Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-g78kv Total loading time: 0 Render date: 2024-07-31T10:15:05.887Z Has data issue: false hasContentIssue false

Minor irritations of major concerts

Published online by Cambridge University Press:  21 March 2023

Get access

Summary

It’s at the annual Baden festival that these minor irritations make themselves painfully felt. Yet the musical director in charge has everything in his favour; no cheeseparing economies are forced upon him, nor is he fettered in any way. Monsieur Bénazet, convinced that the best approach is to allow him a free hand, doesn’t interfere in anything—except paying the bills. “Be as lavish as you like,” he says, “I’m giving you carte blanche.” Quite right too! With music, that’s the only way to produce anything fine and beautiful. You’re laughing, I see; you must be thinking of Jean Bart’s reply to Louis XIV: “Jean Bart, I’ve appointed you commander of the fleet!”

“Well done, Sire!”

Go on then, laugh! Jean Bart was right all the same. Yes, sire, you did well; it would be a good thing if sailors alone were chosen to command fleets. It would be a good thing, too, if once a Jean Bart was appointed, a Louis XIV should never start checking on his manoeuvres, making suggestions, and burdening him with his own anxieties, as in the first scene of Shakespeare’s Tempest:

Alonso, King of Naples: Good boatswain, have care. Where’s the master? Play the men.

Boatswain: I pray now, keep below.

Antonio: Where is the master, boson?

Boatswain: Do you not hear him? You mar our labour; keep your cabins; you do assist the storm.

Gonzalo: Good, yet remember whom thou hast aboard.

Boatswain: None that I more love than myself. You are a counsellor; if you can command these elements to silence, and work the peace of the present, we will not hand a rope more. Use your authority; if you cannot, give thanks you have lived so long, and make yourself ready in your cabin for the mischance of the hour, if it so hap.—Cheerly, good hearts!— Out of our way, I say.

Despite having so many resources at his disposal, and this precious freedom to use them as he wishes, it’s still a hard task for the musical director to make a success of a festival like Baden, so great is the number of small obstacles and so damaging the impact that even the slightest of them can have on the whole of an enterprise of this kind.

Type
Chapter
Information
The Musical Madhouse
An English Translation of Berlioz's <i>Les Grotesques de la musique</i>
, pp. 75 - 78
Publisher: Boydell & Brewer
Print publication year: 2003

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×