Book contents
- Frontmatter
- Dedication
- Contents
- Preface
- Chronological Bibliography of Books, Articles, Book Chapters, and Musical Editions by Lewis Lockwood
- Acknowledgments
- Introduction
- Part One A Creative Life
- 1 Of Deserters and Orphans: Beethoven's Early Exposure to the Opéras-Comiques of Monsigny
- 2 “A Really Excellent and Capable Man”: Beethoven and Johann Traeg
- 3 A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven's Circle of Friends in Bonn, and a Corrected Edition of the Song “Ruf vom Berge,” WoO 147
- 4 “Where Thought Touches the Blood”: Rhythmic Disturbance as Physical Realism in Beethoven's Creative Process
- 5 The Sanctification of Beethoven in 1827–28
- Part Two Prometheus / Eroica
- 6 The Prometheus Theme and Beethoven's Shift from Avoidance to Embrace of Possibilities
- 7 Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity
- 8 “Mit Verstärkung des Orchesters”: The Orchestra Personnel at the First Public Performance of Beethoven's Eroica
- Part Three Masses
- 9 “Aber lieber Beethoven, was haben Sie denn wieder da gemacht?” Observations on the Performing Parts for the Premiere of Beethoven's Mass in C, Opus 86
- 10 Heart to Heart: Beethoven, Archduke Rudolph, and the Missa solemnis
- 11 God and the Voice of Beethoven
- Part Four Quartets
- 12 “So Here I Am, in the Middle Way”: The Autograph of the “Harp” Quartet and the Expressive Domain of Beethoven’s Second Maturity
- 13 Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127
- 14 The Autograph Score of the Slow Movement of Beethoven’s Last Quartet, Opus 135
- 15 Early German-Language Reviews of Beethoven's Late String Quartets
- Part Five Explorations
- 16 Three Movements or Four? The Scherzo Movements in Beethoven's Early Sonatas
- 17 Utopia and Dystopia Revisited: Contrasted Domains in Beethoven's Middle-Period F-Major and F-Minor Works
- 18 Schooling the Quintjäger
- 19 Cue-Staff Annotations in Beethoven's Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Opus 101
- 20 Another Little Buck Out of Its Stable
- 21 Beethoven's Cavatina, Haydn's Seasons, and the Thickness of Inscription
- List of Contributors
- Index of Works by Beethoven
- General Index
Chronological Bibliography of Books, Articles, Book Chapters, and Musical Editions by Lewis Lockwood
Published online by Cambridge University Press: 17 September 2020
Edited by
Book contents
- Frontmatter
- Dedication
- Contents
- Preface
- Chronological Bibliography of Books, Articles, Book Chapters, and Musical Editions by Lewis Lockwood
- Acknowledgments
- Introduction
- Part One A Creative Life
- 1 Of Deserters and Orphans: Beethoven's Early Exposure to the Opéras-Comiques of Monsigny
- 2 “A Really Excellent and Capable Man”: Beethoven and Johann Traeg
- 3 A Four-Leaf Clover: A Newly Discovered Cello, the Premiere of the Ninth Symphony, Beethoven's Circle of Friends in Bonn, and a Corrected Edition of the Song “Ruf vom Berge,” WoO 147
- 4 “Where Thought Touches the Blood”: Rhythmic Disturbance as Physical Realism in Beethoven's Creative Process
- 5 The Sanctification of Beethoven in 1827–28
- Part Two Prometheus / Eroica
- 6 The Prometheus Theme and Beethoven's Shift from Avoidance to Embrace of Possibilities
- 7 Beethoven at Heiligenstadt in 1802: Deconstruction, Integration, and Creativity
- 8 “Mit Verstärkung des Orchesters”: The Orchestra Personnel at the First Public Performance of Beethoven's Eroica
- Part Three Masses
- 9 “Aber lieber Beethoven, was haben Sie denn wieder da gemacht?” Observations on the Performing Parts for the Premiere of Beethoven's Mass in C, Opus 86
- 10 Heart to Heart: Beethoven, Archduke Rudolph, and the Missa solemnis
- 11 God and the Voice of Beethoven
- Part Four Quartets
- 12 “So Here I Am, in the Middle Way”: The Autograph of the “Harp” Quartet and the Expressive Domain of Beethoven’s Second Maturity
- 13 Meaningful Details: Expressive Markings in Beethoven Manuscripts, with a Focus on Opus 127
- 14 The Autograph Score of the Slow Movement of Beethoven’s Last Quartet, Opus 135
- 15 Early German-Language Reviews of Beethoven's Late String Quartets
- Part Five Explorations
- 16 Three Movements or Four? The Scherzo Movements in Beethoven's Early Sonatas
- 17 Utopia and Dystopia Revisited: Contrasted Domains in Beethoven's Middle-Period F-Major and F-Minor Works
- 18 Schooling the Quintjäger
- 19 Cue-Staff Annotations in Beethoven's Piano Works: Reflections and Examples from the Autograph of the Piano Sonata, Opus 101
- 20 Another Little Buck Out of Its Stable
- 21 Beethoven's Cavatina, Haydn's Seasons, and the Thickness of Inscription
- List of Contributors
- Index of Works by Beethoven
- General Index
- Type
- Chapter
- Information
- The New BeethovenEvolution, Analysis, Interpretation, pp. xv - xxPublisher: Boydell & BrewerPrint publication year: 2020