Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-m8s7h Total loading time: 0 Render date: 2024-07-19T16:14:15.209Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Chapter 4 - Master Liszt in Manchester, 1825

from LISZT AND ENGLAND

Get access

Summary

SYNOPSIS

Liszt's unscheduled 1825 performance in Manchester of Czerny's Piano Concerto in F Major, his own improvisation on the Scots air “We're a’ Noddin” (see Illustration 10), and his compositional and/or extempore account in London of “I've been roaming’,” exhibit his amazing immediacy to engage with, or blend, various cultural genres. Again, see Illustration 8.

Liszt's pianistic exploits in London and Manchester certainly appear to have attracted the attention of Madame Vestris, Catherine Stephens, and other leading singers, who added the latter works to their repertory very shortly afterwards. Unfortunately, his precise compositional involvement with A New Grand Overture still remains a mystery.

CALENDAR OF EVENTS

[15 June] Liszt and his father arrive at Ward's house in Cheetwood.

16 and 20 June Liszt performs twice at the Theatre Royal in Manchester.

21 June Liszt and his father leave Cheetwood for the Port of London.

22 June Liszt leaves the Port of London for Boulogne-sur-mere via Calais.

CORRESPONDENCE

There are no known letters written from or to Liszt or his father.

WORKS PERFORMED BY LISZT

16 June Liszt plays Czerny's Reichstadt Waltz, Op. 15 and Op. 28 Concerto, both with orchestral accompaniment “instead of Hummell's [sic]” Grand Concerto in A minor, Op. 85, “as announced.”

20 June After the premiere of his “A New Grand Overture,” Liszt performs Herz's Air, with Grand Variations and Ries's Grand Quintette [in B minor, Op. 74], together with Messers Cudmore [violin], E[dward] Sudlow [viola], [William] Sudlow [‘cello], and [Henry] Hill [double bass].

Arrangements regarding Liszt's “Miscellaneous Concert” engagements in Manchester on 16 and 20 June 1825 were finalised by mid-May of that year. These plans almost certainly forced Liszt to abandon a prior agreement that he had made with flautist Master Minasi to perform as guest artiste at Minasi's benefit concert at the New Argyll Rooms, London, on 17 June.

Type
Chapter
Information
Liszt and England
, pp. 67 - 76
Publisher: Boydell & Brewer
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×