Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-fv566 Total loading time: 0 Render date: 2024-07-16T18:18:59.066Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  05 September 2013

Sumarsam
Affiliation:
University Professor of Music at Wesleyan University
Get access

Summary

Encountering foreign cultures has been an inescapable part of life in Asia for many centuries. Indonesians have come into contact with many cultures, three of which—Hindu, Islamic, and Western—have had significant effects on the development of their own. Each encounter has had a different character, and a hybrid culture eventually formed.

I use the term “hybrid” or “hybridity” to denote contact between cultures that bring about a wide register of multiple identity experiences and intensive cultural communication. Hybridity is concerned with intercultural encounters in which people from different traditions or worldviews come into contact with one another, followed by the changing hands of cultural artifacts. These artifacts are not only observed and handled by the recipient, but also reproduced in a variety of ways. Such an intercultural exchange brings about both change to and continuity of cultural tradition, as people in the home culture adopt, adapt, reject, or negotiate the ideology of the impinging culture. Such change and continuity will lead the tradition not only to a happy fusion and synthesis, but also to ambiguity and ambivalence; hence, the dynamic of hybridity.

When people in what is now Indonesia made contact with Hinduism and Islam, they generally expressed flexibility and tolerance toward these foreign religions and cultures; the means by which they came to Java—via trade, instead of conquest—made this possible.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Introduction
  • Sumarsam, University Professor of Music at Wesleyan University
  • Book: Javanese Gamelan and the West
  • Online publication: 05 September 2013
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Introduction
  • Sumarsam, University Professor of Music at Wesleyan University
  • Book: Javanese Gamelan and the West
  • Online publication: 05 September 2013
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Sumarsam, University Professor of Music at Wesleyan University
  • Book: Javanese Gamelan and the West
  • Online publication: 05 September 2013
Available formats
×