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Published online by Cambridge University Press: 26 March 2021
Paul Feyerabend’s philosophy is replete with artistic metaphors. From theatre to literature, music and painting, the arts were used by Feyerabend not merely as decorative examples to showcase a form of contrived erudition, but as a coherent conceptual framework to articulate key methodological and epistemological questions. With a few isolated exceptions (Couvalis, 1987; Brown, 2009; Kidd, unpublished manuscript), philosophers of science have paid little attention to this intriguing and extremely fruitful aspect of Feyerabend’s work.
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