Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-swr86 Total loading time: 0 Render date: 2024-07-18T09:23:11.015Z Has data issue: false hasContentIssue false

Chapter 6 - That Gum You Like Isn't Going to Come Back in Style: Twin Peaks 1990–1/2017, Nostalgia and the End of (Golden Age) Television

Published online by Cambridge University Press:  19 October 2023

Marcel Hartwig
Affiliation:
Universität Siegen, Germany
Andreas Rauscher
Affiliation:
Albert-Ludwigs-Universität Freiburg, Germany
Peter Niedermüller
Affiliation:
Johannes Gutenberg Universität Mainz, Germany
Get access

Summary

Introduction

The leading question of this contribution stems from a personal endeavour: How can one come to terms with Twin Peaks season 3 a.k.a. Twin Peaks: The Return (2017) or, for short, The Return. The original Twin Peaks series is important to me, both personally and professionally. In searching for clues on how Lynch and Frost thought to continue Dale Cooper's story after what was, emotionally, the worst possible ending of season 2, I started researching and reading books such as Chris Rodney's Lynch on Lynch in an early German edition (Lynch and Rodney). This was the start of my career in film studies, which I followed up with a short film Lünsch – as part of my degree programme – about two young and aspiring student film makers kidnapping Lynch in order to force him to explain his movies to them. My first engagement in lecturing at a university as a student assistant was a David Lynch film course (together with one of the editors of this volume) and my final one, years later, offered a thorough study of Twin Peaks, much to the despair of some of my students. After that, I took a turn to a broader field of interest in media studies and left ‘academia’ in 2020 for the time being. However, the very personal, even intimate, significance of the original show stuck with me.

So, naturally, I was thrilled when in 2014 Lynch himself (or whoever is behind his official Twitter account) hinted in a tweet that he and Frost were about to revisit – or to revive – Twin Peaks. He did so by quoting a famous character of the series, the otherworldly Man from Another Place: ‘Dear Twitter Friends: That gum you like is going to come back in style! #damngoodcoffee’ (Lynch). Yet three years and eighteen episodes later I could not help but wonder: Had Lynch been wrong – or even outright lying – concerning his announcement back then? A great many people loved and appreciated the limited television event, which aired in 2018, but I am convinced that I was not alone in having a different (or limited or conservative) taste about season 3.

Type
Chapter
Information
Networked David Lynch
Critical Perspectives on Cinematic Transmediality
, pp. 98 - 116
Publisher: Edinburgh University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×