Book contents
- Law and Creativity in the Age of the Entertainment Franchise
- Series page
- Law and Creativity in the Age of the Entertainment Franchise
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Part I Introduction
- Part II The productivity of the author model: authors, collaborators and non-authors
- 2 The author strikes back
- 3 Franchises, imaginary worlds, authorship and fandom
- 4 Digital sampling and music industry practices, re-spun
- Part III Managing authorship
- Part IV Group rights and culture
- Index
4 - Digital sampling and music industry practices, re-spun
from Part II - The productivity of the author model: authors, collaborators and non-authors
Published online by Cambridge University Press: 05 November 2014
- Law and Creativity in the Age of the Entertainment Franchise
- Series page
- Law and Creativity in the Age of the Entertainment Franchise
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Part I Introduction
- Part II The productivity of the author model: authors, collaborators and non-authors
- 2 The author strikes back
- 3 Franchises, imaginary worlds, authorship and fandom
- 4 Digital sampling and music industry practices, re-spun
- Part III Managing authorship
- Part IV Group rights and culture
- Index
Summary
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Abook%3A9781139626781/resource/name/firstPage-9781139626781c4_p75-100_CBO.jpg)
- Type
- Chapter
- Information
- Law and Creativity in the Age of the Entertainment Franchise , pp. 75 - 100Publisher: Cambridge University PressPrint publication year: 2014
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