Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-2pzkn Total loading time: 0 Render date: 2024-06-08T07:05:22.907Z Has data issue: false hasContentIssue false

Chapter Four - Bohemian Laments: Feeling Like a Woman, Thinking Like a Man. Or Not?

Published online by Cambridge University Press:  28 December 2023

Get access

Summary

THE CORPUS OF Marian laments from medieval Bohemia (approximately corresponding to the area of what is today the Czech Republic) does not, in many respects, reach the variety of devotional motifs, poetic strategies, and pragmatic schemes known from similar corpora from other European regions. The indigenous Bohemian laments also appear slightly later than did the planctus in France, Italy, and Germany, the manuscripts with the extant versions of the individual compositions coming from the fourteenth century, though it is presumed that some of them could be transcriptions of earlier works. Such comparably later occurrence of Marian lament in Bohemian literary tradition parallels the situation with other forms of writing, since, before 1300, literary production in the Czech lands was rather scarce in comparison with that of Western Europe (with outstanding exceptions of, for example, the Codex Gigas, the largest extant illuminated manuscript from medieval times, or the thirteenth-century tradition of German minnesäng cultivated in the Bohemian royal and aristocratic courts). In the first decades of the fourteenth century, with the introduction of the Luxembourg ruling dynasty to the Czech throne in the person of John the Blind (1296‒1346) and particularly of his son, Emperor Charles IV, Bohemia experienced an unprecedented cultural and economic upswell. Combined with favourable historical conditions, such as the Great Famine and the pandemics of the Black Death, which erased perhaps up to sixty percent of the population of Europe during the first half of the fourteenth century, but bypassed the Czech kingdom, the fourteenth century in the region saw breath-taking development in architecture, sculpture, panel and mural painting, and book illumina tion, as well as writing. An ambitious political, devotional, and cultural programme, enthusiastically supported by the Emperor and his circle of elite intellectuals, authors, and artists from all parts of Europe, this cultural boost was intended to raise Prague, the country's capital, to the position of the religious centre of medieval Europe, second only to Jerusalem.

Type
Chapter
Information
Medieval Laments of the Virgin Mary
Text, Music, Performance, and Genre Liminality
, pp. 169 - 198
Publisher: Amsterdam University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×