Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-qks25 Total loading time: 0 Render date: 2024-08-15T03:37:38.617Z Has data issue: false hasContentIssue false

9 - Geopolitical Fantasy : Continental (Manchurian) Action Movies during the Cold War Era

Published online by Cambridge University Press:  16 November 2022

Get access

Summary

Abstract

This chapter looks at Korea's “continental” action movies of the 1960s and 1970s. The absence of Asianism both in state doctrine and academic pursuits lasted through the postcolonial period up until 2003. Popular culture such as movies of the 1960s and 1970s, however, has sustained its own version of Asianism, particularly in continental action movies.

Keywords: Cold War, authoritarian regime, identification, geo-fantasy

Geo-Fantasy Elsewhere

I grew up in the military dictatorship during the Cold War era, in which restrictions were not only imposed on freedom of speech, but also on freedom of travel. Hence, when I was a teenager, I occasionally went to Kimpo International Airport purely to witness an airplane take-off. The wind felt harsh in the remote airport field. I took a deep breath and was amazed to glimpse a runway and a couple of airplanes in the air. Up until the early 1980s, international travel was only allowed for the privileged, workers dispatched to “the gulf boom,” or soldiers sent to Vietnam. Their potentially enriching experiences were, however, seldom used as distinct opportunities to learn about other cultures in Asia. Travel was purely an issue of economic gain. Crossing a border by land into the Asian continent (initially via Northeast China) was also impossible from a South Korean geoperspective because of the Cold War and the partition. As the northbound direction across the Korean Peninsula was blocked to the South, there was no travel possible over land or sea to Eurasia, including China, the Soviet Union or more distant locations. The new Asia Highway project follows exactly the routes that once were completely blocked. Since we were denied the experience of travel, we entertained ourselves by playing a globe game. As we turned the globe of the Earth around, our finger would land on random points, such as Mongolia, Russia or Nigeria. This game initiated my desire to be somewhere other than where I was. Writing about this geo-fantasy constitutes an endeavour to elucidate the desire to be elsewhere that also existed in public fantasy, as expressed in films of the period (Jackson 2005).

I oftentimes reflect on the remnants of the past and try to understand the ways in which authoritarian modalities have haunted and affected the full extent of everyday life and myself.

Type
Chapter
Information
Korean Cinema in Global Contexts
Post-Colonial Phantom, Blockbuster and Trans-Cinema
, pp. 175 - 188
Publisher: Amsterdam University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×