Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction
- Music as Metaphor in Etty Hillesum’s Spirituality
- A “staretz” in Camp Westerbork: The Connections Between Slavic Orthodoxy and the Spirituality of Etty Hillesum
- Etty Hillesum: Humanity as a Task
- Etty Hillesum & Albert Konrad Gemmeker: A Twofold Analysis of the Perpetration of the Westerbork Commander
- “Now is the Time to Put into Practice: Love Your Enemies”: Several Notes on Hillesum’s “Love for Enemies” in Levenskunst
- The Cares of the Pagans: The Reading of Matthew 6:25-34 by Søren Kierkegaard and Etty Hillesum
- Dialogizing Life amidst a Culture of Death: Etty Hillesum, Dostoevsky’s Grand Inquisitor and Nazi Reductionism
- Patience and Hope in the Writings of Julian of Norwich and Etty Hillesum
- The Girl Who Could Not Kneel: Etty Hillesum and the Turn Inward
- Etty Hillesum and Charlotte Salomon: Pregnancy as a Theme in Their Lives and Works
- Wandering Beyond Words: Etty Hillesum and Clarice Lispector
- “Verbalize, Vocalize, Visualize”: Creative Death and Performative Writing in the Testimonies of Hillesum and Levi
- A “No” that Is an Affirmation: Etty Hillesum and Simone Weil Against the Laws of Force
- From Enclosure to Disclosure: Images of the Self in Etty Hillesum’s Diary
- A Story of Individuation in the Writings of Etty Hillesum: A Jungian Perspective
- Mad Midrash in the Diaries of Etty Hillesum
- The Mystery of Encounter: Poetry and Faith After Auschwitz in the Work of Paul Celan and Etty Hillesum
- Can Religion Help Heal a World Broken by Trauma?: Etty Hillesum as Our Ancestor in the Qahal Goyim
- The Contours of These Times:Etty Hillesum as Chronicler of Love Transcending Hate in Her Times, for Our Time, for All Time
- Etty Hillesum’s Hand Analysis: The Prologue to Her Diaries
- Suffering, Silence, and Wisdom in the Life of Etty Hillesum
- Feeding the Soul: Etty Hillesum’s Pedagogical and Spiritual Path
- Am I Really a Woman?: A Question About Female Identity in Etty Hillesum
- A Powerless God: Etty Hillesum and Dietrich Bonhoeffer
- New Light on Etty Hillesum’s Actions in Camp Westerbork
- “My Beloved Desk, the Best Place on this Earth”: Etty Hillesum Says Goodbye to Her Familiar Surroundings
- Etty Hillesum’s Humanism: Ethical, Philosophical and Theological Comments
- Etty Hillesum’s Struggle to See Clearly: A Story of Two Worlds
- Present Traces of a Past Existence: Through the Lens of Photography
- Etty Hillesum Bibliography
- Works on Etty Hillesum
- Index of Names and Subjects
- Index of Citations
Mad Midrash in the Diaries of Etty Hillesum
Published online by Cambridge University Press: 21 November 2020
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction
- Music as Metaphor in Etty Hillesum’s Spirituality
- A “staretz” in Camp Westerbork: The Connections Between Slavic Orthodoxy and the Spirituality of Etty Hillesum
- Etty Hillesum: Humanity as a Task
- Etty Hillesum & Albert Konrad Gemmeker: A Twofold Analysis of the Perpetration of the Westerbork Commander
- “Now is the Time to Put into Practice: Love Your Enemies”: Several Notes on Hillesum’s “Love for Enemies” in Levenskunst
- The Cares of the Pagans: The Reading of Matthew 6:25-34 by Søren Kierkegaard and Etty Hillesum
- Dialogizing Life amidst a Culture of Death: Etty Hillesum, Dostoevsky’s Grand Inquisitor and Nazi Reductionism
- Patience and Hope in the Writings of Julian of Norwich and Etty Hillesum
- The Girl Who Could Not Kneel: Etty Hillesum and the Turn Inward
- Etty Hillesum and Charlotte Salomon: Pregnancy as a Theme in Their Lives and Works
- Wandering Beyond Words: Etty Hillesum and Clarice Lispector
- “Verbalize, Vocalize, Visualize”: Creative Death and Performative Writing in the Testimonies of Hillesum and Levi
- A “No” that Is an Affirmation: Etty Hillesum and Simone Weil Against the Laws of Force
