Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-26T03:16:57.034Z Has data issue: false hasContentIssue false

2 - Fractured Reasons and Fractured Reason in i Walked With a Zombie

Published online by Cambridge University Press:  14 July 2023

Michael Lee
Affiliation:
University of Oklahoma
Get access

Summary

Val Lewton's Dog Puke Tie

Val Lewton's second film, I Walked with a Zombie, entered pre-production before Cat People reached theaters and proved its commercial viability. The studio's marketing department harbored doubts after a screening of Cat People. RKO's head of foreign marketing criticized the film's slow pace, concluding that its market potential was “either very high or none at all.” Ed Robat, head of domestic marketing, wrote more generously of the film:

Personally I enjoyed this picture very much. It is well written, beautifully produced and acted. I’d hate to attempt to predict its box office qualities, because the “horror” is so subtly done that it may not be sufficiently obvious to the masses, so they’ll not get a kick out of the theme. But RKO can be proud of having made this picture.

Under Charles Koerner, the studio did not need to feel proud of its pictures, so Lewton enjoyed no clout as yet for having “saved the studio” with his horror programmer. This situation explains the hectoring Lewton received from Lew Ostrow, head of “B” production.

Ostrow hated Cat People. A few days into shooting, he tried to have Jacques Tourneur, Lewton's handpicked director, removed from the film. Koerner ultimately overruled Ostrow. Then, after a test screening of the finished film for RKO executives, Ostrow ordered Lewton and Tourneur to take the leopard from the zoo scenes back to the ship drafting office to add footage of Irena in cat form into the final film. Ostrow never liked Lewton's subtlety, and his dislike can be seen in those few shadowy shots.

The title I Walked with a Zombie, again dredged up by Koerner's “system of market pre-testing,” drove Val Lewton close to despair. Worse, Lew Ostrow assigned Curt Siodmak to write the script. Siodmak had considerable experience writing horror scripts for Universal Pictures including The Wolf Man, the very film Lewton had used to illustrate everything he did not want to do.

Val Lewton detested Lew Ostrow, but he also feared unemployment. Lewton used to show his insolence toward people above him at RKO by keeping a hideously ugly tie around. He called it his “dog puke tie” and told his unit that by wearing it in the presence of men like Ostrow, he was displaying his contempt for everyone to see.

Type
Chapter
Information
Publisher: Edinburgh University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×