Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-5lx2p Total loading time: 0 Render date: 2024-07-29T02:21:02.165Z Has data issue: false hasContentIssue false

4 - The Quotation from Juliette in Fantaisies Symphoniques

Published online by Cambridge University Press:  14 May 2024

Get access

Summary

The passage from the opera Juliette which Martinů incorporated into the last movement of Fantaisies Symphoniques occurs three times in Act Two. Its first occurrence is in Scene V, at figure 23, just after Julietta encounters Michel for the second time. She meets him at the crossroads in the forest as agreed at the end of Act One. The orchestra plays alone, following these words from Julietta:

Ach, konečně! Konečně! Já jsem běžela, běžela, abych nepřišla pozdě, abych tě tu ještě našla! Ale ted’ tě zde mám! Ve svém náruči! Zajatého a jsme sami, sami dva. A celý les mlčí – poslouchej, poslouchej, poslouchej!

Oh, at last! At last! I ran and ran, so I wouldn’t be late, so I would still find you here! And now I have you here! In my arms! You are my captive, and we are alone, just we two! And the whole forest is silent – listen, listen, listen!’

The second occurrence comes later in Scene V, at figure 32. This time the voices are heard over the orchestra with the following words:

Michel: Byl bych čekal do rana. Ty jsi vyšla a řekla jsi mi…. řekla jsi mi Julietta: Miluji tě, Michel!

Michel: I would have waited until morning. You came out of the house and said to me…you said to me Julietta: I love you, Michel!

It is never really clear whether Julietta is simply completing Michel’s past statement on his behalf, or stating her present feelings, but this passage is the nearest thing the opera has to a declaration of love. Perhaps it was therefore this second occurrence which Martinů had uppermost in his mind when he composed Fantaisies Symphoniques.

The same music appears for the last time towards the end of the act, in the bars leading up to figure 87. Michel’s dream is about to come to an end – he appears distracted, unsure of what he is doing, and when he at last hears a snatch of Julietta’s song, he fails to recognise it.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×