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Introduction

Published online by Cambridge University Press:  12 December 2017

Dominic Wyse
Affiliation:
University College London
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Summary

Written language is a supreme achievement that distinguishes humans from animals. For many millions of people across the world, being literate gives access to vital parts of social and cultural life, and being illiterate results in more limited opportunities. For employment as an academic, journalist, and of course writer, writing is central to the work. For professional people, writing is a main vehicle for getting work done. For other jobs, writing is vital to efficient practices including health and safety. And for many people, writing as a source of pleasure, recreation, and reflection is what they value most. One thing all writers have in common is the challenge to write well. The challenge for a tiny minority is to reach ‘immortality’ in their writing, but for most people the challenge is making writing effectively reflect the meanings and messages they want to create and communicate. For children, the challenge is learning to write in the first place, and for teachers the challenge is helping their learners to do this. But in spite of the thousands of years of history of writing, and in spite of its global use today, writing has attracted less attention from researchers, particularly compared to oral language and reading.

The beginning of my exploration of writing was informed by both seminal and more recent books written by people with different kinds of relevant expertise, for example by classicists (e.g. Eric Havelock, The Muse Learns to Write), philosophers (Aristotle, On Interpretation), anthropologists (Jack Goody, The Interface between the Written and the Oral), cognitive scientists (Steven Pinker, The Language Instinct), psychologists/educationalists (David Olson, The World on Paper), linguists (David Crystal, The Stories of English), literary/media theorists (Marshall McLuhan, The Gutenberg Galaxy), journalists (Lynn Truss, Eats, Shoots & Leaves), and accounts by writers (Stephen King, On Writing). In answer to a question about the origins of his poems the poet Ted Hughes said:

Well, I have a sort of notion. Just the tail end of an idea, usually just the thread of an idea. If I can feel behind that a sort of waiting momentum, a sense of some charge there to tap, then I just plunge in. What usually happens then – inevitably I would say – is that I go off in some wholly different direction.

Type
Chapter
Information
How Writing Works
From the Invention of the Alphabet to the Rise of Social Media
, pp. 1 - 24
Publisher: Cambridge University Press
Print publication year: 2017

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  • Introduction
  • Dominic Wyse, University College London
  • Book: How Writing Works
  • Online publication: 12 December 2017
  • Chapter DOI: https://doi.org/10.1017/9781316882276.001
Available formats No formats are currently available for this content.
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  • Introduction
  • Dominic Wyse, University College London
  • Book: How Writing Works
  • Online publication: 12 December 2017
  • Chapter DOI: https://doi.org/10.1017/9781316882276.001
Available formats No formats are currently available for this content.
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Dominic Wyse, University College London
  • Book: How Writing Works
  • Online publication: 12 December 2017
  • Chapter DOI: https://doi.org/10.1017/9781316882276.001
Available formats No formats are currently available for this content.
×