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  2. Books
  3. The Musicology of Record Production
  • Cited by 42
Publisher:
Cambridge University Press
Online publication date:
September 2014
Print publication year:
2014
Online ISBN:
9781139871846
DOI:
https://doi.org/10.1017/CBO9781139871846
Subjects:
Twentieth-Century and Contemporary Music, Music, Music Performance
Information

Book description

Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.

Awards

Winner, 2015 Book Prize, International Association for the Study of Popular Music

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Contents

Contents
References

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Discography

The Beatles, 1966. Revolver, Parlophone PCS 7009.
The Beatles, 1967. Sgt. Pepper’s Lonely Hearts Club Band, Parlophone PCS 7027.
The Beatles, 1968. The Beatles, Apple Records PCS 7067/8.
Beck, 1993. Loser, Bong Load Records BL5.
Buena Vista Social Club, 1997. Buena Vista Social Club, World Circuit WCD050.
The Buggles, 1979. ‘Video Killed the Radio Star’, Island Records WIP 6524.
Cher, 1998. ‘Believe’, Warner Bros. Records 9 44576–2.
Coldplay, 2011. Mylo Xyloto, Parlophone 087 5532.
Darkthrone, 1994. Transilvanian Hunger, Peaceville Vile 43CD.
Davis, M., 1959. Kind of Blue, Columbia CS8163.
Davis, M., 1969. In a Silent Way, Columbia CS9875.
Davis, M., 1970. Bitches Brew, CBS S64010.
Decca Records, 1967. How to Give Yourself a Stereo Check-Out: Test Recordings, Decca SKL 4861.
Deep Purple, 1972. Made in Japan, Purple Records TPSP351.
Dixie Chicks, 2002. Home, Epic EPC509603–2.
Duran Duran, 1983. Seven and the Ragged Tiger, EMI EMC1654541.
Dylan, B., 1965. Bringing It All Back Home, Columbia CS9128.
Electric Light Orchestra, 1976. ‘Telephone Line’, United Artists Records UP 36264.
Eminem, 2000. ‘The Real Slim Shady’, Interscope Records 497 366–2.
Gaye, M., 1969. ‘I Heard it Through the Grapevine’, Tamla Motown TMG 686.
Gould, G., 1963. Bach: The Well Tempered Clavier, Book 1, Preludes and Fugues 1–8, Columbia Masterworks MS6408.
Harvey, P.J., 2011. Let England Shake, Island Records 2753189.
Fletcher Henderson and his Orchestra, 1924. ‘Naughty Man’, Vocalion 14935B.
Houston, W., 1992. ‘I Will Always Love You’, Arista 74321 12065 7.
The Jam, 1979. ‘The Eton Rifles’, Polydor 2059 176.
K.C. and the Sunshine Band, 1975. ‘That’s the Way (I Like it)’, RCA Victor PPBO-7018.
Kinch, S., 2006. A Day in the Life of B19: Tales of the Tower Block, Dune Records CD014.
King Crimson, 1976. ‘Epitaph/21st Century Schizoid Man’, Island Records WIP 6274.
Kings of Leon, 2008b. Only by the Night, RCA 88697–32712–2.
Led Zeppelin, 1973. Houses of the Holy, Atlantic SD 7255.
Lil’s Hot Shots, 1926. ‘Drop That Sack’, Vocalion 1037.
Louis Armstrong and His Hot Five, 1926. ‘Muskrat Ramble’, Okeh 8300.
Louis Armstrong and His Hot Five, 1927. ‘Once in a While’, Okeh 8566.
Louis Armstrong and His Hot Five, 1940. ‘Don’t Jive Me’, Columbia 36376.
Metallica, 2003. St. Anger, Vertigo 0602498653708.
The Mike Flowers Pops, 1995. ‘Wonderwall’, London Records LONCD378.
Morissette, A., 1996. ‘Ironic’, Reprise Records 9362–43700–9.
Ngcobo, S., 2004. Introducing Shiyani Ngcobo, World Music Network LC11067.
Oliveros, P., 1997. Electronic Works 1965/66, Paradigm Discs PD04.
Portishead, 1994. Dummy, Go! Beat 828 522–1.
Prince, 1987. Sign ‘O’ the Times, Paisley Park W 8399.
Public Enemy, 1990. Fear of a Black Planet, Def Jam Recordings 314 523 446-2.
Pulp, 1995. ‘Common People’, Island Records CID 613, 854 329–2.
Queen, 1975. A Night at the Opera, EMI EMTC103.
Queen, 1977. ‘We Are the Champions/We Will Rock You’, EMI 2708.
Radiohead, 2000. Kid A, Parlophone LPKIDA1.
The Raw Bar Collective, 2011. Millhouse Measures, Dublin: Copperplate RBC001.
Johnnie Ray and the Four Lads, 1951. ‘Cry’, Okeh 4–6840.
Schaeffer, P., 1948. Etude aux Chemin de Fer, Paris: Radiodiffusion-Télévision Française.
Simon, P., 1986. Graceland, Warner Bros. Records W1–25447.
Size, R., 1997. New Forms, Talkin’ Loud 534 933–2.
Skee-Lo, 1995. ‘I Wish’, Scotti Bros. Records 72392 78032–1.
Smith, P., 1975. Horses, Arista ARTY 122.
Spears, B., 2000. ‘Oops!…I Did It Again’, Jive 9250582.
Suede, 1996. Coming Up, Nude Records 4851299.
The Tornados, 1962. ‘Telstar’, Decca 45-F11494.
Turner, I. and T., 1966. ‘River Deep, Mountain High’, Philles Records 131.
U2, 1984. The Unforgettable Fire, Island Records U25.
U2, 1991. Achtung Baby, Island Records 212 110.
The Wallace Family, 2000. Tso’kam. Red Planet Records.
Wiener Philharmoniker and Solti, G., 1965. Götterdämmerung, UK: Decca 414 515–1.
Wonder, S., 1973a. Innervisions, Tamla Motown STMA 8011.
Wonder, S., 1973b. ‘Living for the City’, Tamla T54242F.

Filmography

Berlinger, J. and Sinofsky, B., 2004. Metallica: Some Kind of Monster, Radical Media/Third Eye Motion Picture Company.
Gilliam, T., 2009. The Imaginarium of Dr. Parnassus, Infinity Features Entertainment.
Kings of Leon, 2008a. OBTN Home Movies: All 24 Days, Available at: www.closertokol.com/apps/videos/videos/show/14213289-obtn-home-movies-2008-all-24-days [accessed 21 January 2014].
Longfellow, M., 2001. Classic Albums: Metallica – Metallica, Isis Productions/Eagle Rock Entertainment.
Pakula, A.J., 1976. All the President’s Men, Warner Bros.
Reiner, R., 1984. This is Spinal Tap, Embassy Pictures.
Stevens, G., 1936. Swing Time, RKO Radio Pictures.

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