Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-n9wrp Total loading time: 0 Render date: 2024-07-18T21:16:24.679Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

14 - The Surprising Success of Dr Armstrong: Love and Economy in the Eighteenth Century

from IV - Anatomized and Aestheticized Bodies

Susan Matthews
Affiliation:
Roehampton University
Get access

Summary

John Armstrong's 1736 poem The Oeconomy of Love has recently been characterized as ‘hyperbolic masculinity’, an economy of libertinism that derives from the period's fear of effeminacy. In Conrad Brunstrom's acute commentary Armstrong ineluctably reveals his pressing knowledge of the constructed and vulnerable nature of gendered identity. For this reason, his ‘defense of masculine health emerges essentially as a paranoid effort, and gender evades his every attempt to secure and delimit its scope’. The failure of Armstrong's poem, in this account, is ‘part of a larger repeated failure to discipline the body’. Brunstrom's Armstrong is of a piece with James Sambrook's bluff, masculine failure, a man whose gendered inadequacies undermine his attempts to succeed as doctor and as writer. The surprise, then, is that out of the evident insecurities of The Oeconomy of Love and the 1744 Art of Preserving Health later writers mould a discourse of sexuality as a path to sublimity through the destruction of fixed identities. Just that model of sexuality that Armstrong tries to repress reappears in writing of the Romantic period within a discourse which stresses continuities between gendered identities. Armstrong's failure – if it is that – is the means to create a new economy of love.

The story of failure that Brunstrom and Sambrook tell is one that Armstrong himself sets in motion. In the irritable Medical Essays published in 1773, six years before he died, Armstrong explains his lack of professional success by ‘his having imprudently published a system of what every body allows to be sound Physick – only indeed that it was in verse’. Armstrong identifies the problem as his decision to make explicit that which is common sense (‘what every body allows’) – a shared set of masculine assumptions. He assumes that poetry and medicine are incompatible: writing a poem ‘upon a subject reckoned of no inconsiderable consequence to the health of mankind was, as some say, sufficient alone in this age and meridian, to have ruined him as a Physician’.

Type
Chapter
Information
Publisher: Pickering & Chatto
First published in: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×