Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction: Michael Mann in His Interviews
- 1 Four Minute Mile
- 2 Castle Keep
- 3 Of Vice and Mann
- 4 Manhunter: An Interview with Michael Mann
- 5 Michael Mann: Hollywood Writer–Director–Producer
- 6 Mann and His Movies
- 7 All the Corporations’ Men
- 8 Smoking Gun
- 9 “Ali Likes the Film a Lot. He's Seen it Six Times”
- 10 Paint it Black
- 11 Mann Among Men
- 12 L.A. Belongs to the Coyotes
- 13 Michael Mann Interview
- 14 A Mann's Man's World
- 15 Number One with a Bullet
- 16 The Study of Mann
- Chronology
- Filmography
- Publisher's Acknowledgments
- Index
13 - Michael Mann Interview
Published online by Cambridge University Press: 05 September 2016
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction: Michael Mann in His Interviews
- 1 Four Minute Mile
- 2 Castle Keep
- 3 Of Vice and Mann
- 4 Manhunter: An Interview with Michael Mann
- 5 Michael Mann: Hollywood Writer–Director–Producer
- 6 Mann and His Movies
- 7 All the Corporations’ Men
- 8 Smoking Gun
- 9 “Ali Likes the Film a Lot. He's Seen it Six Times”
- 10 Paint it Black
- 11 Mann Among Men
- 12 L.A. Belongs to the Coyotes
- 13 Michael Mann Interview
- 14 A Mann's Man's World
- 15 Number One with a Bullet
- 16 The Study of Mann
- Chronology
- Filmography
- Publisher's Acknowledgments
- Index
Summary
Los Angeles is so hot right now. Not like Paris Hilton's twittered catchphrase (although I suppose it is that too) but more in the sense of sweating through your fingernails. The TV weatherman has run out of superlatives to describe the 112 degree inferno blazing outside and has resorted to fanning himself theatrically and hooting at a crimson map of the Californian peninsula, dotted with swollen yellow suns. In an anonymous room in the Four Seasons, I'm in a puddle, even with the air-conditioning on full blast and a shelf full of condensation- dripping water bottles standing by. I'm checking the capillary creep under my armpits and wondering if there's time to dash upstairs and change my shirt when the door opens and Michael Mann scurries into the room, looking like he just stepped out of the fridge where they keep the talent chilled. He's around the table in a trice to take my soggy hand in a firm grip and carefully place a discreet Dictaphone down beside mine. In any other circumstances this would be unusual, but Mann's attention to detail is legendary and this recorded insurance is part of that cautious data-mining. Squat and intense, with swept-back hair matching his silver glasses and a confident grin, he sits himself down and motions his bored-looking assistant into a discreet chair in the furthest corner. All set, he takes a final check on everything around him, rolls his shoulders and cocks his head to one side, exposing a thin, transparent hearing aid that follows the contour of his inner ear, waiting for my first question.
I start off our conversation by casually remarking that the director has come full circle with his new film, Miami Vice. It's a kind-of remake of the seminal 1980s TV series that Mann originally brought to television screens worldwide as executive producer, the pop-culture defining success of which allowed him to write his own ticket in Hollywood, after his Hannibal Lecter story Manhunter and the Nazi horror of The Keep. He takes the observation with a nod, and shrugs his shoulders. “The time was right to make this one,” he says quickly and finally and we move on.
- Type
- Chapter
- Information
- Michael Mann - Cinema and TelevisionInterviews, 1980-2012, pp. 95 - 100Publisher: Edinburgh University PressPrint publication year: 2014