Skip to main content Accessibility help
×
Hostname: page-component-7bb8b95d7b-5mhkq Total loading time: 0 Render date: 2024-09-06T01:21:40.437Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

1 - How Many Middle Ages?

from I - TAXONOMIES

David Matthews
Affiliation:
Teaches medieval studies at the University of Manchester
Get access

Summary

In a case that came before Southwark Crown Court in 2010, a woman found guilty of slashing her lover's face with a broken glass was let off with a conditional discharge and a suspended prison sentence because the judge believed she had been threatened with medieval behaviour. During a drug-fuelled sex session – Britain's Daily Mail reported – the defendant's lover had wanted to use nipple clamps and hot wax; she had resisted, which led to an assault. Judge Michael Gledhill sounded sympathetic as he said to her, “I've seen at least two implements which looked to the untrained eye as medieval torture instruments and not surprisingly you did not want to have pain inflicted upon you.” The sex was consensual, and indeed the couple were lovers of long standing. But things got medieval, so the law stepped in.

It is easy to hear the forlorn voice of the expert in medieval studies trying to object to the stereotypes here: “How did you know they were medieval torture instruments? Do you realise that torture was illegal for much of the Middle Ages? That in fact this kind of thing really belongs to the Tudor period?” Warming to a theme, that medievalist might also want to add that the burning of witches was more a feature of the sixteenth century than the Middle Ages, and that on the whole, many practices we regard as barbaric were more prevalent in the Renaissance than in the preceding era.

That medievalist, of course, would be missing the point. In the popular view, instruments of torture are always medieval. So, too, is the burning of witches, and many another grotesque practice. This conception of the Middle Ages is deeply entrenched. A Crown Court judge knows what he means by talking about medieval practices and a tabloid newspaper editor knows that readers will understand and even take perverse pleasure in this modern manifestation of the “medieval.” Conversely, if the defence had been constructed on an objection to “Elizabethan” torture, or “Tudor” barbarism, there would have been no matrix of accepted understandings to make it effective.

Type
Chapter
Information
Medievalism
A Critical History
, pp. 13 - 42
Publisher: Boydell & Brewer
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×