
- Appendices
- 1 Interval names
- Bibliography
- Index
1 - Interval names
from Appendices
Published online by Cambridge University Press: 29 April 2017
- Frontmatter
- Contenst
- List of figures
- List of tables
- Preface and acknowledgements
- 1 Preliminaries
- 2 Aural archaeology
- 3 Hearing selects intervals
- 4 The beguiling harmonic theory
- 5 The imitating voice
- 6 Hearing simultaneous pitches
- 7 Patterns in harmony
- 8 Loudness
- 9 Music through the hearing machine
- 10 A sense of direction
- 11 Time and rhythm
- 12 Conclusions
- Appendices
- 1 Interval names
- Bibliography
- Index
Summary
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Abook%3A9781846154416/resource/name/firstPage-9781846154416apx1_p155-170_CBO.jpg)
- Type
- Chapter
- Information
- How We Hear MusicThe Relationship between Music and the Hearing Mechanism, pp. 155 - 170Publisher: Boydell & BrewerPrint publication year: 2002