- From Enclosure to Disclosure: Images of the Self in Etty Hillesum’s Diary
- A Story of Individuation in the Writings of Etty Hillesum: A Jungian Perspective
- Mad Midrash in the Diaries of Etty Hillesum
- The Mystery of Encounter: Poetry and Faith After Auschwitz in the Work of Paul Celan and Etty Hillesum
- Can Religion Help Heal a World Broken by Trauma?: Etty Hillesum as Our Ancestor in the Qahal Goyim
- The Contours of These Times:Etty Hillesum as Chronicler of Love Transcending Hate in Her Times, for Our Time, for All Time
- Etty Hillesum’s Hand Analysis: The Prologue to Her Diaries
- Suffering, Silence, and Wisdom in the Life of Etty Hillesum
- Feeding the Soul: Etty Hillesum’s Pedagogical and Spiritual Path
- Am I Really a Woman?: A Question About Female Identity in Etty Hillesum
- A Powerless God: Etty Hillesum and Dietrich Bonhoeffer
- New Light on Etty Hillesum’s Actions in Camp Westerbork
- “My Beloved Desk, the Best Place on this Earth”: Etty Hillesum Says Goodbye to Her Familiar Surroundings
- Etty Hillesum’s Humanism: Ethical, Philosophical and Theological Comments
- Etty Hillesum’s Struggle to See Clearly: A Story of Two Worlds
- Present Traces of a Past Existence: Through the Lens of Photography
- Etty Hillesum Bibliography
- Works on Etty Hillesum
- Index of Names and Subjects
- Index of Citations
Summary
Abstract
The purpose of this essay is to examine Etty Hillesum's wartime reflections on the divine-human relation as a species of “mad midrash.” According to the modern Jewish philosopher Emil Fackenheim, mad midrash entails an inventive, theological narrative that responds to the inconceivable bond that joins the world, the divine and “the anti-world” that is Auschwitz. It is “mad” because the relation strikes as impossible, yet relation there is. In answer to such aberration, mad midrash as mad dares to voice, protest against and partially mend an unthinkable history that is the Holocaust. Hillesum's mad midrash, the author claims, involves a depiction of God without recourse and a human(e) existence that bears witness “that God lived, even in these times.” These creative theological stories express, protest and restore, in some measure, the unimaginable history that is the Holocaust. To flesh this out, the author explores the character of the diary as such; as that which proliferates in times of historical turmoil, including the Holocaust; and finally, as a type of mad midrash.
Keywords:“ mad midrash”, Auschwitz, Shoah, God, wartime diary writing, Emil Fackenheim, trauma
The purpose of this essay is to examine Etty Hillesum's wartime reflections on the divine-human relation as a species of “mad midrash.” According to the modern Jewish philosopher Emil Fackenheim, mad midrash entails an inventive, theological narrative that responds to the inconceivable bond that joins the world, the divine and “the anti-world” that is Auschwitz. It is “mad” because the relation strikes as impossible, yet relation there is. In answer to such aberration, mad midrash as mad dares to voice, protest against and partially mend an unthinkable history that is the Holocaust. Such is its spirited yet precarious aim. Hillesum's mad midrash, I claim, involves a depiction of God without recourse and a human(e) existence that bears witness “that God lived, even in these times.” These creative theological stories express, protest, and restore, in some measure, the unimaginable history that is the Holocaust. To flesh this out, I explore the character of the diary as such; as that which proliferates in times of historical turmoil, including the Holocaust; and finally, as a type of mad midrash.
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- Information
- Lasting Significance of Etty Hillesum's Writings , pp. 229 - 240Publisher: Amsterdam University PressPrint publication year: 2019