Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- List of Abbreviations
- Introduction
- Part I Berlin 1873–1897
- Part II Wesel 1897–1902
- Part III Leipzig 1903–1918
- Part IV Intermezzo: Leipzig 1918–1920
- Part V Leipzig 1920–1929
- Part VI Leipzig 1930–1939
- Part VII Leipzig 1940–1950
- Epilogue: Musical Offering
- Bibliography
- Index
Part III - Leipzig 1903–1918
Published online by Cambridge University Press: 26 May 2022
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- List of Abbreviations
- Introduction
- Part I Berlin 1873–1897
- Part II Wesel 1897–1902
- Part III Leipzig 1903–1918
- Part IV Intermezzo: Leipzig 1918–1920
- Part V Leipzig 1920–1929
- Part VI Leipzig 1930–1939
- Part VII Leipzig 1940–1950
- Epilogue: Musical Offering
- Bibliography
- Index
Summary
[St. Thomas Church] is almost as it was about a generation ago, when, up at the organ that he had outfitted by his own means, Karl Straube performed during the night hours for a small host of delighted and musically enthusiastic students, playing the great organ works of the venerable Johann Sebastian and putting forth, virginally so to speak, the newest thing that Max Reger had just written. Then, only the quivering strips of the streetlamps scampered over the windows, and the only light glowed overwhelmingly from the organ console, amplified by the white pages of the score. But in the darkness of the nave's high arches, all the good spirits were awake.
—Franz Adam Beyerlein, “Verdunkelte Motette,” ca. 1940; StAL Thomasschule 21, undated memoir appended to Marie Luise Fischer, “Singet dem Herrn. Annalen und Chronik von St. Thomae nach vorhandenen Urkunden bearbeitet” (typescript, October 1935), 278- Type
- Chapter
- Information
- Karl Straube (1873-1950)Germany's Master Organist in Turbulent Times, pp. 89 - 90Publisher: Boydell & BrewerPrint publication year: 2022