Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-vpsfw Total loading time: 0 Render date: 2024-07-22T07:29:59.964Z Has data issue: false hasContentIssue false

5 - Another Tale of Two Cities: Lviv and Łódź

Published online by Cambridge University Press:  10 November 2020

Maurizio Cinquegrani
Affiliation:
University of Kent
Get access

Summary

‘The return to my native city is painful.’

— Mira Hamermesh, Loving the Dead

The cinematic topography of the Holocaust, as discussed in the previous chapter, saw certain neighbourhoods playing the role of other districts of the same city. Holocaust cinema has also seen particular cities being used as sets for events that happened elsewhere, and often in places with their own specific war narratives. Agnieszka Holland's Holocaust drama W ciemności (In Darkness, 2011) is based on the true story of Leopold Socha, a sewer worker in the then Polish city of Lwów (now the Ukrainian city of Lviv) who used his knowledge of the urban sewer system to shelter a group of Jews who escaped from the local ghetto. In Darkness is entirely set in Lviv and filmed in Warsaw, Berlin, Leipzig and, in particular, in and around the city of Łódź. By setting the film in Lviv and filming in Łódź and other places, Holland adopted an approach to location shooting that has been described by François Penz and Andong Lu in terms of ‘creative geography’ – a distinct way of reading cinematic urban geographies in films that ‘reorganize the city spaces into narrative geographies where urban fragments are collaged into spatial episodes’ (2011: 14). Documentaries, on the other hand, are traditionally characterised by a topographically coherent approach to their locations, and as such they can be seen as privileged tools in the process of anchoring the memories of the extermination to the landscapes where it occurred. This chapter investigates the ways in which cinematic images of the city where In Darkness is set, Lviv, and that of one of the actual locations of Holland's film, Łódź, have been articulated in documentary films about the destruction of their Jewish communities. Before the war, both Lviv and Łódź were important cultural, religious and political centres of European Jewry. During the occupation, both cities saw the establishment of ghettos and the deportation of their Jewish populations to the death camps, with primarily Bełżec as a final destination for the Jews of Lviv and Chełmno and Auschwitz II-Birkenau for the Jews of Łódź.

Type
Chapter
Information
Journey to Poland
Documentary Landscapes of the Holocaust
, pp. 114 - 145
Publisher: Edinburgh University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×