The Nazi Past in Contemporary German Film: Viewing Experiences of Intimacy and Immersion

Axel Bangert

doi:10.1017/9781782044192

The Nazi Past in Contemporary German Film

Viewing Experiences of Intimacy and Immersion

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Cited by 5
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Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Bangert, Axel 2016. Screening European Heritage. p. 107.

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Knittel, Susanne 2019. Memory and Repetition. New German Critique, Vol. 46, Issue. 2, p. 171.

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Lloyd, Alexandra 2020. Documenting Trauma in Comics. p. 49.

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Bayer, Gerd 2021. Confronting the past on screens. Holocaust Studies, Vol. 27, Issue. 2, p. 147.

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Ward, James J. 2022. Beyond Nazisploitation, or the Complications of Nazism: Cinematic Representations by Lars von Trier, Volker Schlöndorff, and Quentin Tarantino. Quarterly Review of Film and Video, Vol. 39, Issue. 6, p. 1337.

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Axel Bangert

Publisher:: Boydell & Brewer
Online publication date:: February 2023
Print publication year:: 2014
Online ISBN:: 9781782044192
DOI:: https://doi.org/10.1017/9781782044192

Subjects:: Literature, Film, Area Studies, European Literature, Film, Media, Mass Communication, European Studies
Series:: Screen Cultures: German Film and the Visual

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From intimate portrayals of ordinary Germans and Nazi leaders to immersive spectacles of war and defeat, this study argues that, since 1990, German film has focused on portraying the Nazi past from within.

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The Nazi Past in Contemporary German Film

Viewing Experiences of Intimacy and Immersion

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-iv

Dedication
pp v-vi

Contents
pp vii-viii

List of Illustrations
pp ix-x

Acknowledgments
pp xi-xii

List of Abbreviations
pp xiii-xiv

Introduction
pp 1-22

1 - Close Views of Private Pasts
pp 23-54

2 - Seductive Encounters with Nazi Perpetrators
pp 55-101

3 - Immersive Spectacles of Public Pasts
pp 102-135

4 - Unifying Legacies of National History?
pp 136-161

Conclusion
pp 162-170

Filmography
pp 171-176

Bibliography
pp 177-188

Index
pp 189-199

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The Nazi Past in Contemporary German Film

Viewing Experiences of Intimacy and Immersion

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