The Origins of the Exhibition Space (1450-1750)

Pamela Bianchi

doi:10.1017/9789048556021

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Pamela Bianchi, École Supérieure d'Art et Design, Toulon

Publisher:: Amsterdam University Press
Online publication date:: October 2023
Print publication year:: 2023
Online ISBN:: 9789048556021
DOI:: https://doi.org/10.1017/9789048556021

Series:: Spatial Imageries in Historical Perspective
Subjects:: History, Regional History Before 1500

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Before the first purpose-designed exhibition spaces and painting exhibitions emerged, showing art was mainly related to the habit of dressing up spaces for political commemorations, religious festivals, and marketing strategies. Palaces, cloisters, façades, squares, and shops became temporary and privileged venues for art display, where sociability was performed, and the idea of exhibition developed. What were those places and events? What aesthetic, cultural, social and political discourses intersected with the early idea of exhibition space? How did displaying art shape a new vocabulary within these events, and conversely, how have these occasions conditioned exhibiting practices? This book traces the origins of the exhibition space by studying its visual and written imagery in the early modern period. It reconsiders events and habits that contributed to shaping the imagery of the exhibition space, and to defining exhibition-making practices, exploring micro-histories and long-term changes.

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The Origins of the Exhibition Space (1450-1750)

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Frontmatter
pp 1-4

Table of Contents
pp 5-6

List of Illustrations
pp 7-10

Acknowledgements
pp 11-11

Dedication
pp 12-12

1 - Introduction
pp 13-28

2 - Main Topics
pp 29-56

3 - (Domestic) Interiors
pp 57-120

Spaces in Between
pp 121-130

4 - (Public) Exteriors
pp 131-178

5 - Conclusion
pp 179-184

Bibliography
pp 185-198

Index
pp 199-201

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