Clerici, Nadia. 2002. ‘Indian voices in the European context’ in European Review of Native American Studies, Vol. 16, Issue. 2, pp.1–10
Clifford, James. 1999 [1997]. ‘Museums as contact zones’ in Representing the Nation: A Reader, ed. Boswell, David & Evans, Jessica. London & New York: Routledge, pp.435–57
Collison, Nika. 2016. ‘An unbroken line: Haida art and culture’. Paper presented at the Canada Seminar, University of Oxford, Oxford, 12 February 2016
Collison, Jisgang Nika & Levell, Nicola. 2018. ‘Curators talk: A conversation’ in BC Studies, No. 199: Indigeneities and Museums: Ongoing Conversations – Autumn 2018
Collison, Jisgang Nika, Bell, Sdaahl K’awaas Lucy & Neel, Lou-ann. 2019. Indigenous Repatriation Handbook. Royal BC Museum, Victoria
Davy, Jack. 2021. Miniaturisation on the Northwest Coast: To Leave It for Memory. University of British Columbia Press, Vancouver (forthcoming)
Glass, Aaron. 1999. ‘Review: Aboriginal Slavery on the Northwest Coast of North America by Leland Donald’ in American Indian Quarterly, Vol. 23, No. 3/4 (Summer-Autumn, 1999), pp.191–3
Janes, Robert. 2015. ‘Prologue’ in We Are Coming Home: Repatriation and the Restoration of Blackfoot Cultural Confidence. AU Press, Edmonton.
King, J. C. H. 2012. ‘Art, ambiguity and the Haida Collection at the British Museum’ in American Indian Art Magazine, Vol. 38, No.1, pp.56–65.
Livne, Inbal. 2020. ‘Uncomfortable truths: Re-thinking the Powell Cotton story’ in Journal of Museum Ehtnography, Vol. 33 (March 2020), pp.59–74.
Norman, Taylor, 2019i. Bridging the divide: Reevaluating Native American displays in the British Museum and Horniman World Gallery. Unpublished MA thesis, SOAS. Copy of document provided to author by Norman.
Onciul, Bryony. 2015. Museums, Heritage and Indigenous Voice: Decolonizing Engagement. London & New York: Routledge
Peers, Laura & Brown, Alison K. (eds.). 2003. Museums and Source Communities: A Routledge Reader. London & New York: Routledge
Krmpotich, Cara & Peers, Laura. 2013. This Is Our Life: Haida Material Heritage and Changing Museum Practice. Vancouver: University of British Columbia Press
Pomian, Krzysztof (trans. Elizabeth Wiles-Portier). 1990 [1987]. Collectors and Curiosities: Paris and Venice, 1500–1800. Cambridge: Polity Press
Procter, Alice. 2020. The Whole Picture: The Colonial Story of the Art in Our Museums & Why We Need to Talk About It. London: Cassell
Pratt, Mary Louise. 1991. ‘Arts of the Contact Zone’ in Profession, pp.33–40
Sayet, Madeline. 2019i. Where We Belong. Play performed at Globe Theatre, 17 June 2019. Copy of script provided to author by Sayet.
Sodaro, Amy. 2018. Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence. Camden: Rutgers University Press.
Interviews
Andersen, Chris. 2019. Interview with Jack Davy for Beyond the Spectacle, 26 September 2019
Baca, Danielle. 2019. Interview with Jack Davy for Beyond the Spectacle, 6 March 2019
Brave Rock, Eugene. 2018. Interview with Jack Davy for Beyond the Spectacle, 20 August 2018
Burke, Kimonee. 2019. Interview with Jack Davy for Beyond the Spectacle, 23 September 2019
Coombes, Linda. 2019. Interview with Jack Davy for Beyond the Spectacle, 11 April 2019
Hastings Museum staff (including Damian Etherington & Eleanor Lanyon). 2019. Interview with Jack Davy for Beyond the Spectacle, 2 September 2019
Marlowe, Jenny. 2020. Interview with Jack Davy for Beyond the Spectacle, 6 & 15 May 2020
Norman, Taylor. 2019ii. Interview with Jack Davy for Beyond the Spectacle, 17 May 2019
Peters, Paula, 2019. Interview with Jack Davy for Beyond the Spectacle, 11 April 2019
Sayet, Madeline. 2019ii. Interview with Jack Davy for Beyond the Spectacle, 19 June 2019
Sense, Sarah. 2019. Interview with Jack Davy for Beyond the Spectacle, 28 August 2019
Tasi Baker, Sierra. 2018. Interview with Jack Davy for Beyond the Spectacle, 18 August 2018