Book contents
- Frontmatter
- Contents
- Acknowledgements
- Series Editor's Preface
- 1 Introduction: ‘Audiences to this Act’
- 2 Sound in Mind and Body: Hearing Early Modern Revenge Tragedy
- 3 ‘Sprinkled Among your Ears’: Ben Jonson, John Marston and the Cultivation of the Listening Connoisseur
- 4 ‘Caviare to the General’?: Taste, Hearing and Genre in Hamlet
- 5 Listening for Form at the Cockpit Theatre
- 6 Epilogue
- Bibliography
- Index
Acknowledgements
Published online by Cambridge University Press: 23 September 2017
- Frontmatter
- Contents
- Acknowledgements
- Series Editor's Preface
- 1 Introduction: ‘Audiences to this Act’
- 2 Sound in Mind and Body: Hearing Early Modern Revenge Tragedy
- 3 ‘Sprinkled Among your Ears’: Ben Jonson, John Marston and the Cultivation of the Listening Connoisseur
- 4 ‘Caviare to the General’?: Taste, Hearing and Genre in Hamlet
- 5 Listening for Form at the Cockpit Theatre
- 6 Epilogue
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Listening for Theatrical Form in Early Modern England , pp. vi - viiPublisher: Edinburgh University PressPrint publication year: 2016